OTHER SOURCES / STATUES Flashcards

1
Q

It reflected his…

A

It reflected his pietas for his patria and he could use it to publicise his accomplishments

  • Ramage
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2
Q

It underlined his…

A

It underlined his pietas towards his adoptive father, but it also served as clear evidence of his surpassing him.

  • Ramage
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3
Q

Italian vs. oriental…

A

Italian vs. Oriental, order and virtue vs. chaos, and reason vs. irrationality

  • M. Hoff
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4
Q

The association between…

A

The association between clemency and tyranny persisted at least into the first century of the empire

  • D. Konstan
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5
Q

Caesar was Octavian’s…

A

Caesar was Octavian’s passport to power

  • Beard
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6
Q

By focusing on…

A

By focusing on Cleopatra, Octavian showed the war as foreign, not civil

  • Beard
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7
Q

Any interaction beyond…

A

Any interaction beyond exploitation was a violation of the master’s dignity and control

  • K. Bradley
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8
Q

Octavian’s new portrait…

A

Octavian’s new portrait type was a kind of ageless beauty which would have reminded contemporaries of Apollo’s own features

  • Zanker
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9
Q

New images were…

A

New images were relatively rare at the time… they circulated all over the western half of the empire

  • Zanker
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10
Q

They have been…

A

They have been found in large numbers all over the Roman world, and would have been displayed in a range of urban civic and sacred places

  • G. Davies
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11
Q

By choosing to….

A

By choosing to appear in a toga, a man emphasises his civil role and his allegiance to Rome

  • G. Davies
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12
Q

Building Programme:

A

It reflected his pietas for his patria and he could use it to publicise his accomplishments

It underlined his pietas towards his adoptive father, but it also served as clear evidence of his surpassing him

  • Ramage
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13
Q

Mark Antony:

A

Italian vs. Oriental, order and virtue vs. chaos, and reason vs. irrationality

  • M. Hoff
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14
Q

Julius Caesar:

A

The association between clemency and tyranny persisted at least into the first century of the empire

  • D. Konstan

Caesar was Octavian’s passport to power

  • Beard
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15
Q

Cleopatra:

A

By focusing on Cleopatra, Octavian showed the war as foreign, not civil

  • Beard

Any interaction beyond exploitation was a violation of the master’s dignity and control

  • K. Bradley
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16
Q

Coinage:

A

Monuments in miniature

  • C. Rowan

Octavian’s new portrait type was a kind of ageless beauty which would have reminded contemporaries of Apollo’s own features

New images were relatively rare at the time… they circulated all over the western half of the empire

  • Zanker
17
Q

Statues:

A

By choosing to appear in a toga, a man emphasises his civil role and his allegiance to Rome

They have been found in large numbers all over the Roman world, and would have been displayed in a range of urban civic and sacred places

  • G. Davies