Peaky Blinders: Industry Flashcards
1
Q
Production, distribution and circulation
A
- co-production between independent companies
- BBC vertically integrated but didn’t distribute globally
- creator, Steven Knight, grew up in the area: name was major draw for production companies and finance due to previous work
- rights sold to Netflix: wide global market
- Netflix commitment to “telling local stories on a global platform”
2
Q
Significance of economic factors
A
- BBC isn’t constrained by commercial model so can take risk as PSB, responsibility to develop fresh and unique content and diverse voices, not forced to target mass audience
- BBC has been shifting offices and studios from London to northern cities to invest in this area that’s neglected by TV
- BBC has global reputation as quality media brand meaning many production companies want to work with them
- stuck to a formula that’s worked: 6 series and a movie to come out (franchising)
3
Q
The relationship of recent technological change
A
- use of streaming services means viewing figures for scheduled broadcast no longer main indicator of shows success
4
Q
Impact of digital convergence
A
- fans around the world dress up as Peaky Blinders to then post on social media
- use social media to publicise the show: post sneak peaks and engage the audience
5
Q
Global industry
A
- reflect contexts: historical context of war, changing attitudes towards women
- BBC globally recognised company, easily distributed overseas
- repetition and difference: crime drama, difference in location and historical aspect
- globally known actors attract existing fanbases: Cillian Murphy, Sam Neill
- international fan audience interact online with #peakyblinders
- fans interact in person too with festivals e.g. Peaky Blinders Festival attended by 20,000
- toned down accents for global audience
6
Q
Influence of context on production
A
- modern day attitudes of women mean strong female characters
- Steven Knight attracted production companies and finance due to previous success on similar crime dramas
- success of first seasons attracted big names such as Tom Hardy and Adrien Brody
- Netflix bought rights meaning it was distributed worldwide: targeting global mass audience although representing niche audience in UK