Papers on China Flashcards
Wakeman - initial communist ideology
Provided comfort to Mao’s generation, which had been humiliated by Japan and the West and were bereft of a social future
Wakeman - modernisation of China effect
As it modernised, China’s sacred community of the past gave way to modern secular communities, divided in labour and spirit (Durkheim)
As the individual lost their sense of belonging, social disintegration seemed inevitable unless basic social values were shared by all
By internalising ideological values, individuals might gain a sense of common identity
Wakeman - ideology as the product of modernism
Emerged through the cultural strain as traditional values disappeared along with the sacred society of the past
Charismatic authority arose out of momentary institutional failure
Wakeman - connections in Chinese culture
John Israel traces ideological connections between pre-modern and revolutionary China
Connection between the New Culture Movement (1900s) and Cultural Revolution (1960s)
Wakeman - intellectual developments 1915-1920
Presaged the adoption of Marxism
There was a distraught sense of cultural alienation during the New Culture period, responded eagerly to ideas fulfilling deep-seated intellectual and emotional needs
Wakeman - May Fourth
The May Fourth generation felt political revolution failed in 1913 as traditional cultural and social patterns had survived the overthrow of the dynasty
However it drew a strong link between culture and politics - intellectuals felt that political action would only succeed if carried out in the larger context of cultural change
Wakeman - 2 great intellectual crises in early C20
Professor Chen asserts this:
The first was the assault on Confucianism, which was replaced by Social Darwinism
The second was the loss of confidence in Social Darwinism after WW1 - replaced by Marxism-Leninism
Lu paper
Waking to Modernity: The Classical Tale in Late Qing China
Lu - revision of views on the formation of modern Chinese culture
The view that the May Fourth Movement of 1919 initiated a revolutionary break from tradition that has constituted the mainstream of Chinese modernity ever since should be revised
Lu - examination of the Late Qing period uses
Has been fruitful for globalisation studies and literary historiography
In retrospect, China’s earliest globalisation thinkers are found from the moment of encounter with the West
Lu - approach to narrative fiction
Should be investigated as the product of dormant, incipient, repressed Chinese modernities
Lu - reasons for repressed modernities
Wang argues it occurred as by the time China was recognised as an important part of modern civilisation, it had submitted to a monolithic discourse in which only Western theories and modernity could be spoken
Lu - importance of the modernisation of literature
Reformers considered the modernisation of literature to be a important since it was a major constituent of culture
Of all genres, narrative fiction was singled out as the most important and effective tool for the creation of a new culture - imbued with high moral, ideological and social values
Vernacular novel perceived as uniquely equipped for an expose of the old ways and creation of new sensibilities
Lu - literary focus of the paper
Wang Tao’s short stories ‘Random Records of a Recluse in Wusong’ (1884-87)
Clear tension between narrative form and ever-globalizing sensibility of the author
Lu - aim of the last blooming of the classical tale
As much a response to the modern world as it is a continuation of traditional Chinese motifs and themes
Effort to wrestle profound changes faced by China as it entered the modern world - tried to reposition it on the world map
Lu - Tao background
Fled from China in 1862 for alleged relationship with the Taiping
Brought back by Guofan and other officials in 1884; worked tirelessly for the Reform Movement (later started by Guangxu)
Exile in Hong Kong gave him the chance to reflect on his own culture from observations of the west
Used ancient literati mode of storytelling
Lu - Tao’s aim
Saw that China’s belief system was in crisis with the introduction of modern science
Advocated the adoption of western rationality, knowledge and institutions; but as a writer he attempts to enchant a disappearing magical world
Contradictory worldview as he was caught in a transitional historical period
Lu - context of Chinese worldview
Time when the self-contained, Sino-centric worldview about humanity, nature and the cosmos was being shattered by the gunboats of the West
Lu - Biography of May story
About May, who is in love with a British man, travels to China and falls in love with a Chinese man, is hunted by the Brit and they kill each other
May represents western technology, which ultimately finds its home in China rather than Britain
Part of a set of 3 stories which show inclusion, domestication and utility of the foreign in the Chinese world