Pitch perception Flashcards

1
Q

What is pitch?

A
  • “That auditory attribute of sound according to which sounds can be ordered on a scale from low-to-high”
  • Corresponds to frequency in the case of pure tones
  • usually corresponds to f0 for complex periodic tones
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2
Q

What does pitch do for us?

A
  • Sound scene analysis
  • distinguishing sound sources
  • conveys information in vocalisations
  • conveys melody and harmony
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3
Q

state the types of sounds that can evoke pitch perceptions

A

-pure
-complex periodic
-sam

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4
Q

describe pure tones

A

freq; 400 Hz
period; 2.5 ms

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5
Q

describe Complex periodic tones

A

f0 = 400Hz
period = 2.5ms
f1 = 800Hz
period = 1.25ms
-harmonic tone contains several freqs (each with own period) but summed waveform repeats at period of f0
periodicity = 2.5ms

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6
Q

describe Sinusoidally amplitude modulated tone (SAM)

A

-pure tone at high freq (carrier freq 5kHz)
-modulate the amplitude of this tone at lower freq (modulation freq 400Hz)
-periodicity of 2.5ms in time domain but no spectral power at 400Hz in freq domains

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7
Q

Explain the relationship between frequency, period and periodicity

A
  • Periodicity is the repetition rate of a waveform
  • In the case of pure tones this is the same as the period (1/f)
  • Complex periodic tones contain multiple frequencies (integer multiples of f0) and periods but the compound waveform repeats at an interval equal to period of f0
    • irregular period in spectral domain and freq domain → harmonics multiple of each other
    • ⇒ regular periodicity equal to period of fundamental freq
  • Complex aperiodic sounds also contain multiple freqs but these are not harmonics and there is little or no regular repetition in the time domain
    • Freqs equal present and powerful ⇒ no periodic freq bands
    • Aperiodic sounds - spectral domain but no harmonics also aperiodic in temporary domain
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8
Q

Describe Tonotopy

A
  • location on cochlea corresponding to f0
  • place coding
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9
Q

Phase locking

A
  • AN afferents fire with interstice interval equal to periodicity
  • Temporal coding
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10
Q

how do you decode pitch

A

Tonotopy
Phase locking

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11
Q

Spatial and temporal filtering in the cochlea

A
  • Complex periodic tone (f0 = 440 Hz) time (a) and frequency (b) domains
  • frequency tuning along cochlear length (c)
  • low-numbered harmonics are resolved but high-numbered harmonics are ambiguous (f-tuning is broader than spacing between harmonics)
  • For high harmonics there is high f vibration but this is modulated by the periodicity of f0 (e)
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12
Q

Place coding for pitch

A
  • Pitch could be ‘read off’ from the f0
  • However: missing fundamental
    • Harmonics tone in which f0 is missing but other harmonics present - same pitch is perceived
    • Pitch could be read off from spacing between harmonics (spectra periodicity) which is equal to f0 even if f0 is missing
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13
Q

Temporal coding for pitch

A
  • Afferent spikes phase lock to periodicity
  • seems both temporal and place coding could account for pitch of complex periodic tones
    • if harmonics resolvable
    • if f0 below limit for phase locking
    • 200Hz = pitch for 400, 600, 800Hz
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14
Q

How could the pitch of a SAM tone be coded?

A

Temporal coding

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15
Q

Can non-human mammals perceive pitch?

A

ferrets are good at freq discrimination but poorer at pitch judgements

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16
Q

Neural coding of pitch

A
  • For complex periodic sounds neurons could phase-lock to periodicity
  • limit of phase-locking (~4kHz) is similar to upper limit of human pitch perception
  • neurons in the AN and ascending auditory brainstem system represent full details of acoustic stimuli including precise timing information
  • however, neurons in auditory cortex only phase lock to freqs up to low 100s
  • temporal code represented by phase locking in early auditory system converted into rate-based code in cortex
17
Q

Pitch-selective neuron in marmoset A1

A
  • Complex periodic tone with f0 of 180 Hz and versions with missing (a)
  • Neuron with best frequency of 180 to pure tones (c) continues to respond to the pitch-evoking tones missing this spectral component (b)
  • Suggest this response is correlated with periodicity
  • RATE CODE!
18
Q

Compare and contrast the processing of spectral information in the auditory and visual system

A

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