Romantic Era Flashcards
Exoticism
Fascination with foreign lands and cultures
Nationalism
Patriotism expression
Influences from folk song, dance, myth and legend, historical events
Program Music
Instrumental music with extra associations like literary, poetry, and visual
Romanticism
Creative imagination and expression of emotions
Schubert’s birthplace
Austria
Schubert’s birth and death years
1797 - 1828
Schubert’s educations
Imperial chapel choir school
Antonio salieri mentored him
Instruments Schubert played
Violin
Piano
Viola
Voice
Schubert’s employment
School teacher
Schubert’s patrons
Esterházy family
Genres Schubert cultivated
Combines classical and romantic traits
Increased role of piano
Hallmarks of schubert’s style
Formal structure
Juxtaposition of +/- tonality
Chromatic harmony
Unexpected modulation
Depicts elements of poems
Psychological intensity
Vocal lyricism
Personal emotions reflected
Johann Wolfgang Von Goethe
Author or the Erlkönig poem
Lied
Solo voice with piano accompaniment
Durchkomponiert
Song structure that avoids repetition of entire sections of music
Chopin’s birthplace
Poland
Chopin’s birth and death years
1810 - 1849
Chopin’s education
Counterpoint, harmony, and composition
Instruments Chopin played
Piano
Chopin’s employment
Teacher
Chopin’s patrons
Polish aristocrats
Genres Chopin cultivated
New harmonic language
New capabilities of the piano
Greater virtuosity
Hallmarks of chopin’s style
Wrote exclusively for the piano
Vocal qualities
Improv
Unusual chord spacing a
Sweeping arpeggiation
Ornamental passages
George sand
10 year love affair with Chopin
Chromaticism
Extensive use of notes outside the prevailing key signature
Polonaise
Polish Dan d in triple meter transformed into virtuosic piano composition
Rubato
“Robbed time”
Rhythmic flexibility
Berlioz’s birthplace
France
Berlioz’s birth and death years
1803 - 1869
Berlioz’s education
Medicine
Music
Instruments Berlioz played
Guitar
Flute
Berlioz’s employment
Career as a conductor
Genres Berlioz cultivated
Orchestral writing
Hallmarks of Berlioz’s style
Chromatic harmony
Thematic transformation
Cyclical forms
Harriet smithson
Berlioz’s wife
Cloches
“Bells”
Pinched percussion instrument
Col legno
“With the wood”
Players tap on the strings with wooden parts of the bows
Dies Irae
“Day of wrath”
Chanting melody
From Roman Catholic Requiem (mass for the dead)
Idée Fixe
“Fixed idea”
Recurring theme that undergoes transformation
Ophicléide
Brass instrument, does not exist anymore
Portamento
“Carrying” sliding smoothly from one note to the next
Pentatonic Scale
A scale consisting only of 5 different pitches
Verismo
“Realism”
Story lines project gritty realism
Whole-tone scale
Whole step apart