perception Flashcards

1
Q

differentiate perception from sensation

A

perception involves INTERPRETING sensation

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2
Q

6 senses of perception

A

vision
hearing
somatosensation - awareness of the body in space
taste
smell (olfaction)
vestibular - inner ear senses gravity + movement

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3
Q

define qualia

A

subjective, qualitative aspects of conscious experiences, can’t be directly articulated, WHAT IS IT THAT EXPLAINS PHENOMENOLOGICAL EXPERIENCES THAT ARE DIFFERENT, how does the brain know what is causing the stimulation it receives

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4
Q

grapheme-color synesthesia

A

letters and/or numbers always involuntarily associated with a specific colour

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5
Q

cafe wall illusion

A

‘grid’ lines actually horizontal but look all wonky

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6
Q

rotating snake illusion

A

when you move your eyes, contrast between two colours simulates a false sense of motion

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7
Q

checker-shadow illusion

A

squares marker A and B are same shade but look like not
* B receiving less light in the image so contrastingly we think it’s lighter –> we use shadows as context clues

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8
Q

troxler fading

A

stare at x, cat face disappears, –> activated receptors for colours get lazy

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9
Q

pink dots

A

blank space turns into a singular green dot, pink dots fade

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10
Q

what do illusions reveal

A

active processes the brain deploys to interpret images, reveals general rules about visual system to make guesses/inferences about physical world

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11
Q

dimensionality problem

A

there are to many diff chemicals to have receptors for each - we condense to biologically relevant dimensions (5 for taste, 400 for smell)

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12
Q

papillae

A

give tongue bumpy appearance, cover whole tongue and include bundles of fibres containing each taste receptor

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13
Q

primary taste sensations + what they sense

A

sweet: energy rich nutrients (carbs, sugar)
salty: electrolyte balance
sour: acidity
bitter: potential poison
umami: detect amino acids (MSG)

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14
Q

sensitivity to different tastes

A

most sensitive to bitter, then sour, salty, sweet. evolutionary.

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15
Q

supertasters

A
  • more receptors on tongue
  • more common in Asians + Africans + women
  • unlikely to enjoy brussels sprouts + brocolli, coffee + fatty foods
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16
Q

two examples of taste not requiring presence of taste experienced

A
  • miracle fruit - binds to taste buds, makes everything taste sweet afterwards
  • pine mouth: bitter, metallic taste
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17
Q

what is spiciness

A

NOT a flavour - it’s literally just pain

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18
Q

babies and smell

A

recognises mother’s smell within weeks, suck more if senses own mum rather than stranger

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19
Q

shape pattern theory of olfaction

A

odorants would fit into odorant receptors + bind, producing smell sensation. INCORRECT - proved similar particles smelled vastly different, vastly different smelled same etc

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20
Q

can you ‘get better’ at smelling

A

yes, huge learning effects in identifying (wine training0

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21
Q

adaptation in smell

A

we adapt to our own smell, don’t notice it. more sensitive to smells that aren’t our own

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22
Q

importance of touch in movement

A

when can’t sense what ur holding it’s extremely difficult to move

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23
Q

two major subsystems of somatic sensory

A
  • detection of mechanical stimuli (light touch, vibration, pressure, skin tension), monitoring internal/external forces on body at any moment
  • detection of pain + temperature: detect potentially harmful circumstances
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24
Q

mechanosensory processing two types

A

EXTERNAL + INTERNAL
* detection of external stimuli
* proprioceptors - receptors INSIDE muscles, joints, other deep structures monitor mechanical forces generated by musculoskeletal system

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25
Q

how do receptors work for touch

A

stimuli applied to skin deform/change nerve endings, induces depolarising current, triggers action potentials

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26
Q

mechanoreceptors sense…

A

touch

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27
Q

nociceptors

A

pain

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28
Q

thermoceptors

A

heat

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29
Q

2 types of touch fibers (adapting)

A
  • rapidly adapting: info about change/dynamical quality
  • slowly adapting: info about shape, edges, texture
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30
Q

meissner corpuscles

A

RAPIDLY ADAPTING
* just beneath epidermis of fingers, palms, soles, VERY sensitive, common to hairless skin

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31
Q

Pacinian corpuscles

A

RAPID ADAPTING
gelatinous around nerve ending: feel deep pressure + vibration, looks like an onion, proprioception

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32
Q

merkel disks

A

SLOWLY ADAPTING
* in epidermis, dense in fingertips, lips, ext genitalia, light sense of pressure recepted

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33
Q

tactile afterimages

A

texture contrast –> after touching something rough, medium rough surfaces feel smoother, also for temperature

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34
Q

tactile adaptation

A

putting on a bra and not feeeling it after a while - objects on skin less noticeable the longer they’re on and not moving

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35
Q

active v passive touch

A

tactile system perceives best when it’s exploring –> when WE’RE the ones touching rather than it being touched to us

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36
Q

nociceptors types

A

terminate in unspecialised free endings, so Asigma are acute, sharp pain and C fibres are lingering, aching pain –> that’s why there’s two different waves of pain

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37
Q

hyperalgesia

A

painonly sense exhibiting enhanced sensitivity to stimuli over time

38
Q

referred pain

A

receptors for visceral pain transmission conveyed in part centrally so pain originating in heart can manifest as well in left arm etc

39
Q

thermoceptors and phys zero0

A

temp sensors just sense things outside physiological zero - why we can adapt to cold ocean + swim

40
Q

somatosensory and motor humunculi

A

representation of the body along the cortex, where adjacent body areas have adjacent representations in cortex, size correlated with how much space each body part takes up in somatosensory cortex

41
Q

vestibular system purpose

A

assist with control of gaze/posture, detect gravitational forces

42
Q

semicircular canals

A

3 angular accelerometers within inner ear, oriented in diff directions –> filled w liquid which moves with movements and gives info about inertia

43
Q

otoliths

A

2 linear accelorometers, UP AND DOWN movements of head

44
Q

what is acceleration

A

any change in state of motion: velocity + accelerations are vectors w length and direction

45
Q

how do you excite a vestibular hair-cell ?

