Sample Rate Flashcards
It’s the number of times that information about the analogue signal is captured by the analogue to digital conversion. Most common are 44.1kHz and 48kHz (default settings for most ?). A standard audio CD has a sample rate of ?
DAWs.
44.1kHz.
For audio captured at 48kHz, the ? taking a snapshot of the analogue signal’s amplitude 48,000 times a second. Every time it’s captured it stores a string of ? numbers 16 or 24 digits long (depending on bit depth).
Sampling.
Binary.
The ? ? states that the sample rate during ADC must be twice the highest frequency of signal captured. The sample rate determines the frequency response of the ? The higher the sample rate and bit depth, the more space samples take up.
Nyquist theorem.
Sampler.
When the sample rate’s not high enough, ? can occur, when frequencies above the ? frequency are captured and incorrectly mapped to frequencies within the audible frequency range below the Nyquist frequency, causing unwanted ? in the reproduced signal.
Aliasing.
Nyquist.
Artefacts.
Most ADCs incorporate anti-aliasing filters; essentially low pass filters that are placed before the ? to remove frequencies over half the frequency of the sample rate.
ADC.
? plug-ins can be used to replicate the alias tone that would occur in vintage samplers, creating a ?-? sound.
Bitcrusher.
Lo-fi.
Analogue signal can have curves whereas a digital signal can only ever be on or off. This “? ?” is called ? and is the basis of ADC.
Closest match.
Quantisation.