Moving Images Flashcards

1
Q

Primitive, basic animation

A

moving images

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2
Q

Magic Lantern in 17th century - projected images painted on glass plates using oil lamp as light source

Zoetrope - cylindrical device that rapidly twirled images inside a cylinder; appearing to make the images move

Praxinoscope (1877 by Reynaud)
• Eliminates slot to look trhough and inserts a mirror

Vitascope
• hype and media advances
• enabled filmstrips of longer lengths to be projected without interruption
• potential of movies as a future mass medium
• boxing match → people at the time were amazed at how realistic it was
o people had an emotional response – AFFECT
• when it was new, it was really exciting

A

History of moving images examples!

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3
Q

the representation of an object (a thing, an idea, or any communicatory act) whereby the object is structured and presented by some intervening medium

A

mediation

i.e. drugs = media
• experience a mediated experience
• mediates mind between what is normal vs what you perceive when you’re on drugs

“Fred Ott’s Sneeze” (Edison Studios, 1894)
• motion picture
• why is this important?
o Media helps us see this in new ways

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4
Q

peephole viewer at top of cabinet; lead to cylinder phonograph

A

Kinetoscope

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5
Q

• Does the racehorse raise 4 feet off the ground or 2?
o Took photographs to find out
• He determined that the horse kept 4 feet off the ground simultaneously
• His studies also looked at people
• Allowed people to see themselves in ways they haven’t seen themselves before
• People doing realistic things

A

Eadweard Muybridge

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6
Q
  • Split between reality and fantasy

* Breaks out of the reality box and film for entertainment w/ a longer narrative form

A

Georges Melies

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7
Q

“A Trip to the Moon” (1902)
• static to our eyes bc of the movie camera back then

“Life of an American Fireman” (1903)
• imaginary insert of what the fireman is thinking about at the time
• where the split (realistic/fantasy) happens

A

Examples by Melies

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8
Q

“The Great Train Robbery” (1903)
• written, produced, and directed by Porter
• *first film to use editing to establish relationships; camera moves with the action
• splice two pieces of film together
• more visual possibilities

A

Porter

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9
Q

moving images → cinema
• rise of Hollywood system and Hollywood narrative
• we are the children of this narrative so we don’t even realize

A

D.W. Griffith

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10
Q

Here is where media started for the people of that time

Experience
•	Lacking:
o	Sound
o	Speed = slow
o	Editing (very advanced in 1911)
A

“Lonedale Operator” directed by Griffith

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11
Q

to re-mediate
• The form of old media becomes content in new media
• How is the telegraph remediated in The Lonedale Operator?
o Telegraph = content → story about the telegraph; plot
o Place A: Her telegraph → Place B: another operator
• Jump cut conveys how the telegraph collapses time and space
• Jump cut makes no sense without the telegraph
• became content in the way film works

“Birth of the Nation” directed by Griffith
• empty room merges with the people in the room
• this film is considered racist
• encapsulation of what happens when we go into that realistic mode

A

Remediation

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12
Q

is the perfection or erasure of the gap bt signifier and signified, such that a representation ois perceived to be the thing itself; consequence f naïve verbal realism
• The symbol is perceived to be a window to the real
• To make the viewer forget that the medium is even there

A

Immediacy

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13
Q

predominant style of editing in narrative cinema
• Shots are edited together to complement each other
• To smooth over the inherent discontinuity of the editing process and to establish a logical coherence between shots

A

Continuity Editing

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14
Q

French for “build/assemble”

A

Montage

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15
Q

i.e. where immediacy gives vigor picture of something that is real even though it is highly manufactured (paradox of film)

A

Odessa Steps

Remediation of Odessa Steps where the baby lives instead of dying

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16
Q

is a style of visual representation whose goal is to make the audience aware of the medium

A

Hypermediacy

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17
Q

examples of ______

Man with the Movie Camera directed by Vertov
• Trying to break out of narrative entirely
• Where the audience is aware of the camera

