participatory culture, queer activism, and youtube Flashcards
convergence can be defined as…
the migration of stories, characters, and worlds across platforms or technologies
convergence culture is driven by [1], as corporations [2]
- capitalism
- seek to make as much money as possible out of their intellectual property
participtory culture decribes…
the activities of non-professionals
participaraty culture activities are generally…
not profit-oreiented
henry jenkins is a major theorist of…
convergence and participatory culture
jenkins argues that… (2)
- convergence actually takes place in the minds of audience members
- convergence requires an audience to recognize a character/story across platforms
the old model of consumer culture thought of audiences as…
consumers who simply absorbed content passively, content was made by large companies like film studios
newer models of consumer culture tend to emphasize [1], giving audiences more [2]
- how sctive fans are
- agency
Important distinction to make is between audiences interacting with corporate intellectual property and
those who produce intellectual property not based on commercial media
the degree to which fan products can be [1] has changed
disseminated (the online forum)
Jenkins thinks its inaccurate to be technological determinist, but accurate to think of systems that involve [1] alongside [2] and [3] that shape and surround them
- technology
- social and cultural communities
- legal/political/economic factors
modes of online participation can be broken down into
materials (what’s produced) and skills/values
what are the 3 pieces of evidence of democratization?
- low cost/skill needed for technology
- technology avalible remotely
- amateur creating/sharing as a norm
what are the 3 major types of barriers to participation?
- costs
- demographic factors (race, age, gender, etc)
- no one really knows how search engines rank materials
what are Juhasz’ 5 main conclusions?
- Youtube promotes the popular rather than being democratic
- Prioritizes things that are easy and will keep us watching, rather than things that will challenge us
- Reinscribes the distinction between the professional and the amateur
- Structure makes true dialogue difficult
- It is DIY but not punk - it isn’t easy to be radically anti-establishment
sangeet kumar writes that the ranking of hots is firmly linked to…
financial processes, not just what you search for/actually want to see
Joceline anderson analyzes how fan producers adapt
aesthetics to protect their content from being removed from youtube
Joseph Delon writes about the archive of home videos shot by…
nelson sullivan in the 70s/80s
its hard to say that any video is entirely non-commercial bc…
The commercial and non-commercial are very much entangled
main authors of queer rep in film have been…
queer people working outside of mainstream channels
In the context of participatory culture, one of the most foundational moments of contemporary fan productivity is
slash fiction
slash fiction is defined as:
narratives that pair “same sex characters that in the parent narrative are avowedly or assumedly heterosexual”
with slash fiction, original texts may be adapted, but the communication still happens through…
capitalist media content
singapore’s statute 377A made what illgeal?
sexual acts between two men
when was 377A repealed?
2022`
elijah tay yiting’s work is close to the…
ideal of participatory culture
contrast between yiting’s original work and what they produce now is an example of
professinalization, transition from lower to higher production values and a different kind of marketability - the marketability of the polished rather than the “authentic”
foregin sponsorship of Pink Dot ended in 2017 bc…
of the new govt order that barred foreign companies from supporting the event
what are the 4 major factors as to why pink dot’s video production is so powerful?
- boo jungfeng directed them between 2009-2013
- role of google as a sponsor and their control of search engines
- uses footage of the in-person event
- crowdsourced footage
crowdsourced video raises the question of control in which 2 ways?
- apparently grant ordinary people creative input and an opportunity for self-representation
- has been argued that participatory culture has become an empty signifier often used in very superficial ways by all kinds of groups that want to entice our participation but don’t want to give up any real control