Playwriting Flashcards

1
Q

artistotle’s 6 key elements of a play

A
  1. spectacle (visible part of play)
  2. sound (audible part of play)
  3. diction (language)
  4. character (person in play)
  5. reasoning (the way speech is used to present aspects/emotions of a play)
  6. plot (action/events of a play)
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2
Q

how to write for stage?

A
  • theme
  • genre
  • structure and formatting
  • characters
  • language and dialogue
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3
Q

theme (and the clothesline analogy for theme)

A
  • question planted in audience’s mind at beginning of play (in set-up) and answered during climax
  • ie. August Osage county, what goes around comes around, mortality, animal insticts, etc.
  • clothesline: the themes of each scene (the clothes) must connect to the greater theme of the play (fit onto the clothesline)
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4
Q

different playwriting genres

A
  1. comedy and tragedy
  2. farce
  3. docu-drama
  4. realism
  5. naturalism
  6. absurdism
  7. collective creation
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5
Q

genres -> comedy and tragedy

A
  • comedy: protag attains objective

- tragedy: protag doesn’t attain objective

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6
Q

genres -> farce

A

emphasizes plot over characters and ideas

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7
Q

genres -> docu-drama

A

dramatizes actual events

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8
Q

genres -> realism

A

characters are believable, employment of fourth wall

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9
Q

genres -> naturalism

A

heightened form of realism, takes place in a single location in real time

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10
Q

genres -> absurdism

A

characters in a hopeless situation, dialogue full of clichés, wordplay, and nonsense

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11
Q

genres -> collective creation

A

developing a play as a group, with or without a playwright

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12
Q

2 types of playwriting structures

A
  • traditional/linear: conventional plot diagram (Freytag’s pyramid)
  • associative: all scenes connect to one central idea/theme
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13
Q

stage directions

A
  • helpful for blocking

- write what we see, what we hear that’s not dialogue, and what we need to understand the story

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14
Q

characters

A
  • must have ACTIVE wants and needs
  • come to life through what they DO and SAY
  • engaging ones TRANSFORM
  • be specific (round characters)
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15
Q

4 key functions of dialogue

A
  • characterizations: speech patterns, habits, vocabulary
  • communication: what characters say (when, how, and to whom) to propel the plot forward
  • exposition: key info SHOWN, not spoken
  • description: atmosphere, building the world of the play
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16
Q

Lucinda Coxon on dialogue

A
  • when characters speak with urgency, it translates into tension
  • dialogue is CHARACTER, it is PLOT, but above all, it is ACTION
  • the best exercise for writing dialogue is reading other people’s