Music & Child Development Flashcards

1
Q

What did Franklin et al. find when analyzing memory of musicians & non-musicians?

A

Rehearsal strengthens memory; not an innate characteristic of musician but reinforces the idea that music is a learning aid

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2
Q

How did Spelke confirm that music has the ability to develop cognitive systems in fields of maths & science?

A

Intensively trained music students greatly out-performed students with little or no musical training at spatial concepts

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3
Q

Describe some ways that musical skills can “transfer” in the brain (the degree to which tasks share cognitive processes)

A

Temporal processing (how we perceive/discriminate sound); motor skills; emotional sensitivity; relationships between written material & sound (reading music & text); memorization of extended information

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4
Q

The fact that humans are biologically equipped to be musical is not only important artistically & creatively, but also for what?

A

Social & emotional development

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5
Q

According to Trainor, at what stages can infants discriminate between standard & altered patterns?;

A

2 months (discriminate auditory stimuli); 3 months (31% clear, direct responses); 4 months (58%); 6 months (majority of infants)

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6
Q

Trainor found that when a sequence of sounds sets up a prediction for the next sound, what did young infants consistently show?;
What do these results indicate?

A

Mismatch responses to a violation in expectation & that mismatch responses can change after only a few hours of exposure;
A basic learning mechanism in the infant brain

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7
Q

What are some characteristics of Motherese?

A

Exaggerated vowel frequencies; one tone higher than adult speech; simple grammatical structure; salient parts repeated always at the same position in sentence; visual cues provide information on sound articulation & salience

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8
Q

How do infants selectively respond to music?;

What do toddler pre-verbal speech & singing demonstrate?

A
Prefer consonance over dissonance; possess musical processing skills (detection of changes in melody, pitch, rhythm, tempo & timbre); preference for mother’s voice;
Musical qualities (e.g. melodic contour, timing, phrasing & modulation of timbre)
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9
Q

What are some benefits of musical training in children increasingly shown in research?

A

Perceptual skills, language learning, literacy, emotional, social & personal development

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10
Q

What is the ability to co-ordinate rhythmically linked to?;
What improves fine motor co-ordination?;
What else can musical training improve?;
What qualities can be encouraged through a positive & fun relationship with music in early years?

A

Literacy skills;
Learning an instrument;
Spatial reasoning; general intelligence; skills required in maths; overall IQ;
Motivation; self esteem; self-efficacy; aspirations

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11
Q

Explain how the correlation between actively engaging in music & improved academic performance is bidirectional;
What are some issues with the reliability of this research?

A

More intelligent /harder working children are more likely to take music lessons (with encouraging, supporting families); music lessons intrinsically develop concentration/ self-discipline;
Lack of control over other influences in the child’s life (i.e. parental support; prior music/academic exposure; home life more conducive to study)

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12
Q

Butzlaff conducted a meta-analysis of 24 studies on music instruction & literacy, & found what?;
What else might explain this?;
If language skills are already well developed, what activity should be focused on for benefits to occur in reading?;
What 3 factors can influence reading ability?

A

Reliable relationship between music instruction/engagement & reading skills;
Kinds of musical experiences engaged in & prior musical development;
Reading musical notation;
Written notation, auditory skills, repetition

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13
Q

What were the results of Piro & Oritz study where 46 children studied piano for 3 years & 57 didn’t?;
What was shifting the focus from listening to engaging in musical notation compatible with?

A

Music learning group had significantly better vocabulary & verbal sequencing scores;
Literacy elements such as organizational principles & expressive qualities

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14
Q

Morehouse explored the significance of music making in the development of oral language skills, & results suggests what?;
What experiences does Morehouse believe music offers to aid language development?

A

Music is an important precursor to later reading skills;

Auditory & kinaesthetic experiences

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15
Q

Hallam believes music & linguistics share what?;

Gromko has also found a relationship between music and what?

A

Processing systems in the brain (transfer);

Development of aural perception & improvements in phonemic awareness

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16
Q

What did Long find about the effect of music intervention on the temporal organisation of reading skills?

A

Brief training (10 mins weekly for 6 wks) in stamping, clapping & chanting to music while following simple musical notation had a considerable impact on reading comprehension

17
Q

What did Overy find about focusing on rhythm with dyslexic children?;
Corrigal & Trainor found the length of musical training predicted what?;
Transfer of skills from music to literacy is strongest for whom?

A

It had a positive effect on phonological, spelling & musical skills;
Reading comprehension performance;
Early readers &/or those experiencing reading difficulties

18
Q

Schellenberg assigned a large sample of children to 4 different groups over a year: standard keyboard/kodaly voice training; non-musical activities (i.e. drama); or no lessons. What was found over the time period?

A

All groups exhibited increased IQ (controls: 4.3 average increase), but music groups had reliably larger increases (7 points)

19
Q

Rauscher et al. explored the impact of different types of musical activity in at-risk pre-school children over 2 years. What were they?;
What were the results?

A

Piano, singing, rhythm, computer or no instruction;
3 music groups scored higher on mental imagery tasks; rhythm group scored higher than all on temporal cognition & mathematical tasks

20
Q

What do the findings in Rauscher et al.’s study suggest?

A

Rhythmic training is important for temporal cognition, maths & literacy; developing perpetual skills in pitch & melody supports language development

21
Q

In regards to physical development, when children create music it can improve what?;
Moving to music can enhance the ability to what?;
Children dancing to music can increase what?

A

Fine motor skills, co-ordination & rhythm;
Sequence sound, recognise & respond to rhythm patterns, & discriminate melody;
Co-ordination, flexibility & motor skills

22
Q

In a 10 week music & movement program with 4-6 year olds, what did Derri et al. find in regards to their locomotor skills?

A

Improved galloping, leaping, horizontal jumping & skipping

23
Q

Harland found the most frequent influences on pupils from engaging with the arts at school were related to what?;
What benefits of music classes were perceived by students?

A

Personal & social development;
Listening to music & developing musical skills; fun & therapeutic nature of music; confidence to perform in front of others; group work & learning to express themselves

24
Q

Pitts interviewed 700 teens involved in a school musical, asking them what their motivation was for being involved. What was the main response?;
What are some other motivations?

A

Fun;
Friendships - contribution to social life; increase confidence, social networks, sense of belonging; peers provide counterpoint to challenge & role models to emulate;

25
Q

According to Rickard et al, what are some contributing benefits from music training?

A

Sense of belonging; providing leadership roles; achievement & positive feedback

26
Q

Resnicow et al. required individuals to identify, understand, reason with & manage emotions using hypothetical scenarios. What was significantly correlated?;
What does this suggest?

A

The ability to recognise emotions in performance of music & measures of emotional intelligence;
Music may also have the capacity to increase emotional sensitivity

27
Q

Research is starting to suggest that we acquire emotion knowledge from what?;
Malloch & Trevarthen say that our musicality serves what?

A

Our early musical experiences (serves as a mediating tool for emotion availability & interaction);
Our need for companionship