quiz 2 Flashcards

1
Q

renaissance when

A

1450-1600

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2
Q

humanism

A

intellectual mvt + ethical system centered on humans + values, needs, interests, abilities, dignity, freedom; secular and sensual over sacred

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3
Q

moveable type printing press when

A

cir 1450

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4
Q

protestant/lutheran reformation when

A

early 16th cent

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5
Q

protestant/lutheran reform what

A

separation of protestant from rcc > more diversity in Christian sac music

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6
Q

moveable type printing press impact

A

music printing > more access to sacred + sec music

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7
Q

guillaume dufay when

A

1400-1474

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8
Q

dufay trained where

A

flanders!!! cambrai cathedral

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9
Q

dufay genres

A

mass, motet, magnificats, hymns, chants

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10
Q

dufay function music

A

sacred + secular

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11
Q

dufay style

A

ars nova mixed with renaissance textures and stuff

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12
Q

l’homme armé function

A

secular

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13
Q

lhomme arme texture

A

monophonic

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14
Q

lhomme arme significance

A

many secular + sacred pieces were based on it; new thing in renaissance for sacred music to be based on secular

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15
Q

word painting

A

sound of music reflects meaning of text

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16
Q

imitative polyphony

A

melody fragments passed between parts > music is easier to follow dt repetition

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17
Q

josquin des prez when

A

1440-1521

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18
Q

des prez trained where

A

flanders again!

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19
Q

des prez what

A

sacred + sec music; courtier, seen as one of greatest composers

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20
Q

motet (genre)

A

unaccomp sacred choral comp or can also be secular?? rhythmic interlude in the middle of a chant/organum

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21
Q

maddalena casulana when

A

1544-1590

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22
Q

maddalena casulana what

A

ital composer, lutenist, singer, courtier for de medicis; known for madrigals

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23
Q

casulana big accomp

A

madrigals were first by a woman to be printed

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24
Q

madrigal (genre)

A

secular, polyphonic, vernacular lang; usually setting of poetry; usually performed for royalty

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25
Q

madrigal when

A

16th cent

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26
Q

claudio monteverdi when

A

1567-1643

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27
Q

monteverdi what genres

A

most > madrigals, operas, sacred, secular; bridged renaissance + baroque

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28
Q

monteverdi worked where + did what

A

gonzaga court as viol + singer > became conductor

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29
Q

monteverdi accomps

A

“first great composer of opera”; 8 books madrigals, criticized for dissonance

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30
Q

michael praetorius when

A

1571-1621

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31
Q

praetorius what

A

composer, organist; “theater of instruments” demoed how to play + gave accurate pics of them; method books

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32
Q

praetorius type of music

A

dances, sung

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33
Q

bouree (genre)

A

french origin dance, resembles a gavotte; quick, duple time, starts with a pickup

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34
Q

pickup aka

A

quarter bar anacrusis

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35
Q

early baroque when

A

1600-1700

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36
Q

francesca caccini when

A

1587-cir 1641

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37
Q

caccini what

A

composer, singer, musician/musica, music teacher, courtier at medicis and womens court

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38
Q

caccini accomps

A

17 theatrical works, hundreds of shorter voc works

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39
Q

musica/musico

A

a musician??? or musical educator in a court

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40
Q

monody

A

vocal melody above instrumental accomp > homophonic by def

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41
Q

basso continuo/continuo/fig bass

A

accomp from fig bass > single mus line; one person plays bass, others realize fb

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42
Q

basso cont usual instruments

A

low bass, low wind, keyboard, plucked strings; usually harpsichord or organ

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43
Q

continuo group

A

instrumentation of basso cont

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44
Q

realizing fb

A

making chords out of the fb?? lol

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45
Q

improv

A

fuckin around (spontaneous adding flourishes)

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46
Q

ornamentation/embellishment

A

the notes you add when you improvise

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47
Q

opera when invented

A

1600

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48
Q

opera where invented

A

italy

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49
Q

barbara strozzi when

A

1619-1677

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50
Q

strozzi what

A

composer and singer

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51
Q

strozzi genres

A

madrigal, solo motet, aria, cantata, poetry; recurring refrains common

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52
Q

secular cantata when

A

17th cent

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53
Q

secular cantata what

A

large work for solo voc, basso cont, and sometimes other instruments; secular texts, sad or funny; division into several sections with diff styles, metres, tempos

