quiz 1 Flashcards

1
Q

med period

A

450-1450

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2
Q

manuscript (ms., plural mss.)

A

HANDWRITTEN book, doc, music piece

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3
Q

sacred

A

churchy

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4
Q

secular

A

not churchy

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5
Q

liturgy

A

participation of people in work of god > mass, gospel, worship

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6
Q

plainchant

A

sung sacred text; usually latin, nonmetric, monophonic, a cappella

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7
Q

gregorian chant

A

plainchant assc with pope greg 1’s 6th cent reforms

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8
Q

mass

A

public worship

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9
Q

mass proper

A

part of mass that changes based on part of lit year

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10
Q

mass ordinary

A

always the same

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11
Q

ordinary in order

A

kyrie > gloria > credo > sanctus > agnus dei

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12
Q

church modes/modal harmony

A

basis of medieval harmonic system (scales)

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13
Q

plainchant performance practice

A

direct, responsorial, or antiphonal

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14
Q

direct performance

A

solo or unison; everyone sings same thing

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15
Q

responsorial def

A

leader does verses, choir or congregation answers with next verse or refrain > amen or hallelujah common

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16
Q

antiphonal

A

singers div into groups and alternate phrases; no leader

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17
Q

gradual

A

genre - part of mass, after epistle and before alleluia

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18
Q

alleluia

A

genre - part of mass

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19
Q

drone (part)

A

one note throughout the piece

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20
Q

earliest extant mss of secular voc music

A

12th cent

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21
Q

earliest extant mss of inst music

A

12th cent

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22
Q

notre dame school start

A

1170

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23
Q

organum

A

genre - sacred medieval polyphony > adding addl melodic lines, 1-3, to plainchant

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24
Q

troubadour/trobairitz/trouvère

A

LITERATE secular poets/composers > music for royal court

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25
Q

jongleur

A

illiterate “freelance” musicians > usually memorized music

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26
Q

estampie

A

genre, dance - usually several repeated units, monophonic, textless

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27
Q

courtier

A

person attending royal court to advise royals

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28
Q

occitan/provençal

A

language - 12th, 13th cent

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29
Q

canso

A

genre - troubadour love song, occitan

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30
Q

hortus deliciarum when

A

1175

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31
Q

hortus deliciarum what

A

big ms by herrad of landsberg > by woman for women

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32
Q

strophic form

A

same melody, diff verse

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33
Q

cantus firmus

A

new parts added to old plainchant; sacred, polyphonic

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34
Q

notre dame school when

A

12th-14th cent

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35
Q

notre dame school what

A

sacred + sec poly music

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36
Q

notre dame big composers

A

léonin, pérotin

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37
Q

notre dame big style term

A

ars antiqua

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38
Q

notre dame big genres

A

organum, motet, conductus, mass mvt

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39
Q

conductus

A

ars antiqua; performed while lectionary was carried to be read

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40
Q

conductus when

A

~1150-14th cent

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41
Q

ars antiqua big composers

A

leonin, perotin

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42
Q

ars nova style what

A

“new art” style

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43
Q

ars nova notation what

A

music notation > flexible rhythm notation, subdivisions

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44
Q

ars subtilior what

A

style - mostly secular court music, more complicated rhythm + dissonance; fixation on complexity

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45
Q

chantilly codex what

A

most extensive ars subt. ms., lots of dance, mostly french

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46
Q

guillaume da machaut when, who, what style, and big accomp

A

1300-1377; cleric, courtier, poet/musician; ars nova foremost composer, sacred + sec, earliest known complete ordinary mass setting

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47
Q

da machaut big thing

A

earliest extant complete ordinary mass setting, notre dame mass

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48
Q

a cappella

A

duh

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49
Q

ensemble

A

timbres heard in the piece > voices, instruments, accomp or main parts

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50
Q

genre

A

category of music composition > style traits

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51
Q

pitch

A

uh

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52
Q

monophonic texture

A

one melody line (can be multiple ppl singing)

