Spatialisation and surround sound Flashcards

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1
Q

How have the ears of humans and animals evolved?

A
  • Humans (and animals) have evolved
 to be binaural (have two ears), enabling
them to detect where a sound is
likely to be coming from.
  • Having two sources
of sound information
allows the brain to
 triangulate where
the sound originated.
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2
Q

What do humans and animals use the difference in level to determine?

A

A sounds rough direction

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3
Q

How does the mass of the head act like a baffle?

A

The mass of the head 
creates an acoustic
 shadow that attenuates 
the level in one ear, 
acting like a baffle.

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4
Q

How does the head also help to determine the sound source?

A

Like any baffle, the head reduces some frequencies more than others (e.g. high frequencies), thus
 providing even more information to help determine the source.

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5
Q

How does the pinna filter incoming sound?

A

The pinna subtly filters 
sounds from the rear…
(especially high-frequencies) while focusing
 sound from the front
 into the ear canal.
- This allows us to
target distant sounds
 by orienting our head.

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6
Q

Give an example of early spatialisation methods.

A

Richard Wagner’s Bayreuth Theatre (1876) - Purpose-built venue for Wagner’s ‘Ring Cycle’.
- Orchestra seated behind a screen, arranged to hide the players and balance the sound, allowing Wagner to control how the music was transmitted to the audience.

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7
Q

What were the speakers like for ‘talkies’ in early film sound?

A

In early film sound, (“talkies”) voices would appear to
come from the cinema’s single speaker, which may
not be near the image of the speaker on screen.

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8
Q

How were live music performances in cinema different?

A

Live music performances envelope the audience in sound from multiple sources:

  • Performers and instruments at different locations
  • Complex reflections off the surrounding walls
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9
Q

Who pioneered stereo recording?

A

Stereo recording and playback was pioneered in the early 1930’s by Alan Blumlein, working for EMI.

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10
Q

Give 4 innovations that Blumlein introduced with stereo.

A
  • The coincident X-Y (or “Blumlein”) pair arrangement for mics 
(for recording stereo sound)
  • Recording two grooves on records (e.g. vinyl).
  • Stereo disc-cutting head
  • A transformer to matrix left and right (sum and difference)
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11
Q

How did early recordings make overt use of stereo?

A

Sounds were positioned as the band appeared on stage

Far L/R (Drums/Bass), Centre (Lead), Far R/L (Rhythm Guitar)

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12
Q

How were early stereo recordings not ‘mono’ compatible?

A

Centre would appear louder when played back in summed mono or completely cancelled if the speakers were out of phase.
- Hence, studios recorded both mono and stereo versions.

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13
Q

How do modern recordings make more conservative use of stereo?

A
  • Conservative panning
  • Must be suitable for radio, portable audio, night clubs, etc.
  • Stereo image used to subtly separate sounds in a mix
or add spatial effects, texture, atmosphere, or depth.
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14
Q

Linear pan law: what is the formula for L and R?

A
  • L = 1-x

- R = x

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15
Q

What is an issue with the ‘phantom centre’?

A
  • Listener must be equidistant between speakers for centre effect.
  • If not, speech may not seem to originate from the image of the actor.
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16
Q

What is a common solution for issues with the phantom centre?

A
  • Centre speaker used for dialogue (and on-screen) sounds.

- Left-Centre-Right (LCR) is a common post-production mix format.

17
Q

Describe the early cinema sound of ‘Cinerama’

A
  • Developed in 1950’s.
  • 3 projector panoramic image.
  • 7 discrete channels of audio.
    (5 behind widescreen, 2 rear surround speakers)
  • Live sound engineer does fading.
18
Q

When was Dolby stereo first introduced?

A

With Star Wars in 1977

19
Q

What did Dolby stereo use a matrix to encode?

A

4 virtual ‘tracks’ on 2 analog channels (stereo)

20
Q

Why is a subwoofer (0.1) used?

A

We are not easily able to localise
 low-frequency sounds, so a single
subwoofer can be used to deliver 
all low frequency sounds, meaning
 that satellites don’t have to.

21
Q

How are cinema sound systems laid out?

A

3 speakers behind screen (L, C, R)
Many speakers on side and back walls
- Split Left/Right Surround in 5.1.
- Split Left/Right Side + Left/Right Back in 7.1