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54
Q

secular cantata styles

A

recitative, arioso, aria

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55
Q

a cappella

A

breh

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56
Q

balletto

A

early opera genre; dancelike, strophic, with refrain

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57
Q

overture

A

instrumental piece for orchestra > introduces opera, has themes from vocal pieces

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58
Q

lament aria

A

poem or aria subcat expressing grief, regret, mourning

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59
Q

opera subgenres

A

recitative, aria

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60
Q

recitative

A

imitates speech patterns; action and dialogue of opera; nonmetrical

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61
Q

recitative ensemble

A

voice, basso cont

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62
Q

aria

A

for solo or voice, very strong beat, lyrical, repeated fragments, melismas, emotional, large ensemble

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63
Q

libretto

A

story/text of opera; usually myth, human experiences

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64
Q

librettist

A

person that writes the libretto - different from actual composer

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65
Q

libretto function + text

A

secular, vernacular

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66
Q

imit polyphony invented when

A

renaissance

67
Q

point of imitation

A

the repeated small piece of melody in imit poly

68
Q

homorhythm (texture)

A

all parts move together rhythmically; common in renaissance music

69
Q

bach nationality

A

german

70
Q

bach when

A

1685-1750

71
Q

dance importance in written inst music

A

quite bc it was used in courts Breh and there were a lot of diff genres. very important social activity and most common inst music

72
Q
A

dufay - kyrie from homme arme

73
Q
A

dufay - kyrie from homme arme

74
Q
A

dufay - kyrie from homme arme

75
Q
A

dufay - kyrie from homme arme

76
Q
A

dufay - kyrie from homme arme

77
Q

where and for who were operas first performed

A

italy, aristocrats

78
Q

dufay kyrie from homme arme genre

A

mass movement, kyrie

79
Q

dufay kyrie from homme arme text + function

A

greek, sacred

80
Q

dufay kyrie from homme arme texture

A

non-imit poly

81
Q

dufay kyrie from homme arme type of comp

A

cantus firmus based on homme arme (secular!)

82
Q
A

josquin des prez - ave maria… virgo serena

83
Q
A

josquin des prez - ave maria… virgo serena

84
Q
A

josquin des prez - ave maria… virgo serena

85
Q
A

josquin des prez - ave maria… virgo serena

86
Q
A

josquin des prez - ave maria… virgo serena

87
Q
A

josquin des prez - ave maria… virgo serena

88
Q
A

josquin des prez - ave maria… virgo serena

89
Q

des prez ave maria genre

A

high ren motet

90
Q

des prez ave maria text (lang and what)

A

latin prayer to virgin mary

91
Q

des prez ave maria ensemble

A

4 part satb a cappella

92
Q

des prez ave maria texture

A

imit poly

93
Q

des prez ave maria form

A

ternary/aba’

94
Q
A

josquin des prez - ave maria… virgo serena

95
Q
A

praetorius - bourrée from terpsichore

96
Q
A

praetorius - bourrée from terpsichore

97
Q
A

praetorius - bourrée from terpsichore

98
Q
A

praetorius - bourrée from terpsichore

99
Q

praetorius bourree genre

A

bourree (what???)

100
Q
A

praetorius - courante from terpsichore

101
Q
A

praetorius - courante from terpsichore

102
Q
A

praetorius - courante from terpsichore

103
Q
A

praetorius - courante from terpsichore

104
Q

courante

A

quicker, subdiv into 3; commonly fast running, jumping steps

105
Q

praetorius courante genre

A

courante

106
Q

praetorius courante ensemble

A

mixed consort (in the recording)

107
Q
A

maddalena casulana - morir no può il mio cuore

108
Q
A

maddalena casulana - morir no può il mio cuore

109
Q
A

maddalena casulana - morir no può il mio cuore

110
Q

casulana morir no puo il mio cuore genre

A

madrigal

111
Q

casulana morir no puo il mio cuore text lang and function

A

italian, secular (love song)

