Stalin's Cult of Personality Flashcards

1
Q

How was Stalin’s use of newspapers and censorship effective?

A
  • Newspapers like ‘Pravda’ and ‘Izvestiya’ were primary propaganda tools used to promote Stalinism
  • The gov controlled what could be published using the Glavit (censorship office). Stalin extended the power and scope of the Glavit and gave them lists of banned authors and publications
  • Censorship was used to remove any mention of Stalin’s former political rivals e.g. Trotsky and Kamanev removed from image of Lenin’s 1920 speech in Sverdlov Square
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2
Q

How was Stalin’s use of newspapers and censorship NOT effective?

A
  • Pravda and Izvestiya were primarily aimed at party members and it is unclear how many ordinary Russian people had access to them and actually read them
  • The oversaturation of pro-Stalin content may have been counterproductive and actually put people off Stalin e.g. Communist supporter: “everything is Stalin, Stalin, Stalin”
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3
Q

How was Stalin’s use of groups effective?

A
  • Stalin used many soviet youth organisations to indoctrinate the youth into following him e.g. Little Octobrists for under 9s, Young Pioneers for under 14s and the Komosol for 14-28 year olds
  • Komosol membership increased by 5 times from 1929-1941 showing that these groups increased in popularity thus increasing the amount of people indoctrinated into Stalinism
  • Komosol members gave labour for Stalin’s economic projects, were informants against those who criticised the party, and were flag wavers and cheerleaders in May Day parades and Stalin’s birthday celebrations
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4
Q

How was Stalin’s use of groups NOT effective?

A
  • Komosol struggled to recruit women in rural populations – during the NEP they made up only 8% - not representative
  • When they adopted class blind membership policies in 1935 there was a decline in working class youth members and dominance of better educated youth – this was counter to Communist ideology and worsened the issue of representation
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5
Q

How did the Stakhanovite Movement help Stalin?

A
  • Motivated workers to put in maximum possible effort with famous examples of Aleksei Stakhanov who reportedly mined 102 tons of coal in under 6 hours, Nikita Isotov mining 640 tons in a single shift and other pioneers including Busygin, Smetanin, and Vinogradov
  • During the first 5 Year Plan, industrial labour productivity increased by 41%, increased by 82% in the second 5 Year Plan showing these displays of dedication were not unique to a few individuals
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6
Q

How did the Stakhanovite Movement NOT help Stalin?

A

Not all workers held this sentiment, some opposed the movement and became ‘wreckers’

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7
Q

How was Stalin’s use of art and cinema effective?

A
  • The arts were manipulated to present a popular culture that emphasised the role of the ‘little man’ and Communist Party ideology
  • Artists were expected to create art that celebrated and inspired workers e.g. sculptures of the new Moscow ball-bearing factory and Dnieper power station
  • Classical art forms that reflected ‘socialist realism e.g. Shostakovich music were promoted
  • Cinema was used to promote collectivisation and the 5 Year Plans e.g. Eisenstein’s ‘October’ (1928), ‘Strike’ (1924), and ‘Battleship Potemkin’ (1925)
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8
Q

How was Stalin’s use of art and cinema NOT effective?

A

While official streams of media conformed to Stalinism and Socialist Realism, an underground popular culture emerged including songs, jokes, and poems. May political jokes focused on the country’s leaders – especially Stalin

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9
Q

What evidence is there to suggest that the cult of personality was genuine?

A
  • Millions of petitions and letters were sent to Stalin where people asked for help on issues, local officals were blamed whereas leaders like Stalin were praised
  • Stalin was often called uncle and seen as “like a father”
  • Stalin was admired by many - even those who didn’t like him respected him
  • When he died many people wept
  • Stalin was perceived as a god with superhuman abilities and wisdom - reflected in icons and images of him in people’s houses
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10
Q

What evidence is there to suggest that the cult of personality was manufactured?

A
  • “Everything is Stalin, Stalin, Stalin” - oversaturated propaganda that had made many people cynical
  • Many in the party felt that this was not how Lenin would’ve acted and favoured collective leadership
  • A substantial amount of the population (intellectuals, experienced party members, and workers) were aware of the absurdities of the cult
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