Raindrop Prelude - Chopin Flashcards
Time signature
4/4
4 crotchets per bar
Tempo
Sostenuto - suggests relaxed pace
rubato - borrowed time
Instrumentation
Piano – with a sustain pedal.
This piece needs a legato touch / cantabile (singing style)
Typical of Romantic music.
Structure
Ternary form (ABA) with a coda and a basic ABA structure within section A. NOTE: Stand alone prelude
Texture
Homophonic/ Melody and Accompaniment
Typical features of romantic music (extremes)
Extremes
– length of work
- numbers of instruments / huge orchestras
- number of instruments means we can have more extreme dynamics (ffff - pppp)
- pitch of instruments
Other romantic composers
Tchaikovsky
Wagner
Section A
Key is D flat major
Melody in right hand
Texture is melody dominated homophony
First three notes are falling in a broken chord
The harmony uses a constant peddle on the dominant (a flat)
Acciaccatura is used
Chromatic notes used to make harmony more interesting
By end of section, the A flat is known as G#, an enharmonic change used to lead into section B
Section B
The key goes to C# minor (enharmonic change)
The dynamics written contain lots of crescendos
Melody played in left hand
The harmony uses an inverted dominant peddle as peddle note is in right hand
An obvious change in mood
Texture is chordal
The G# is used as the pivot to take piece back to D flat major
Section A and Codetta
Section A repeated but shorter Key returns to D flat major The melody uses smorzando The tempo is slow and rubato is used There is a ritt at the end of the piece Texture is both monophonic and homophonic The Codetta is 8 bars long Peddle note drops out for 3 bars them starts again Dynamics at end are pianissimo The piece ends on a perfect cadence
What is a perfect cadence?
Fifth to first
Written in what year?
1838
Main themes of Romantic music
love, death, tragedy, fantasy, nature, folklore
Typical features of Romantic music
Huge emphasis on melody Piano pedal Less focus on formality Less emphasis on balance and more on freedom of expression. Rubato (‘robbing time’)
Melody
A section: Long, lyrical, elegant melody. Opening phrase in section A starts with a falling broken chord (or arpeggio) then a descending scale.
Use of dotted quaver semiquaver rhythms makes the melody feel light.
B section: plodding melody. Mainly in bassine – moves mainly by step.
Lots of climaxes.
Use of grace notes (acciaccaturas – tiny notes squeezed in quickly).