Qualitative lecture 7- Photovoice Flashcards
1
Q
What is the Photovoice method?
A
- It is a participatory action research method that uses photographs and audio or written captions as a way of collecting narratives of lived experiences.
- It is a process through which members produce stories of change about their own communities
- Stories are based on photographs and accompanied by captions or narratives.
2
Q
What type of knowledge production and research practices does Photovoice call for?
A
- Photovoice calls for knowledge production and research practices that have an explicit agenda for social change.
- These challenge the idea of research as “neutral and value free”
- Photovoice calls for transformative practices in research.
3
Q
How is Photovoice a powerful tool and process for a social justice framework?
A
- Photovoice disrupts epistemological violence against people and places studied.
- Photovoice focuses on change and empowering the communities studied.
- Photovoice mediates between knowledge projects and lived experiences. (it presents questions around what knowledge is, who holds and can create knowledge/who are the “experts” of particular realities)
- Photovoice engages people to take part in the changes they want to see take place in their environments.
- Photovoice questions power and disrupts power relations. E.g. power relations between researchers and communities, or between communities and stakeholders, or within communities.
4
Q
What key conceptual tools guide PAR projects such as photovoice?
A
- Participation
- Empowerment
- Critical Consciousness
- Social Capital.
5
Q
What does participation mean in terms of PAR and photovoice?
A
- Participation is a political process that challenges the oppressive structures and lived experiences of disenfranchised groups.
- Power relationships mediate people’s ability to participate in society and decisions that impact their lives.
- PAR seeks to disrupt these power process by promoting participation and control by individuals over their own lives.
- Participation as the power to represent oneself and gain recognition and access to resources needed for change.
- The identification of issues that need to change- this is a collective process.
6
Q
What does participation allow for?
A
- People’s daily lives to be discussed
- Solutions to be debated
- Action to be taken towards particular goals.
7
Q
What three mechanisms enable participation?
A
- Empowerment: both and individual psychological state and social process by which individual communities are inspired to act towards social justice, are engaged in activities that promote their well-being, and feel confident and in control of their lives.
- Critical consciousness: A process of action and reflection to understand how individuals are shaped by the social context in which they live and how this context impacts their daily realities
- Social capital: this refers to levels of trust and reciprocity in the community and common norms and beliefs, and exists through interpersonal relationships (networks)
8
Q
What is the procedure for photovoice?
A
- Researcher and participants come together to discuss their lives to explore factors that limit participation in social life (e.g. unemployment)
- Researcher facilitates the process in consultation with participants
- Consultatio results in a chosen theme as the focus of the project
- Participants are given cameras and trained in basic photography
- Participants go out and take photographs.
- Photographs and captions are showcased in an exhibition (participants make decisions about the exhibition including where, what, who. The exhibition raises awareness and sensitizes the public to the issues raised.)
9
Q
What are some examples of photovoice studies?
A
- Experiences of black students at UCT
- Young black women representing their identities
- Black women in street-based sex work
- Learners’ representations of their community.
10
Q
What do we know about representation and affect?
A
- Politics of representation and affect are a fundamental concern in disrupting power relations.
- Visual aspect of photovoice as a powerful way of enabling participants to represent their own lives. E.g. to change existing essentializing and pathologizing narratives; portrayals of black children as hungry and dirty; challenges the deficit models of representations.
- The affective aspect is important in that photographs convey experiences that cannot be told through words
- There exists a tension between reproducing pathologized representations and resisting and disrupting them
11
Q
How is photovoice data analysed?
A
- Analysing photovoice data can take many forms. E.g. thematic or content analysis. E.g. discourse or narrative analysis.
- Approach to analysis is informed by the data collected and the kinds of questions the study seeks to address.
12
Q
What are some ethical concerns relevant to photovoice studies?
A
- Consent- taking photographs of other people may incur risk (seek verbal/written consent) and also think about minors and the issue of assent.
- Safety: Researchers and participants discuss ways of minimizing risks to safety. (E.g. physical and emotional safety. E.g. safety of researchers and participants and those photographed).
- Power and representation: Discussions on the politics of representation (e.g. photographing children and vulnerable persons- rather exclude or anonymize) (e.g. self-portraits and deliberate visibility)