Music & Arts (Summative Test) Flashcards
__________ _______ MUSIC
-reflects the way of life, beliefs, and traditions of the rural folks.
-usually glorifies the beauty of nature and man’s strong connection with his environment.
TRADITIONAL FILIPINO MUSIC
______________ ______ MUSIC
CHARACTERISTICS
-influenced by other cultures through intercultural
meetings or colonization.
-employment of a diatonic scale rather than the Asian
pentatonic scale
TRADITIONAL FILIPINO MUSIC
CHARACTERISTICS
CLASSIFICATION BY _______ AND __________
-traditional music in lowland areas in Luzon and Visayas has the Spanish influence
-the music of the upland people like the Igorot and
Ifugao in Luzon and the Muslims and Lumad in
Mindanao have the indigenous flavor
CLASSIFICATION BY CULTURE AND LANGUAGE
Composed of a set of eight gongs of graduated sizes arranged in a row.
Kulintang ensemble by the Muslim
It is a smooth-surfaced gong with a narrow rim.
Gangsa ensemble by the Kalinga, Ifugao, Bontoc (Cordillera)
Originated and introduced by Spaniards
HISPANIC
An ensemble of stringed instruments with the pick such as guitar, laud, octavina, piccolo, and bajo de unas.
Rondalla
A combination of melodrama, songs, and dances. The rondalla served as accompaniment.
Sarsuwela
An art song that speaks about the love of a man for a woman. Written in 3/4. Gives listeners a light and happy mood at the end.
Kundiman
An old Visayan folk song and dance where a man and woman engage in a debate through a song.
Balitao
A band that uses improvised instruments made of bamboo.
Musikong Bumbong / Bamboo Music
Also known as “New Music” or Modern music, it pertains to compositions that have adopted elements of 20th-century Western music as well as the latest trends and musical styles in the entertainment industry and in the musical world.
CONTEMPORARY PHILIPPINE MUSIC
FILIPINO COMPOSERS OF THE 20TH CENTURY CONTRIBUTED THEIR SHARE IN INTRODUCING INNOVATIVE SOUNDS. WITH SPAIN AND THEN AMERICA HAVING COLONIZED THE PHILIPPINES, IT WAS UNAVOIDABLE THAT WESTERN COMPOSITIONAL TECHNIQUES FOUND THEIR WAY INTO THE WORKS OF FILIPINO COMPOSERS. YET EVEN 20TH CENTURY FILIPINO COMPOSERS HAVE MANAGED TO RETAIN SOME TRADITIONAL ELEMENTS IN THEIR ASSIMILATION OF WESTERN TECHNIQUES.
TRADITIONAL COMPOSERS
Since his elementary days, he started composing. He studied the banjo which inspired him to become a serious musician. He later pursued his music degree at the University of the Philippines and at the Juilliard School in New York, USA. He became a professor of theory and composition at the University of the Philippines’ College of Music up until his retirement in 1978. San Pedro is known as a “ romantic nationalist.” He incorporated Philippine folk elements in his compositions with Western forms and harmony. Arguably, his most popular work is the well-loved “Sa Ugoy ng Duyan ” , a lullaby melody sung by his mother. He composed “Sa Ugoy ng Duyan ” together with his friend Levi Celerio as the lyricist. He was declared a National Artist for Music in 1991 and passed away on March 31, 2002.
LUCIO SAN PEDRO
LAHING KAYUMANGGI
Lucio San Pedro
- Started composing since elementary school
- Studied banjo, which sparked his serious interest in music
- Pursued music degree at University of the Philippines and Juilliard School in New York
- Became a professor of theory and composition at University of the Philippines’ College of Music until retirement in 1978
- Known as a “romantic nationalist” for incorporating Philippine folk elements into Western forms and harmony
- Popular work: “Sa Ugoy ng Duyan,” a lullaby melody inspired by his mother
- Composed “Sa Ugoy ng Duyan” with lyricist Levi Celerio
- Declared National Artist for Music in 1991
- Passed away on March 31, 2002
LUCIO SAN PEDRO
Known as the Father of Philippine Impressionist Music. He is the first National Artist for Music. He began his music career as an orchestral soloist at the Manila Grand Opera House. He served as Dean of the Centro Escolar University, Conservatory of Music from 1948 to 1970. He was also a faculty member of the University of the Philippines’ Conservatory (now College) of Music. Molina was a product of both the Romantic and Impressionist schools of thought. He was fascinated by the dynamics and harmonies of Debussy and retained much of the Romantic style in his melody.
