arab cinema & digital cinema Flashcards

1
Q

1st feature film to be produced entirely digitally:

A

toy story, 1995

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2
Q

toy story was produced digitally, but when it was shown in cinemas…

A

it had to be printed on celluloid bc thats what projectors required

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3
Q

the first film to be projected digitally

A

Star wars phantom menace, 1999

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4
Q

first big budget live action film to be shot entirely digitally

A

star wars attack of the clones 2002

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5
Q

first feature films to be shot entirely digitally

A

the celebration/the idiots, 1998

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6
Q

Dogme95 was a [1], heavily influenced by [2]

A
  1. danish film movement
  2. cinema veritie
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7
Q

Dogme95 made dramas or documentaries?

A

dramas

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8
Q

Dogme95 drew from cinema veritie both…

A

technologically and ideologically

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9
Q

dogme95 filmmakers made a set of rules called [1], which required [2]

A
  1. the vow of chastity
  2. them to be truthful in certain ways
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10
Q

In their manifesto they drew attention to the [1] enabled by digital cinema, which is [2]

A
  1. democratization
  2. much cheaper to shoot than celluloid
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11
Q

first film of the dogme95 movement?

A

the celebration (vinterberg, 1998)

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12
Q

who is Anthony Dod Mantle

A

Pioneer of digital filmmaking for feature theatrical fiction films

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13
Q

Abbas kiarostami is an iranian director who’s well known for

A

blending documentary and fiction in aesthetically realist modes

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14
Q

the festival circuit refers to

A

the tour that many films do if international film festivals

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15
Q

Ways that films can go to festivals:

A

be submitted
be invited

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16
Q

Lerger festivals develop relationships with filmmakers/studios so they can

A

always premiere their work

17
Q

Festivals are important to an audience bc

A

films that never get broader distribution in a country can still be seen on a big screen

18
Q

film fests are important for filmmakers bc:

A

it gives the opportunity for publicity

19
Q

film fests are important for distributors bc:

A

they provide a marketplace

20
Q

Much of arab cinema may not survive without

A

the festival curcuit

21
Q

some islamic cultures have prioritized linguistic art rather than visual bc

A

there is debate in islam about the use of figurative or representational art, especially the representation of the human figure

22
Q

Historically the most prolific film industry of the arab world was

A

egyptian cinema

23
Q

Outside of egypt, the film industries aren’t large and established enough to

A

produce and distribute films that make enough money from arab speaking audiences

24
Q

arab film industries & their product must be seen in a context of

A

globalization rather than post-colonialism

25
Q

funding for arab cinema comes largely from

A

the west

26
Q

the funding structure makes arab cinema what types of cinema?

A

auteur and art house

27
Q

One of the ways that auteurism is used is that we see

A

female filmmakers

28
Q

contemporary arab cinema has echos of

A

french new wave film theory

29
Q

orientalism is defined as

A

representations of the east by westerners for the pleasure and consumption of westerners

30
Q

Can be suggested that arab cinema is a kind of neo-orientalist project bc

A

it is mainly funded by europeans and made for a festival curcuit that predominatly takes place in the west

31
Q

saudi had a ban on public movie screenings until

A

2018

32
Q

Haifaa Al-Mansour is the

A

writer/director of wadjda

33
Q

Al-Mansour has emphasized that digital cinema

A

gave her the freedom and flexibility to learn

34
Q

wadjda was the first feature film to be

A

written & directored by a women and shot entirely in saudi