Audio fundamentals and the time domain Flashcards

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1
Q

Describe a transverse wave.

A

Displacement of the medium is at right angles to the propagation of the wave
e.g. waves in water, vibration of a string

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2
Q

Describe a longitudinal wave.

A

Displacement of the medium is parallel to the propagation of the wave (direction of travel)
e.g. a “slinky”, sound waves in air

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3
Q

What is the speed of sound?

A

340 m/s

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4
Q

What is sound faster through?

A

More dense media. e.g water, solid objects and varies with temperature.

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5
Q

What is wavelength?

A

The length of one period (or cycle) of a waveform .

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6
Q

What is frequency?

A

The rate at which the wavelength or period repeats.

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7
Q

What does phase describe?

A

The position within a single cycle. Often described in terms of angles.
The phase relationship of 2 similar signals is also important when they are added together.

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8
Q

Describe 2 waves ‘in’ phase.

A

They combine to double the amplitude (constructive interference).

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9
Q

What happens if 2 waves are 180 degrees ‘out’ of phase?

A

Silence

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10
Q

Describe standing waves.

A

In enclosed spaces (e.g. rooms, instruments), the reflection of sounds can combine to produce a phenomena known as standing waves.

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11
Q

What is the unit for time in digital audio and DSP programming?

A

Samples - Divide seconds by samples-per-second
(e.g. 44100Hz sample-rate for CD quality audio)

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12
Q

What is an important advantage of wire/tape based systems?

A

The ability to easily cut and rejoin recordings, e.g. sound editing.

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13
Q

How were paper/plastic based tapes better than steel tape?

A
  • Paper/plastic-based tapes had a clear advantage being more malleable and enabling cuts with a razor blade (or scissors) and rejoining with adhesive tape – known as the tape splice.
  • The angle of the cut could be used to create a cross-fade.
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14
Q

What type of wave could magnetic tape be compared to?

A

Longitudinal

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15
Q

What is music concrete?

A

Found sound” as music - pioneered by Pierre Schaffer (late 40s/50s)

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16
Q

Give 2 examples of uncompressed audio formats.

A

WAV (Microsoft Wave)
AIFF (Apple’s Audio Interchange File Format)
- Such formats have similar properties such as:
 sample rate, bit depth (resolution), channel count

17
Q

What should compressed formats never be used for?

A

Compressed formats, like MP3 and AAC should never be used for high-quality recording or editing, and only for final delivery (if this is appropriate) or mass online distribution.

18
Q

How can you use tape to create a cross fade?

A

Tape splicing at a 45°or 60°angle causes a natural (though short) cross-fade between parts.

19
Q

What is one way to avoid clicks?

A

One way to try and avoid clicks is to do edits on 
zero-crossings, i.e. only start / end a segment where the waveform crosses the +0dB line.

20
Q

Describe destructive editing.

A

Edits are applied to the original file.
Can be irreversible
Similar to tape editing (where the tape is actually cut).

21
Q

Describe non-destructive editing.

A
  • Made possible by faster CPUs and realtime processing.
  • No changes to the source files are needed.
  • A “playlist” or edit decision list (EDL) is used to instruct which segments of which files should play, and what effects to apply on-the-fly (fades, EQ, reverb, etc.)