Riptide Flashcards

1
Q

Who is Vance Joy?

A

• Australian singer-songwriter signed to Atlantic Records (subsidiary of major label Warner)
• Indie-folk genre
• Riptide was Vance Joy’s first single to be released in the USA, became a platinum selling single

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2
Q

Success of Riptide music video

A

Has nearly 100 million views on YouTube

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3
Q

Seemingly low budget, unique style of Riptide music video

A

• Artists may start out with small, low budget productions which increase in scope and budget as they gain popularity and fans - Hesmondhalgh minimising risk
• Reflects the more humble conventions and style of the indie-pop genre - more artistic in this sense?

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4
Q

Women in riptide victimised

A

• shot of woman untying herself from a tree, frantic gesture codes suggest an element of danger, reinforced by jump cut of her running away from the camera

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5
Q

horror genre iconography ‘Taken away to the dark side’

A

• women victimised through shot of woman sleeping, dragged into the darkness (enigma code), facial expression of fear with mouth wide open in a scream
• motionless hands with manicured nails dragged into the darkness, reinforcing feminine helplessness and beauty construct, lowkey lighting
• repetition of similar shot, motionless legs dragged under a bed, wearing high heels to connote femininity

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6
Q

Apply Gerbner’s cultivation theory to Riptide

A

• Repeated use of horror genre iconography ‘taken away to the dark side’ positions women as the victim, reinforced stereotypes of women

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7
Q

‘I was scared of dentists and the dark’ victimisation of women

A

•Woman has metallic torture device in her mouth, reflecting how women are manipulated and coerced/ examined within patriarchal structures? Illustration of lyrics (Goodwin)
• Facial expression of wide eyes and high camera angle connotes fear, vulnerability

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8
Q

‘You’ve gone and sang the words wrong’

A

• Cut back to this shot during the chorus, each time the woman has become more injured, bruises, smudged makeup, blood from neck connoting injury - reflecting pressure on women, further illustrated through words performed wrong in subtitles ‘you’ve gone and sang the worlds wolf’

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9
Q

Uncomfortable shot of woman performing song

A

• low key lighting, shot is long making audience uncomfortable, making them question this representation
• eyes looking off to the side, enigma core

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10
Q

Woman performing song Butler

A

• physically performing, makeup, costume connotes success, these practices exhausting?
• woman performing song conventional also of music videos (Goodwin)

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11
Q

‘Taken away to the dark side’ editing

A

• sections of fast paced editing create fear and tension, conventional of horror - may be enjoyed by audience?

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12
Q

How is the damsel in distress archetype undermined in Riptide?

A

• Shot of woman freeing herself from restraints trapping her to the tree, mouth gagged. Sense of oppression, costume of denim shorts and T-shirt makes this representation more realistic and therefore more uncomfortable for the audience

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13
Q

Objectification of women (dehumanised) Van Zoonen

A

• Zoom in shot to woman taking off her swimsuit from behind, voyeuristic, motion of camera reflects male perspective? lack of representation of face dehumanises her
• repetition of shots of female legs in high heels and barefoot in close ups further dehumanise women (Van Zoonen) engaging male audience
• perhaps challenging these representation due to their lack of narrative relevance?

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14
Q

Apply bell hooks to objectification of women

A

• idealisation of thin, conventionally attractive white women in the media

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15
Q

Woman on balcony shot

A

• low angle tracking shot from behind a bush created a voyeuristic view of women
• however woman looking back at the camera through binoculars in direct address challenges this?
• woman has power also in being physically positioned high up

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16
Q

Intertextual reference hand stabbing manicured hand

A

• refers to infamous eye cutting scene in 1929 Un Chien Andalou - surrealist film, exploring violence and sexual desire

17
Q

Knife stabbing manicured hand and shot of gun connotations

A

Reflects increase in violence towards women

18
Q

Woman performing power

A

• performing in a sparkly costume connotes wealth
• spotlight on her connotes status

19
Q

‘You’re the magician’s assistant in their dream’

A

• low angle shot of woman with gesture code of hands in the air connotes power and sorcery, reinforced by lyrics
• Costume of suit stereotypically linked to masculinity (Butler) connoting status/importance/power

20
Q

‘Closes thing to Michelle Pffiefer that you’ve ever seen’

A

• Intertextual reference to celebrity within lyrics of the song illustrate status, woman in video resembles her

21
Q

Metanarrative in video

A

• men filming ‘Michelle pffiefer’ through camera equipment highlights how male producers construct representations of women as aspirational and conventionally attractive
• ‘I swear she’s destined for the screen’ - male producer holding binoculars and gesture code of shaking finger, controlling this representation

22
Q

Apply Eisenstein’s intellectual montage to Riptide

A

• complex representations encourage audience to create their own representations

23
Q

Apply bell hooks to riptide

A

• feminism is a political struggle to end the patriarchy, is the video a social comment or like many other music videos, and the industry itself, objectifying the audience for a male audience’s entertainment?

24
Q

Men as voyeurs, Male gaze theory Laura Mulvey

A

• looking through cameras and binoculars beach shot ‘I swear she’s destined for the screen’
• looking at woman balcony scene

25
Conventions of indie genre in riptide
• often takes an alternative approach to representations • often includes lo-fi videos of the artists performing - somewhat included, however Vance Joy doesn’t feature in the video • artistic style
26
Why May Vance Joy’s record label have included shocking representations of women?
First US single, trying to attract attention - necessary as USP of Vance Joy doesn’t feature in the music video
27
Who is the music video directed by, how may this have affected representations?
• Dimitri Basil and Laura Gorun - diverse representation of gender reflected?
28
Apply Guantlett’s theory of identity to Riptide
• concept of pick and mix, more diverse representations in modern day media that the audience are invited to interpret
29
Avant-garde cinema
• entered film discourse in the 1920s, originating from France Germany and Russia. • A mode of filmmaking that does not apply to mainstream cinema conventions, often adopting non-narrative forms (Riptide has no clear coherent narrative)
30
Riptide artistic and using film conventions
Opening shot makes use of cinematic style credits and information about the music is presented with a title at the bottom of the screen - graphically similar to a billing block
31
Western genre conventions in riptide
‘This cowboy’s running from himself’ - Wild West Mise en scene, cowboy bit connotes genre • man in danger, possible victimisation? - gesture code of abruptly turning around
32
Apply Roland Barthes theory of semiotics to Riptide
• shot of dollar bills accompanying lyric ‘Oh all my friends are turning green’ • naturalisation creates a myth of green connoting envy • friends have been turning green with envy at Vance Joy’s success?
33
Connection between artist and song?
• shot of open suitcase accompanied by lyric ‘This guy decided to quit his job and head to New York City’ - reflects how this is Vance Joy’s first US single
34
Andrew Goodwin’s music video theory and Riptide
Illustration of lyrics - ‘Riptide’ - shot of ocean, ‘they come unstuck’ - two ice lollies pulled apart