Qualitative lecture 7- Photovoice Flashcards

1
Q

What is the Photovoice method?

A
  • It is a participatory action research method that uses photographs and audio or written captions as a way of collecting narratives of lived experiences.
  • It is a process through which members produce stories of change about their own communities
  • Stories are based on photographs and accompanied by captions or narratives.
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2
Q

What type of knowledge production and research practices does Photovoice call for?

A
  • Photovoice calls for knowledge production and research practices that have an explicit agenda for social change.
  • These challenge the idea of research as “neutral and value free”
  • Photovoice calls for transformative practices in research.
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3
Q

How is Photovoice a powerful tool and process for a social justice framework?

A
  • Photovoice disrupts epistemological violence against people and places studied.
  • Photovoice focuses on change and empowering the communities studied.
  • Photovoice mediates between knowledge projects and lived experiences. (it presents questions around what knowledge is, who holds and can create knowledge/who are the “experts” of particular realities)
  • Photovoice engages people to take part in the changes they want to see take place in their environments.
  • Photovoice questions power and disrupts power relations. E.g. power relations between researchers and communities, or between communities and stakeholders, or within communities.
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4
Q

What key conceptual tools guide PAR projects such as photovoice?

A
  1. Participation
  2. Empowerment
  3. Critical Consciousness
  4. Social Capital.
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5
Q

What does participation mean in terms of PAR and photovoice?

A
  • Participation is a political process that challenges the oppressive structures and lived experiences of disenfranchised groups.
  • Power relationships mediate people’s ability to participate in society and decisions that impact their lives.
  • PAR seeks to disrupt these power process by promoting participation and control by individuals over their own lives.
  • Participation as the power to represent oneself and gain recognition and access to resources needed for change.
  • The identification of issues that need to change- this is a collective process.
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6
Q

What does participation allow for?

A
  • People’s daily lives to be discussed
  • Solutions to be debated
  • Action to be taken towards particular goals.
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7
Q

What three mechanisms enable participation?

A
  1. Empowerment: both and individual psychological state and social process by which individual communities are inspired to act towards social justice, are engaged in activities that promote their well-being, and feel confident and in control of their lives.
  2. Critical consciousness: A process of action and reflection to understand how individuals are shaped by the social context in which they live and how this context impacts their daily realities
  3. Social capital: this refers to levels of trust and reciprocity in the community and common norms and beliefs, and exists through interpersonal relationships (networks)
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8
Q

What is the procedure for photovoice?

A
  • Researcher and participants come together to discuss their lives to explore factors that limit participation in social life (e.g. unemployment)
  • Researcher facilitates the process in consultation with participants
  • Consultatio results in a chosen theme as the focus of the project
  • Participants are given cameras and trained in basic photography
  • Participants go out and take photographs.
  • Photographs and captions are showcased in an exhibition (participants make decisions about the exhibition including where, what, who. The exhibition raises awareness and sensitizes the public to the issues raised.)
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9
Q

What are some examples of photovoice studies?

A
  • Experiences of black students at UCT
  • Young black women representing their identities
  • Black women in street-based sex work
  • Learners’ representations of their community.
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10
Q

What do we know about representation and affect?

A
  • Politics of representation and affect are a fundamental concern in disrupting power relations.
  • Visual aspect of photovoice as a powerful way of enabling participants to represent their own lives. E.g. to change existing essentializing and pathologizing narratives; portrayals of black children as hungry and dirty; challenges the deficit models of representations.
  • The affective aspect is important in that photographs convey experiences that cannot be told through words
  • There exists a tension between reproducing pathologized representations and resisting and disrupting them
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11
Q

How is photovoice data analysed?

A
  • Analysing photovoice data can take many forms. E.g. thematic or content analysis. E.g. discourse or narrative analysis.
  • Approach to analysis is informed by the data collected and the kinds of questions the study seeks to address.
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12
Q

What are some ethical concerns relevant to photovoice studies?

A
  1. Consent- taking photographs of other people may incur risk (seek verbal/written consent) and also think about minors and the issue of assent.
  2. Safety: Researchers and participants discuss ways of minimizing risks to safety. (E.g. physical and emotional safety. E.g. safety of researchers and participants and those photographed).
  3. Power and representation: Discussions on the politics of representation (e.g. photographing children and vulnerable persons- rather exclude or anonymize) (e.g. self-portraits and deliberate visibility)
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