Multimodal ads: language, images, music Flashcards

1
Q

why do visuals matter in ads? (2)

A
  • there can be complex & conflciting messages in words & images
  • interpreting ads is often a matter of drawing inference based on the relation of the words & pictures
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2
Q

three ways words & images interact> (B,1977) (LONGER) (3)

A
  • anchorage= words pin down (‘anchor’) the meaning of the image
  • illustration= images give meaning to words (e.g. words ‘before/after’ & image)
  • relay= we move back & forth between the image & text, so the meaning emerges through a combination of both
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3
Q

three ways words & images interact> (B,1977)

A
  • anchorage
  • illustration
  • relay
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4
Q

why does music matter in commercials> (3)

A
  • music can add another layer of meaning
  • it can REINFORCE or CONTRADICT the meaning created by lang and/or visuals
  • it especially creates AFFECTIVE meaning
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5
Q

music in ads: what to analyse> (6)

A
  • style (classic, pop etc)
  • instrumentation (piano, string etc)
  • tempo (from slow>fast)
  • volume (quiet>loud)
  • also: any changes in above; relations between music lang & images
  • not lyrics (as this is part of lang analysis)
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6
Q

HOW is meaning created (5)> (LONGER)

A
  • semiosis= using signs to make meaning
  • semiotics/ semiology= the study of signs
  • sign= anything that conveys meaning, a combination of the signifier & the signified
  • signifier= the physical form of the sign (letters/sounds/images)–>(e.g. <c><a><t> /kat/)</t></a></c>
  • signified= what is represented & evoked in the mind: (e.g. furry 4 legged animal that meows)
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7
Q

HOW is meaning created (5)>

A
  • semiosis
  • semiotics or semiology
  • sign
  • signifier
  • signified
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8
Q

signifier & signified–>3 relations>

A
  • icon= relation of resemblance, direct (e.g. image of cake)
  • index= relation of cause & effect (e.g. image of a plate with cake crumbs
  • symbol= relation of convention, arbitrary (e.g. word ‘cake’ /keɪk/)
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9
Q

icon=

A

relation of resemblance, direct (e.g. image of a cake)

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10
Q

index=

A

relation of cause & effect (e.g. an image of a plate with cake crumbs)

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11
Q

symbol=

A

relation of convention, arbitrary (e.g. the word ‘cake’)

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12
Q

what to analyse in images> (4)

A
  • colour (hue, saturation, value)
  • composition
  • framing
  • gaze
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13
Q

image analysis: how can colour be used in ads>

A
  • aspects of colour (hue, saturation, value) can be paralleled & deviated from for foregrounding effects (i.e, slogans/products etc)
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14
Q

Images analysis: composition> (LONGER) (4)

A
  • the order of elements on a page can convey meaning:
    -top>bottom= ideal>real
    -left>right=before>after;
    problem>solution; given>new
    -centre>periphery= salient>less important
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15
Q

Images analysis: composition>

A

The order of elements on a page can convey meaning

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16
Q

Top-bottom composition meaning>

A

ideal>real

17
Q

left>right composition meaning> (3)

A
  • before>after
  • problem> solution
  • given> new
18
Q

centre>periphery meaning>

A

salient>less important

19
Q

Framing=

A

what we can or cannot see in an advert

20
Q

image analysis> framing: closed frame>

A

everything relevant is included within the frame

21
Q

Image analysis>framing: open frame>

A

there is reference to something outside the frame

22
Q

image analysis: gaze> 2 types>

A

-offer image
- demand image

23
Q

image analysis: gaze> offer image>

A

=side & horizontal position, no direct gaze

24
Q

image analysis: gaze> demand image>

A

=direct gaze
- reinforced through direct address (qn, imperative)

25
Q

multimodal ads: lang, images, music concs> (3)

A
  • images may have iconic, indexical or symbolic meanings
  • to analyse images, we can consider colour, composition, frame & gaze
  • many points made about lang (parallelism, ambiguity) also apply to visual)