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53
Q

polyphonic texture

A

different melody/harmony lines + diff rhythms

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54
Q

homophonic texture

A

ONE melody + accomp > same rhythm (i think)

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55
Q

syllabic text setting

A

each syllable = one pitch

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56
Q

melismatic text setting

A

multiple pitches per syllable

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57
Q

importance of literacy in extant music

A

not many people were illiterate and did not write their music down, so we just have sacred music until the 12th (?) cent

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58
Q

dance in early extant inst music

A

expected activity in court; most instrumental music was dance

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59
Q

infl of music notation on writing of early music hx

A

tended to be incomplete bc performers did not write details of performance, so we don’t know if instruments were used or how music was performed

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60
Q
A

anon - viderunt omnes

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61
Q
A

anon - viderunt omnes

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62
Q
A

anon - viderunt omnes

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63
Q
A

anon - viderunt omnes

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64
Q
A

anon - viderunt omnes

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65
Q
A

anon - viderunt omnes

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66
Q
A

anon - viderunt omnes

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67
Q
A

anon - viderunt omnes

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68
Q
A

anon - viderunt omnes

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69
Q
A

hildegard von bingen - alleluia! o virga mediatrix (1)

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70
Q
A

hildegard von bingen - alleluia! o virga mediatrix (1)

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71
Q
A

hildegard von bingen - alleluia! o virga mediatrix (1)

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72
Q
A

hildegard von bingen - alleluia! o virga mediatrix (1)

73
Q
A

hildegard von bingen - alleluia! o virga mediatrix (1)

74
Q
A

hildegard von bingen - alleluia! o virga mediatrix (1)

75
Q
A

hildegard von bingen - alleluia! o virga mediatrix (2)

76
Q
A

hildegard von bingen - alleluia! o virga mediatrix (2)

77
Q
A

hildegard von bingen - alleluia! o virga mediatrix (2)

78
Q
A

hildegard von bingen - alleluia! o virga mediatrix (2)

79
Q
A

hildegard von bingen - alleluia! o virga mediatrix (2)

80
Q
A

hildegard von bingen - alleluia! o virga mediatrix (2)

81
Q
A

hildegard von bingen - alleluia! o virga mediatrix (2)

82
Q
A

hildegard von bingen - alleluia! o virga mediatrix (2)

83
Q
A

hildegard von bingen - alleluia! o virga mediatrix (2)

