Music 1091 Test 1 Review Flashcards

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1
Q

Form of texture. One sound playing at a time. One melody without accompaniment.

A

Monophonic

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2
Q

Form of texture. When a melody is accompanied by other parts.

A

Homophonic

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3
Q

Form of texture. Two or more melodies are sounding at the same time - many sounds.

A

Polyphonic

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4
Q

How long or duration of sound.

A

Rhythm

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5
Q

A collection of pitches in a recognizable form.

A

Melody

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6
Q

Notes that support the melody. Begins with two notes sounding at the same time.

A

Harmony

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7
Q

The part of musical sound which enables a listener to distinguish a certain instrument from other instruments even when pitch, loudness, and duration are the same.

A

Timber (color)

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8
Q

How thick or thin a musical piece is. ( monophonic, homophonic, polyphonic)

A

Texture

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9
Q

Final results of all parts of music. (Rondo,binary,sonata allegro,etc.)

A

Form

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10
Q

Vibration. The the location of a tone in a musical scale and usually considered to be higher or lower in comparison with the other _____.

A

Pitches

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11
Q

What is the name given to the symbols that indicates the duration or time values of musical sounds.

A

Notes

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12
Q

One voice or instrument that begins a melody, and, before or as it finishes, a second voice or instrument takes up the same melody.

A

Rounds/Imitation

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13
Q

The definition of music.

A

Rationally organized sound

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14
Q

Smallest fragment of a melody. It does not state a complete idea and may not end with a feeling of cadence, but it may be an important organizational unit in a composition.

A

Motive

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15
Q

At least two notes played at the same time.

A

Chord

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16
Q

Starting note of a scale.

A

Key

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17
Q

Symbols at the beginning of a scale.

A

Key signature

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18
Q

The sense of reference to one note. Like a gravitational pull of one note on all others in melody (and harmony)

A

Tonality

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19
Q

The most easily comprehended unit of musical structure. It is often repeated, varied, and contrasted with other phrases in the composition. Smallest building block of music.

A

Phrase

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20
Q

Three notes played at the same time.

A

Triad

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21
Q

Keys having the same name but different frequencies are ___ of each other.

A

Octave

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22
Q

The foundation of musical rhythm.

A

Beat/pulse

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23
Q

A melody that reoccurs. A melody that serves as a basis for a longer work.

A

Theme

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24
Q

Off the beat. When a tone receives an accent other than a normal metric accent is said to be?

A

Syncopation

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25
Q

A number of beats that occur in a pattern of strong and weak. (Duple,triple)

A

Meter

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26
Q

Indicates one measure of the beat pattern.

A

Time signature

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27
Q

Aka as the G clef and indicates the notes to be most often played by the right hand of the pianist, read by female vocalist, and high pitched instruments.

A

Treble clef

28
Q

Aka the F clef and is used for the notes most often played by the left hand of the pianist, read by male vocalist, and low pitched instruments.

A

Bass clef

29
Q

When a work has been re-written for another medium.

A

Arrangements/Orchestration/Transcription

30
Q

Degree of loud or soft of music. (Piano,forte)

A

Dynamics/dynamic markings

31
Q

The speed of beats.

A

Tempo

32
Q

Harmonic intervals that are smooth and pleasing to the ear.

A

Consonant

33
Q

Intervals that are rough and harsh.

A

Dissonant

34
Q

First beat of a major.

A

Downbeat

35
Q

The note before downbeat.

A

Upbeat

36
Q

2-9 performers. Limited to 1 performer per part

A

Chamber ensembles

37
Q

3-6 players

A

Jazz combos

38
Q

Constructed from pitches in patterns of whole and half notes.

A

Scales

39
Q

Scale built in half steps

A

Chromatic scale

40
Q

Made up of 5 lines and 4 spaces.

A

Staff

41
Q

Short lines that extend a staff and are used for notes above and below the normal 5 lines.

A

Ledger lines

42
Q

Raises a tone one- half step.

A

Sharp (#)

43
Q

Lowers a tone one-half step.

A

Flat (b)

44
Q

Restores a tone to its natural state by canceling a sharp or flat.

A

Natural

45
Q

Distance between two notes, sounds, and pitches.

A

Interval

46
Q

Gradually getting louder.

A

Crescendo

47
Q

Gradually getting softer.

A

Decrescendo

48
Q

Simple melody (mary had a little lamb)

A

Tune

49
Q

Smallest interval in western music. The division of the octave into 12 semi-tones in equal intervals.

A

Half-step

50
Q

Second smallest interval in western music.

A

Whole-step

51
Q

Precursors of scales.

A

Modes

52
Q

The tone that we recognize as the pitch is the ____.

A

Fundamental

53
Q

The softer tones above the fundamental.

A

Harmonics/overtones

54
Q

The name given to the original loan bc the player could control dynamics from soft to loud, depending upon the amount of force applied to the keys.

A

Piano-forte

55
Q

The piano and the organ are?

A

Hybrid instruments

56
Q

The most important form in music for the past 200 years. 3 sections: exposition, development, and recapitulation.

A

Sonata-allegro

57
Q

Section of sonata-allegro that presents the listener with a primary theme (A), and one or more secondary or subordinate themes (B).

A

Exposition

58
Q

Section of sonata-allegro where the composer has the opportunity to play with the themes and motives introduced on the exposition.

A

Development

59
Q

Section of sonata-allegro that follows development and where the architecture of the exposition returns with a few changes.

A

Recapitulation

60
Q

Concludes most sonata-allegros (tail)

A

Coda

61
Q

Song form: two part plan AB

A

Binary

62
Q

Song form: three part plan ABA

A

Ternary

63
Q

Song form: different verses sung from a single melody. AAAAAAA

A

Strophic

64
Q

Song form: music is altered to fit the text and story and may have few repeated sections.

A

Through-composed

65
Q

Song form: the recurrence of a theme separated by several contrasting sections. ABACABA

A

Rondo

66
Q

Song form: one of a repeating a previously heard phrase or sections of music but with modifications.

A

Theme and variations