Madama Butterfly (Giacomo Puccini) Flashcards

1
Q

date of premiere

A

1904

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2
Q

genre

A

Italian verisimo opera (tragèdia giapponese)

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3
Q

source

A

based on a play by David Belasco

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4
Q

plot summary

A

you know this. Characters = Butterfly (Cio-Cio-San), B. F. Pinkerton, Suzuki, Sharpless, Kate, Goro, Prince Yamadori, the Bonze (uncle), and Trouble

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5
Q

librettists

A

Giuseppe Giacosa and Luigi Illica

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6
Q

setting

A

Nagasaki, Japan. ~1900.

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7
Q

Prelude: tempo

A

Allegro

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8
Q

Prelude: time signature

A

2/4

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9
Q

Prelude: key

A

C minor

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10
Q

Prelude: character

A

agitated quality through aggressive articulation, accents, incisive rhythms, and overlapping voices

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11
Q

Prelude: texture

A

contrapuntal (fugal)

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12
Q

Prelude: notes

A

vigoroso, features strings, and European polyphony in marked contrast to Japanese monophony

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13
Q

Un: context

A

Act 2, Scene 1

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14
Q

Un: form

A

ABAC

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15
Q

Un: genre

A

soprano aria

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16
Q

Un: key

A

G flat major

17
Q

Un: tempo

A

Andante molto calmo

18
Q

Un: time signature

19
Q

Un: character/mood

A

simple, yet emotional

20
Q

Un: plot

A

Response to Suzuki’s doubts that Pinkerton will return. One dine day his ship will appear on the horizon. Upon landing, he will ascend to this house in search of me. I shall hide, out of playfulness, and also so as to not die in his embrace. He will call me pet names. This is how it will be.

21
Q

Un: plot

A

Response to Suzuki’s doubts that Pinkerton will return. One dine day his ship will appear on the horizon. Upon landing, he will ascend to this house in search of me. I shall hide, out of playfulness, and also so as to not die in his embrace. He will call me pet names. This is how it will be.

22
Q

Un: texture

A

homophonic

23
Q

Un: A

A

begins high, slowly works it’s way down, contains frequent leaps of 3rds and 4ths, and employs violinata (orchestral doubling of vocal line). rubato-like effect (through rit’s rall’s etc)

24
Q

Un: B

A

“Mi metto là sul ciglio el colle”. Time signature changes to 2/4. Pentatonic minor melody implies F minor. con semplicità. recitative-like parlando style achieved through fast-repeated notes, often on same pitch, supported by orchestral chords

25
Un: A1
"per non morire al primo incontro". con forza, recommencing on high G flat on "die" (tragic foreshadowing). also quasi-parlando
26
Un: C
"Tutto questo averrà". still recitative-like. Melody rises broadly, climactic high B flat on the words "await him".
27
Characteristics of Romanticism
1. expression of emotions are central to the music 2. lyrical melody 3. wide range of dynamics and conrasts 4. Programmatic structure 5. Exoticism
28
Review and Reflection
Lyrical and expansive