MIDI and sequencing Flashcards

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1
Q

List 3 things that describe sequencing.

A
  • A method of controlling musical performance
  • A method of storing a musical performance
  • Analogous to sheet music/score notation
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2
Q

Build on the idea that a sequencer controls a musical performance.

A

It communicates realtime music data to synthesiser.

Does not describe sound or audio content.

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3
Q

Build on the idea that a sequencer stores a musical performance.

A

Like audio recording, sequences can be saved. Unlike audio, stored sequences can also be edited.

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4
Q

Build on the idea that a sequencer is analogous to sheet music/score notation.

A
Tells performers (e.g. synthesisers) what to play
 (e.g. notes, timing, rhythm, pitch, loudness, etc.)
Sequencers use a wide variety of UIs / digital notations 
to enable the visualisation and manipulation of music.
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5
Q

List 2 examples of early sequencers

A
  • Piano roll

- Early analogue synths that used control voltage (CV)

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6
Q

Describe MIDI In, Out and Thru

A

MIDI In - receives input to the device
MIDI Out - sends output from a device
MIDI Thru – outputs the input (copies)

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7
Q

What are MIDI messages?

A

“8”-bit binary chunks (e.g. MIDI bytes) 
often shown in hexadecimal

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8
Q

List the advantages of MIDI.

A
  • Captures a live performance
  • Can be created/edited digitally
  • MIDI files are extremely small (5-300KB)
  • Simple standard - quite easy to program
  • Ubiquitous - universal, widely compatible
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9
Q

List the disadvantages of MIDI.

A
  • Slow transmission rate
  • Timing precision issues
  • Limited expressivity
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10
Q

Describe a hardware based/MIDI recorder sequencer.

A
  • ‘Tape recorder’ paradigm
  • Record / playback MIDI
  • Can be used to layer tracks
  • Very limited editing
(easier to re-record)

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11
Q

Describe a step/pattern based sequencer.

A

e. g. Patterns of 16 steps
- Digital step sequencers
able to store and sequence
multiple patterns, and
control multiple parameters
- Also came with pre-loaded
 patterns – now familiar!
- Complex edits cumbersome
- Used for progressive styles

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12
Q

Give examples of early sequencer software.

A

Fairlight CMI Series II (1979)

MIDI sequencers - Steinberg Cubase and Notator (now logic) 1980s.

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13
Q

Describe the Atari ST.

A

1985 - 512KB or 1MB floppy drive. Integrated MIDI ports

Made it an ideal choice for home and semi-pro music making and also made it into some pro studios

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14
Q

Describe the Amiga 500

A

1987 - 512KB or 1MB RAM, floppy drive. Powerful, 256 colour graphics. 4 Chn., 8(+6)-bit Digital Audio. Digital sample-based synthesis. Tracker-style sequencers

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15
Q

What are the features of a traditional/linear timeline DAW/sequencer?

A

e. g. protools, logic
- Oriented around Arrange Window
- Based on recording a live performance
- Designed for live musicians / performers / producers
- Linear musical structure (one, unbroken long piece)

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16
Q

What are the features of a Loop/Pattern based DAW/sequencer?

A

e. g. ableton live, FL studio
- Oriented around Mixer / Loop or Pattern
- Based on building a composition gradually
- Designed for computer musicians / composers
- Non-linear musical structure (short chunks of music)