112
Q

casulana morir no puo il mio cuore ensemble

A

satb men a capp

113
Q

casulana morir no puo il mio cuore texture

A

poly, except some parts where its parallel homophony

114
Q
A

francesca caccini - lasciatemi qui solo

115
Q
A

francesca caccini - lasciatemi qui solo

116
Q
A

francesca caccini - lasciatemi qui solo

117
Q
A

francesca caccini - lasciatemi qui solo

118
Q
A

francesca caccini - lasciatemi qui solo

119
Q
A

francesca caccini - lasciatemi qui solo

120
Q
A

francesca caccini - lasciatemi qui solo

121
Q
A

francesca caccini - lasciatemi qui solo

122
Q
A

francesca caccini - lasciatemi qui solo

123
Q

caccini lasciatemi qui solo genre

A

lament aria

124
Q

caccini lasciatemi qui solo ensemble

A

soprano solo, lute, bass viol on bc

125
Q
A

francesca caccini - la liberazione di ruggierro, act 1

126
Q
A

francesca caccini - la liberazione di ruggierro, act 1

127
Q
A

francesca caccini - la liberazione di ruggierro, act 1

128
Q
A

francesca caccini - la liberazione di ruggierro, act 1

129
Q
A

francesca caccini - la liberazione di ruggierro, act 1

130
Q
A

francesca caccini - la liberazione di ruggierro, act 1

131
Q
A

francesca caccini - la liberazione di ruggierro, act 1

132
Q
A

francesca caccini - la liberazione di ruggierro, act 1

133
Q
A

francesca caccini - la liberazione di ruggierro, act 1

134
Q
A

francesca caccini - la liberazione di ruggierro, act 1

135
Q
A

francesca caccini - la liberazione di ruggierro, act 1

136
Q
A

francesca caccini - la liberazione di ruggierro, act 1

137
Q

caccini il liberazione di ruggierro dall’isola d’alcina genres in order

A

overture > recitative with sinfonia > recitative > chorus > duet > quartet > recit > final chorus > sinfonia

138
Q

sinfonia

A

instrumental interludes

139
Q
A

barbara strozzi - fin che tu spiri

140
Q
A

barbara strozzi - fin che tu spiri

141
Q
A

barbara strozzi - fin che tu spiri

142
Q
A

barbara strozzi - fin che tu spiri

143
Q
A

barbara strozzi - fin che tu spiri

144
Q
A

barbara strozzi - fin che tu spiri

145
Q
A

barbara strozzi - fin che tu spiri

146
Q
A

barbara strozzi - fin che tu spiri

147
Q
A

barbara strozzi - fin che tu spiri

148
Q
A

barbara strozzi - fin che tu spiri

149
Q
A

barbara strozzi - fin che tu spiri

150
Q
A

barbara strozzi - fin che tu spiri

151
Q
A

barbara strozzi - fin che tu spiri

152
Q
A

barbara strozzi - fin che tu spiri

153
Q
A

barbara strozzi - fin che tu spiri

154
Q
A

barbara strozzi - fin che tu spiri

155
Q
A

barbara strozzi - fin che tu spiri

156
Q

strozzi fin che tu spiri genre

A

secular cantata

157
Q

strozzi fin che tu spiri ensemble printed

A

soprano + bc

158
Q

strozzi fin che tu spiri ensemble in recording

A

soprano, lute, harpsichord, viola da gamba

159
Q

strozzi fin che tu spiri texture

A

homophony

160
Q

strozzi fin che tu spiri text + fx

A

ital, sec > unrequited love

161
Q

strozzi fin che tu spiri form

A

multi sectional > begins with aria, then recitative, then lament aria; has a refrain

162
Q

1400s people

A

dufay (00), des prez (50)

163
Q

1500s ppl

A

casulana (44), monteverdi (67), praetorius (71), caccini (87), rossi (97)

164
Q

1600s ppl

A

strozzi (19), melani (26), vivaldi (78), bach (85), handel (85)