ANTONIO MOLINA
PANDANGGUHAN
ANTONIO MOLINA
- Father of Philippine Impressionist Music
- First National Artist for Music
- Started music career as an orchestral soloist at Manila Grand Opera House
- Served as Dean of Centro Escolar University, Conservatory of Music (1948-1970)
- Faculty member at the University of the Philippines’ Conservatory (now College) of Music
- Influenced by Romantic and Impressionist schools of thought
- Fascinated by the dynamics and harmonies of Debussy
- Retained much of the Romantic style in his melody
ANTONIO MOLINA
He studied music at the Chicago Music College and was influenced by the musical styles of the Serialist/Second Viennese School and Post-Romantic European composers. He developed a style that combined European romanticism and chromaticism. Abelardo, together with Francisco Santiago elevated the status of the Kundiman into an Art Song status equivalent to that of the German Lied, the French Chanson, and the Italian Aria.
NICANOR ABELARDO
BITUING MARIKIT
Nicanor Abelardo
- Studied music at the Chicago Music College
- Influenced by Serialist/Second Viennese School and Post-Romantic European composers
- Developed a musical style blending European romanticism and chromaticism
- Collaborated with Francisco Santiago to elevate Kundiman to an Art Song status
- Equated Kundiman’s status to German Lied, French Chanson, and Italian Aria
Nicanor Abelardo
Born in Penaranda, Nueva Ecija, he played brass instruments during his high school years. He enrolled in the University of the Philippines Conservatory of Music under Antonio Molina and also studied composition at the Juilliard School of Music in New York under Vittorio Giannini. He was known as a nationalist composer who expressed the Philippines’ cultural identity through his compositions. He wrote piano compositions, hymns, marches, art songs, chamber music, symphonic poems, overtures, band music, school songs, orchestral works, operas, kundimans, and zarzuelas. He was national artist for music in 1997.
Felipe P. De Leon
- Born in Penaranda, Nueva Ecija
- Played brass instruments in high school
- Enrolled in the University of the Philippines Conservatory of Music under Antonio Molina
- Studied composition at the Juilliard School of Music in New York under Vittorio Giannini
- Nationalist composer expressing Philippines’ cultural identity through compositions
- Wide range of compositions including piano pieces, hymns, marches, art songs, chamber music, symphonic poems, overtures, band music, school songs, orchestral works, operas, kundimans, and zarzuelas
- Awarded national artist for music in 1997
Felipe P. De Leon
PASKO NA NAMAN
Felipe P. De Leon
His compositional style makes much use of a variety of influences – from Moroccan musical cultures, Jazz, African-American Spirituals and Gospel music, European Neo-Classicism, Music for Films, American Broadway musicales, to Philippine indigenous chants He was born on May 4, 1954 in Manila. He obtained his Bachelor of Music degree at the University of the Philippines, College of Music in 1983. After which, he became a faculty member for Composition at the same University. At present, he continues to be a sought-after professor/lecturer, musical director, composer, arranger, and conductor in the Philippine concert and recording scenes. He was named National Artist for Music in 2018.
RYAN CAYABYAB
- Compositional style influenced by Moroccan musical cultures, Jazz, African-American Spirituals, Gospel music, European Neo-Classicism, Music for Films, American Broadway musicales, and Philippine indigenous chants
- Born on May 4, 1954, in Manila
- Obtained Bachelor of Music degree at the University of the Philippines, College of Music in 1983
- Became a faculty member for Composition at the same University
- Currently a sought-after professor/lecturer, musical director, composer, arranger, and conductor in the Philippine concert and recording scenes
- Named National Artist for Music in 2018
RYAN CAYABYAB
KAY GANDA NG ATING MUSIKA
RYAN CAYABYAB
It helps people express themselves and
their feelings. It creates a subjective mood and atmosphere.
Self-expression
To capture favorite memories or document
our traditions. It helps capture special moments that if not
documented on time could be lost forever
Documentation
Like sounds, words, and symbols, we can
communicate what we think and feel through a picture. It helps photographers to communicate the message or meaning in
their pictures.
Communication
Food photography should make food delicious and fun to eat to make the product sell.
ADVERTISING PHOTOGRAPHY
This aims to showcase clothes or other types of accessories.
FASHION PHOTOGRAPHY
A collection of images showing places, people, and cultures.
TRAVEL PHOTOGRAPHY
Photos depicting documentation of happenings. Usually dramatic and sometimes distressful.
PHOTOJOURNALISM
He is a well-known awardwinning travel photographer. He has won two Pacific Asia Tourism Association (PATA) Gold awards, an ASEAN Tourism Association award, and first place in the 2011 National Geographic photo contest. His photography has been distinctly acclaimed in various travel photography books.