A

bending it in its preferred direction. bending same cell in opposite direction inhibits the neuron

46
Q

sicadic suppression

A

even though you receive motion input when you make an eye movement, you don’t feel like you’ve moved (sicadic suppression)

47
Q

describe the vestibuloocular reflex

A

the head makes compensatory eye movements to account for head movements so that they keep tracking desired objects

48
Q

ear part + function

A

pinna + eardrum: directional microphone
middle ear: impedance matching and overload protection
inner ear: frequency analysis

49
Q

compression vs rarefaction

A

clapping compresses particles, makes vibration. then rarefaction in subsequent expansion of particles in space

50
Q

what do you need to make sound

A

a medium
vibration

51
Q

amplitude

A

percept of loudness

52
Q

frequency

A

percept of pitch

53
Q

purity

A

percept of timbre

54
Q

perception of loudness increases how

A

logarithmically

55
Q

equal loudness curves, what do they show?

A

what you have to do to each frequency to get it to be that ludness - troughs are the frequencies you’re most sensistive to

56
Q

transduction - what do you need

A

air pressure in middle ear must be same as outer ear

57
Q

ossicles

A

three smallest bones in human body - malleus, incus, stapes

58
Q

round window purpose in ear

A

gives a place to bulge our when stapes bumps against

59
Q

how do we impedance match

A

malleus + incus act like lever system, push sounds into stapes oval window to increase pressure, doesn’t reflect and goes into inner ear

60
Q

3 ways to represent sound

A

time domain - plotting sound as time signal highlights envelope, oscillations in acoustic energy
frequency domain - plot individual frequencies,
spectogram - all frequencies w equal energy

61
Q

pitch of different frequencies follows what curve

A

logarithmic

62
Q

how is perception of pitch organized?

A

like a helix - wraps around to the same note an octave higher

63
Q

how are instruments similar/different in sounds produced?

A

all produced same frequencies when played at given pitch
BUT
differ in RELATIVE AMPLITUDES

64
Q

what creates timbre

A

amplitude of the upper harmonics/overtones

65
Q

how is pitch conveyed

A

fundamental (lowest) frequency, and timbre of relative amplitudes of overtones

66
Q

how does membrane in cochlea contribute to sensation

A

movement of basilar membrane = hair celles move against membrane, cilia bensd _ convert into electrochemical signal

67
Q

early theory rutherford + problem

A

proposed whole membrane moved at once like a diaphragm
* in fact basilar membrane varies in thickness + stiffness

68
Q

georg von bekesy contribution

A

made a crude model of cochlea w rubber membrane, found frequencies tingled different areas of arm –> frequency sensitivity changes as move along basilar membrane

69
Q

for low frequencies what special property

A

auditory nerve spikes are phase-locked to the stimulus

70
Q

cues to frequency in a sound

A

place of excitation in cochlea
frequency of firing

71
Q

tonotopy

A

there;s a map of tones in the head; stimulate and you’ll hear it

72
Q

surface reflectance

A

diffuse= strike, bounce off in every direction (matte)
specular = strike, bounce off in a single beam (shiny)

73
Q

three stages for vision

A
  1. sample optical structure
  2. transduce light energy into electrical impulses
  3. transmit info to brain for interpretation
74
Q

concave mirror eyes

A

receive info, bounce so it converges at a single point –> best at sampling only from direction it’s pointing - why clams have heaps of them

75
Q

compound eye

A

bugs
series of light tubes funnelling light in

76
Q

how do pinholes work

A

funnel light so thin point that every individual position in world maps onto one position in retina. brain has to flip image. oinly works in rlly bright settings

77
Q

convex lens of single chambered eye

A

diverging light reflected from all directions converge onto single point to form image thanks to lens

78
Q

myopia + hyperopia

A

hyperopia = long-sighted, eye too short, image forms behind eye
myopia = short-sighted, eye too long, image forms in front of eye

79
Q

far vs near accommodation

A

far = lens flatter
near = rounder

80
Q

when is the only time you can have both far and near things blurred?

A

if ur looking at something real close up

81
Q

tilt-shift illusion

A

blur far and close oarts of image makes brain think you;re looking at something tiny

82
Q

scotopic vision

A

low-light rod dominated

83
Q

photopic vision

A

high light cone dominated

84
Q

3 types of cones

A

long, med, short

85
Q

retinal distribution of cones

A

rods: cones 20:1

86
Q

trichromatic theory

A

different color experience due to activation of 3 receptor types, mix colour + overlap

87
Q

why do objects appear coloured?

A

colour related to PROPORTIONS of RGB cone receptors. short + medium wavelengths get absorbed, longer ones get reflected

88
Q

if I’m looking at an apple and it’s red, which cone is most bouncing off + reflecting?

89
Q

opponent processes

A

visual system interprets colour through 3 pairs of colours, so you can’t see greenish red/blueish yellow. also explains colour aftereffects: neurons excited by red become fatigued, instead show green

90
Q

anamolous trichromats

A

red/green colour bline - their long and medium cones overlap more than they should