84
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

85
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

86
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

87
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

88
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

89
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

90
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

91
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

92
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

93
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

94
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

95
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

96
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

97
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

98
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

99
Q
A

beatriz de dia (la comtessa) - a chantar m’er de so qu’ieu non volria

100
Q
A

perotin - viderunt omnes

101
Q
A

perotin - viderunt omnes

102
Q
A

perotin - viderunt omnes

103
Q
A

perotin - viderunt omnes

104
Q
A

perotin - viderunt omnes

105
Q
A

perotin - viderunt omnes

106
Q
A

perotin - viderunt omnes

107
Q
A

perotin - viderunt omnes

108
Q
A

perotin - viderunt omnes

109
Q
A

perotin - viderunt omnes

110
Q
A

perotin - viderunt omnes

111
Q
A

perotin - viderunt omnes

112
Q
A

perotin - viderunt omnes

113
Q
A

perotin - viderunt omnes

114
Q
A

perotin - viderunt omnes

115
Q
A

perotin - viderunt omnes

116
Q
A

herrad of landsberg - sol oritur occasus

117
Q
A

herrad of landsberg - sol oritur occasus

118
Q
A

herrad of landsberg - sol oritur occasus

119
Q
A

herrad of landsberg - sol oritur occasus

120
Q
A

herrad of landsberg - sol oritur occasus

121
Q
A

herrad of landsberg - sol oritur occasus

122
Q
A

herrad of landsberg - sol oritur occasus

123
Q
A

herrad of landsberg - sol oritur occasus

124
Q
A

trebor - helas! pitie envers moy dort si fort

125
Q
A

trebor - helas! pitie envers moy dort si fort

126
Q
A

trebor - helas! pitie envers moy dort si fort

127
Q
A

trebor - helas! pitie envers moy dort si fort

128
Q
A

trebor - helas! pitie envers moy dort si fort

129
Q
A

trebor - helas! pitie envers moy dort si fort

130
Q
A

trebor - helas! pitie envers moy dort si fort

131
Q
A

trebor - helas! pitie envers moy dort si fort

132
Q
A

trebor - helas! pitie envers moy dort si fort

133
Q
A

trebor - helas! pitie envers moy dort si fort

134
Q
A

trebor - helas! pitie envers moy dort si fort

135
Q
A

trebor - helas! pitie envers moy dort si fort

136
Q
A

trebor - helas! pitie envers moy dort si fort

137
Q
A

trebor - helas! pitie envers moy dort si fort

138
Q
A

trebor - helas! pitie envers moy dort si fort

139
Q
A

trebor - helas! pitie envers moy dort si fort

140
Q
A

trebor - helas! pitie envers moy dort si fort

141
Q
A

guillaume da machaut - agnus dei (from notre dame mass)

142
Q
A

guillaume da machaut - agnus dei (from notre dame mass)

143
Q
A

guillaume da machaut - agnus dei (from notre dame mass)

144
Q
A

guillaume da machaut - agnus dei (from notre dame mass)

145
Q
A

guillaume da machaut - agnus dei (from notre dame mass)

146
Q
A

guillaume da machaut - agnus dei (from notre dame mass)

147
Q
A

guillaume da machaut - agnus dei (from notre dame mass)

148
Q
A

guillaume da machaut - agnus dei (from notre dame mass)

149
Q
A

guillaume da machaut - agnus dei (from notre dame mass)

150
Q
A

guillaume da machaut - agnus dei (from notre dame mass)

151
Q

ars subtilior when

A

late 14th cent

152
Q

ars nova when

A

14th cent

153
Q

chantilly codex when

A

1390

154
Q

chantilly codex how many + what type + where of pieces

A

112, polyphon, french

155
Q

da machaut when

A

1300-1377

156
Q

da machaut who

A

cleric, courtier, poet/musician, composer

157
Q

da machaut style

A

ars nova, sacred + sec

158
Q

ars antiqua what

A

old style

159
Q

anon viderunt omnes genre

A

plainchant gradual

160
Q

anon viderunt omnes texture

A

monophonic

161
Q

alleluia! o virga mediatrix 1 practice

A

direct perf

162
Q

alleluia! o virga mediatrix 2 practice

A

responsorial

163
Q

a chantar genre

A

canso

164
Q

a chantar lang + fx

A

occitan, secular

165
Q

a chantar ensemble

A

voice, vielle, flute

166
Q

a chantar texture

A

monophonic in surviving manuscript; homophonic here

167
Q

perotin viderunt genre

A

4 voice florid organum (ars antiqua, cantus firmus)

168
Q

perotin viderunt texture

A

non-imit polyphony

169
Q

sol oritur occasus genre

A

conductus

170
Q

sol oritur occasus texture

A

2 part parallel motion

171
Q

sol oritur occasus form

A

strophic

172
Q

sol oritur occasus performance prac

A

responsorial

173
Q

da machaut agnus dei genre

A

mass mvt, ars nova

174
Q

da machaut agnus dei texture

A

4 voice, non imitative polyphony

175
Q

trebor helas genre

A

rondeaux

176
Q

trebor helas language

A

provencal

177
Q

trebor helas style

A

ars subt

178
Q

trebor helas ensemble

A

tenor, viol, lute

179
Q

trebor helas texture

A

non-imitative poly