Quiz 4: Polyphonic mass - Italian Madrigal Flashcards

1
Q

What is a polyphonic mass?

A

A genre of music in the Renaissance which consists of polyphonic settings of the mass ordinaries

All separate mass movements are unified by a common feature

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2
Q

What are the mass ordinaries

A

Kyrie, Gloria, Credo, Sanctus, Agnus Dei

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3
Q

What genres is Ockeghem known for composing?

A

Chansons, polyphonic masses, and motets

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4
Q

Who came before Ockeghem?

A

Guillaume Dufay and Binchois

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5
Q

What is “free mass”

A

Masses that do not use any pre-existing musical material, composed of entirely new music

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6
Q

What is Missa Prolationum?

A

A very complicated contrapuntal free mass written by ockeghem

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7
Q

What is a canon?

A

A rubric or rule that tells you how to do something in a score - usually how to derive other parts from notated part.

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8
Q

what is a double canon?

A

a canon with two different notated parts from which two other parts are derived

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9
Q

What is a mensuration canon (also called prolation canon)

A

A canon where a single part must be read simultaneously in different mensurations.

A music composition where the main melody is accompanied by one or more imitation of that melody in other voices

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10
Q

There are four voices in the mass: superius, altus, tenor, bassus. Which two are notated?

A

Superius and tenor

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11
Q

Since there are two notated voices in the mass but four overall, what are the other two un-notated voices and how are they… in existence

A

They are the Altus and the Bassus, and they are DERIVED from the notated voice.

Altus from the superius and bassus from the tenor

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12
Q

What is the modern time signature equivalent of perfect time, major prolation

A

9/8

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13
Q

What is the modern time signature equivalent of Perfect time, minor Prolation

A

3/4

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14
Q

What is the modern time signature equivalent of imperfect time, major prolation

A

6/8

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15
Q

What is the modern time signature equivalent of Imperfect time, minor prolation

A

2/4

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16
Q

what is pervading imitation?

A

Where all voices are involved in repeating the same melodic material, and many or all of the phrases in the work begin with imitation

17
Q

What is the subject

A

The repeated material used in the points of imitation

18
Q

point of imitation

A

a section (subject) that you repeat in the other voices - they begin to trade it back and forth and develop it. Eventually comes to a cadence and that point of imitation is finished

19
Q

Paraphrase mass

A

musical setting of the mass ordinary that uses an elaborated version of the cantus firmus as its basis

20
Q

What is an imitation mass

A

a mass that bases each movement on all the voices of the model as a basic framework for each movement off the mass

can be based on chant or polyphonic chanson

21
Q

what are the three main features of Palestrinas music

A

Careful control of dissonance, absolute balance in melodic motion, and reserve in text expression.

22
Q

What is the Palestrina motet Veni sponsa Christi based on?

A

A gregorian antiphon of the same name

23
Q

how is Veni sponsa christi formulated… hint: paraphrase mass…

A

The four phrases of the original antiphon are used for making four subjects for four different points of imitation in the motet

24
Q

What was the reformation?

A

The split in the Roman Catholic Church over disputes in doctrine and the desire to REFORM certain church practices

25
Q

who was the initial leader of the reformation

A

Martin Luther

26
Q

What new church came from the Reformation

A

the Protestant church

27
Q

what was the counter reformation?

A

the roman catholic churches reaction to the initial reformation - where they held the council of trent to reform their own church

28
Q

What did they discuss at the council of Trent about music (what changes were implemented)

A

Move back to clear text declamation, no elaborate polyphony (so as to clear the text), and completely remove secular elements

29
Q

who is ottaviano petrucci

A

early Italian publisher of music

30
Q

What was new about the renaissance motet in contrast to the ars nova motet?

A

No layering, all voices similar in rhythmic makeup and speed; same text for all voices; imitation in all voices; 3rds and 6ths as prevalent sonorities

31
Q

Who is Orlando de Lassus

A

contemporary of palestrina, deeply expressive, many polyphonic masses

32
Q

Is the Italian madrigal international or national style

A

National - Italian. But grew out of franco-flemish polyphony

33
Q

General characteristics of italian madrigal

A

4 voices vocal secular chamber music, through composed with one stanza of text, text expression most important, alternates between homophony and points of imitation

34
Q

what is Frottola

A

Strophic, light entertainment songs for those of the court

35
Q

what is lauda

A

Religious songs of Italian confraternities

36
Q

Who led the petrarchan movement

A

Pietro Bembo

37
Q

what did bembo notice of petrarchs poetry

A

Piacevolezza - pleasingness
Gravita - severity

38
Q

what is Prima Practica

A

Music of Ockeghem-Willaert

“harmony is the mistress of the words”

39
Q

what is seconda practica

A

More modern music including monteverdi

“words are the mistress of the harmony”