A

Hypermediacy

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18
Q
•	Form becomes content in new media
•	“Citizen Kane”
o	visual nature of photo coming to life
o	move from reality to photograph to front page of newspaper
•	Low angle shots
A

Orson Welles

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19
Q

• Cinema is essentially emotion, it is pieces of film journal

A

Hitchcock

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20
Q
  • How editing works

* Expression does not matter; it is the context

A

Hitchcock Loves Bikins

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21
Q

Hannibal Goodwin improved Eastman’s roll film by using thin strips of transparent pliable material known as ______ that could hold a coating of chemi-cals sensitive to light

solved a major problem: It enabled a strip of film to move through a camera and be photographed in rapid succession, producing a series of pictures.

A

celluloid

22
Q

Edison and assistant Dickson created the early movie camera called the ____ with its single-person viewing system, the ___

A

kinetograph; kinetoscope

23
Q

Edison patented several intentions and manufactured a new large-screen system which enabled filmstrips of longer lengths to be projected without interruption and hinted at the potential of movies as a future mass medium

A

vitascope

24
Q

movies that tell stories as opposed to static films (i.e. waves breaking beaches)

A

narrative films

25
Q

form of movie theater whose name combines admission price with the Greek word for “theater”

A

nickelodeons

26
Q

aim to dominate movie business at all three essential levels - production, distribution, exhibition

A

vertical integration

27
Q

a situation in which few firms control the bulk of business

A

oligopoly

28
Q

firmly controlled creative talent in the industry by 1920s

A

studio system

29
Q

Zukor led the fight for independent film companies looking for other distribution strategies aside from the Trust

A

block dstribution

30
Q

full-time single-screen movie theaters that provided a more hospitable moviegoing environment.

A

movie palace

31
Q

built in convenient places near urban mass transit stations to attract the business of urban and suburban middle class

A

mid-city movie theaters

32
Q

multiple screens lure middle-class crowed to interstate highway crossroads

A

multiplexes

33
Q

early 1900s now became a few powerful studios: _____ and _____

A

Big Five (Paramount, MGM, Warner Bros, Twentieth Century Fox and RKO)

didn’t own theaters: Little Three (Columbia, Universal, United Artists)

34
Q

The Birth of a Nation (1915) was the first ____ (more than an hour long film)

A

feature-length film

35
Q

blockbuster

A

FILL IN

36
Q

FILL IN

A

talkies

37
Q

FILL IN

A

newsreels

38
Q

a category in which conventions regarding similar characters, scenes, structures, and themes recur in combination

A

genre

39
Q

grouping films by category was the industry’s way of accomplishing two economic goals:

A

product standardization and product diffrentiation

40
Q

recorded daily life in various communities around the world

A

travelogues

41
Q

Moana (1925) a study of the lush South Pacific islands inspired the term

a creative treatment of actuality

A

documentary

42
Q

French term for truth film

in late 1950s and early 1960s with development of portable camera

record fragments of everyday life more unobtrusively

A

cinema verite

43
Q

independently produced films

A

indies

44
Q

Hollywood Ten hearings

A

FILMM IN

45
Q

forcing studios to gradually divest themselves on their theaters

A

Paramount decision

46
Q

facilities with fourteen or more screens

A

megaplexes

47
Q

current Hollywood commercial film business is ruled primarily by _____ companies

A

The BIG SIX (Warner Bros, Paramount, Twentieth Century Fox, Universal, Columbia Pictures, and Disney)

48
Q

the promotion and sale of a product throughout the various subsidiaries of media conglomerate

companies promoting new movie along with its book form, soundtrack, calendars, shirts, web sties, toys, etc.

A

synergy

49
Q

shift from celluloid film; cheaper film and cameras

capture additional footage without high concern of cost of film stock and processins

A

digital video

50
Q

described cultural products that become popular and provide shared cultural experiences

A

consensus narratives