GEORGE TAPAN
A remarkable seasoned advertising and commercial photographer with more than forty years of experience in the Philippine photography industry. He loves to showcase the beauty of the Philippines and has won various local and international awards. He is a pilot by profession.
JOHN K. CHUA
He wrote compositions in a variety of styles, genres, and forms including Masses, Ballet, Musical Plays, Film Scores, and Popular
Songs.
a. Francisco Santiago
b. Levi Celerio
c. Lucio San Pedro
d. Ryan Cayabyab
d. Ryan Cayabyab
He is considered as the “Father of Kundiman”.
a. Francisco Santiago
b. Levi Celerio
c. Lucio San Pedro
d. Ryan Cayabyab
a. Francisco Santiago
He has taught composition in colleges and conservatories of music, most
notably at the Santa Isabel College of Music and the University of the
Philippines College of Music.
a. Francisco Santiago
b. Levi Celerio
c. Lucio San Pedro
d. Ryan Cayabyab
c. Lucio San Pedro
The following are Contemporary Filipino Songwriters except ______________.
a. Levi Celerio
b. Lito Camo
c. Ogie Alcasid
d. Pedro Bukaneg
d. Pedro Bukaneg
The key signature of Francisco Santiago’s “Pilipinas Kong Mahal” based on
this score:
a. Key of C
b. Key of C minor
c. Key of D
d. None of the above
a. Key of C
Antonio Molina became National Artist in:
a. 1970
b. 1971
c. 1873
d. 1973
c. 1873
It is the birthplace and hometown of Lucio San Pedro.
a. Angeles City
b. Angono, Rizal
c. Cainta, Rizal
d. Calamba, Laguna
b. Angono, Rizal
With compositions like Kayumangging Malaya, Lahing Kayumanggi, and Sa Mahal Kong Bayan, he is a composer regarded as a Romantic Nationalist.
a. Francisco Santiago
b. Levi Celerio
c. Lucio San Pedro
d. Ryan Cayabyab
a. Francisco Santiago
Ryan Cayabyab’s “Alikabok” is an example of ___________.
a. Ballet
b. Musical Play
c. Suelto
d. Zarzuela
d. Zarzuela
He arranged, recorded, and produced the first one-man-vocal jazz acapella
album in the Philippines.
a. Francisco Santiago
b. Levi Celerio
c. Lucio San Pedro
d. Ryan Cayabyab
d. Ryan Cayabyab
The following are compositions of Antonio Molina except ________________.
a. Misa Antoniana
b. Kung sa Iyong Gunita
c. Amihan
d. Nasaan ka Irog
d. Nasaan ka Irog
It is an Opera by Ryan Cayabyab with Fides Cuyugan-Asencio as Librettist.
a. Spoliarium
b. Kay Ganda ng Ating Musika
c. Da Coconut Nut
d. Kumukutikutitap
a. Spoliarium
The first few notes of Bahay Kubo were used as theme for this composition.
a. Malikmata
b. Lahing Kayumangi
c. Misa Antoniana
d. Historya
b. Lahing Kayumangi
His compositional style makes much use of varied influences from different
musical cultures, genres, and styles.
a. Ryan Cayabyab
b. Lucio San Pedro
c. Levi Celerio
d. Francisco Santiago
a. Ryan Cayabyab
He is the composer of “Kay Ganda ng Ating Musika”.
a. Ryan Cayabyab
b. Lucio San Pedro
c. Levi Celerio
d. Francisco Santiago
a. Ryan Cayabyab
He is considered as the Father of Kundiman.
a. Ryan Cayabyab
b. Lucio San Pedro
c. Levi Celerio
d. Francisco Santiago
d. Francisco Santiago
He taught composition at a number of colleges and conservatories of music
including the Sta Isabel College of Music and the University of the Philippines
College of Music.
a. Ryan Cayabyab
b. Lucio San Pedro
c. Levi Celerio
d. Francisco Santiago
b. Lucio San Pedro
He is the first Filipino Director of the UP Conservatory of Music.
a. Ryan Cayabyab
b. Lucio San Pedro
c. Levi Celerio
d. Francisco Santiago
d. Francisco Santiago
He is best known for his poignantly romantic serenade for violin and piano “Hatinggabi”.
a. Jose Maceda
b. Lito Camo
c. Antonio Molina
d. Francisco Santiago
c. Antonio Molina
“Ugoy ng Duyan” is a collaborative work of Lucio San Perdo and
__________________.
a. Jose Maceda
b. Lito Camo
c. Levi Celerio
d. Lucrecia Lasilag
c. Levi Celerio
