MUS 109: Final Flashcards

1
Q

Raka

A

(Haiti) Vodou ceremony during Lent where they go from holy place playing Rada and bambow

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2
Q

Rada

A

(Haiti) drums

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3
Q

Bambow

A

(Haiti) trumpets

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4
Q

Legbra

A

(Haiti) gatekeeper; plays sounds to him & if he likes than BOA (spirit) & becomes HORSE (possession)

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5
Q

Marcus Garvey

A

(Jamaica) civil rights leader that wanted people to look for a savior

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6
Q

Haile Selassie

A

(Jamaica) world emperor of Ethiopia who was said to be the savior

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7
Q

Rastafarianism

A

(Jamaica) religion Haile Selassie was reincarnation of Jesus Christ

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8
Q

Reggae

A

(Jamaica) music inspired by rastafarianism

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9
Q

dub

A

(Jamaica) down vocal, up music

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10
Q

Pan

A

(Trinidad) steel drums

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11
Q

Engine Room

A

(Trinidad) rhythm section of the pan

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12
Q

Calypso

A

(Trinidad) social commentary using satire

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13
Q

Lord Shortie

A

(Trinidad) developed Soka and got disillusioned with it because it was not what he wanted; he wanted it to be social

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14
Q

Soka

A

(Trinidad) Soul Calypso

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15
Q

Chutney

A

(Trinidad) Soka & Indian Film music

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16
Q

Rhyming Spiritual

A

(Bahamas) consists of a baser and a rhymer; it is religious and is sung for entertainment while sponge fishing

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17
Q

Laser

A

(Bahamas) background singer, encouragements, bass line

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18
Q

Rhymer

A

(Bahamas) lead singer, melody, improvised

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19
Q

Son

A

(Cuba) son clave is production of the rhythm (name came from this)

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20
Q

Tres

A

(Cuba) three string guitar

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21
Q

Merengue

A

(Dominican Republic) is now faster, but they all speed up at the end and usually have an accordion or saxophone

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22
Q

Passo

A

(Dominican Republic) is the intro to the melody during the Merengue

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23
Q

Merengue section

A

(Dominican Republic) verse section of the Merengue

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24
Q

Halio

A

(Dominican Republic) chorus section of the Merengue

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25
Q

Gamelan

A

(Indonesia)

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26
Q

Two types of Gamelan

A

(Indonesia) Javanese ) Balinese

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27
Q

Javanese

A

(Indonesia) “Java” - slow, religious

28
Q

Gangsa

A

(Indonesia) Gamelan music with zylophones

29
Q

zylophone

A

metalophone

30
Q

Balinese

A

(Indonesia) “Bali” - entertainment, fast

31
Q

Shinner Effect

A

(Indonesia) two sounds create wobble effect

32
Q

Ganga chen

A

(Indonesia) largest drum; gong

33
Q

Ramanyana

A

(COUNTRY) Hindu religious story about Ran; popular form of entertainment in Indonesia

34
Q

Kecak

A

(COUNTRY) monkey character from Ramanyana, from Bali, and it is a vocal monkey chant

35
Q

Piphat

A

(Thailand) from Pi (flute) aerophone; double reeded flute

36
Q

Cantillation

A

(Middle East) type of chanting which is singing & not considered music

37
Q

Adhan

A

Islamic call to prayer; five times a day

38
Q

Miniret

A

(Islamic) part of Mosaic where person stands

39
Q

Ud

A

(Arabic) frettless lute

40
Q

Buzuq

A

(Arabic) fretted lute

41
Q

Maqam

A

series of notes; mode of scale used to improvise in Arabic music; equivalent in Indian music is Raga

42
Q

Qanun

A

(Egypt) large zither

43
Q

Takht

A

Egypt form for Arabic popular music

44
Q

Raqs Sharqi

A

belly dancing

45
Q

Tarab

A

the emotional state music puts you into

46
Q

Dhikr

A

religious ceremony for religious (sufism) sect of Turkey with spring

47
Q

Shofar

A

Pans (?) horn trumpet played in Israel for Jewish religious ceremonies

48
Q

Klezmer music

A

traditional Eastern European music & jazz

49
Q

Bollywood

A

Indian film industry

50
Q

Where is Hindustani music from?

A

North

51
Q

Sitar

A

lute chordophone frets

52
Q

Sarod

A

no frets

53
Q

Tambura

A

creates background drone

54
Q

Tabla

A

drums

55
Q

Sruti box

A

electronic device replaces tambura

56
Q

Alap

A

(Indian) the beginning section of melody (vocal or instrumental) accompanied only by the drone instrument

57
Q

Jor

A

(Indian) regularizing of the beat in the opening section

58
Q

Jhala

A

(Indian) coming to an end the music researches maximum tempo and rhythmic destiny. It is mostly steady in beat, while the player repeatedly use drone strings (called jhala string) in alternation with the melodic pitch

59
Q

Gat

A

(Indian) the section that coincides with the entry of the drum; it is a relatively short composition that becomes basis for further improvisation; it refers to instrumental ragas

60
Q

Raga

A

(Indian) mode of system of rules and procedures for compensation and improvisation

61
Q

Tala

A

(Indian) cyclic rhythmic framework that organizes a raga performance

62
Q

Gat

A

(Indian) skeletal melody used as basis for improve in a raga performance

63
Q

Bols

A

(Indian) mnemonic syllables corresponding to drum strikes in Indian drumming

64
Q

Theka

A

(Indian) entire pattern or set of words for a given tala

65
Q

Kriti

A

religious poems

66
Q

Kathakali

A

Indian music theatre

67
Q

Pasa

A

India emotional state Raga puts you in