Moving Images Flashcards
Primitive, basic animation
moving images
Magic Lantern in 17th century - projected images painted on glass plates using oil lamp as light source
Zoetrope - cylindrical device that rapidly twirled images inside a cylinder; appearing to make the images move
Praxinoscope (1877 by Reynaud)
• Eliminates slot to look trhough and inserts a mirror
Vitascope
• hype and media advances
• enabled filmstrips of longer lengths to be projected without interruption
• potential of movies as a future mass medium
• boxing match → people at the time were amazed at how realistic it was
o people had an emotional response – AFFECT
• when it was new, it was really exciting
History of moving images examples!
the representation of an object (a thing, an idea, or any communicatory act) whereby the object is structured and presented by some intervening medium
mediation
i.e. drugs = media
• experience a mediated experience
• mediates mind between what is normal vs what you perceive when you’re on drugs
“Fred Ott’s Sneeze” (Edison Studios, 1894)
• motion picture
• why is this important?
o Media helps us see this in new ways
peephole viewer at top of cabinet; lead to cylinder phonograph
Kinetoscope
• Does the racehorse raise 4 feet off the ground or 2?
o Took photographs to find out
• He determined that the horse kept 4 feet off the ground simultaneously
• His studies also looked at people
• Allowed people to see themselves in ways they haven’t seen themselves before
• People doing realistic things
Eadweard Muybridge
- Split between reality and fantasy
* Breaks out of the reality box and film for entertainment w/ a longer narrative form
Georges Melies
“A Trip to the Moon” (1902)
• static to our eyes bc of the movie camera back then
“Life of an American Fireman” (1903)
• imaginary insert of what the fireman is thinking about at the time
• where the split (realistic/fantasy) happens
Examples by Melies
“The Great Train Robbery” (1903)
• written, produced, and directed by Porter
• *first film to use editing to establish relationships; camera moves with the action
• splice two pieces of film together
• more visual possibilities
Porter
moving images → cinema
• rise of Hollywood system and Hollywood narrative
• we are the children of this narrative so we don’t even realize
D.W. Griffith
Here is where media started for the people of that time
Experience • Lacking: o Sound o Speed = slow o Editing (very advanced in 1911)
“Lonedale Operator” directed by Griffith
to re-mediate
• The form of old media becomes content in new media
• How is the telegraph remediated in The Lonedale Operator?
o Telegraph = content → story about the telegraph; plot
o Place A: Her telegraph → Place B: another operator
• Jump cut conveys how the telegraph collapses time and space
• Jump cut makes no sense without the telegraph
• became content in the way film works
“Birth of the Nation” directed by Griffith
• empty room merges with the people in the room
• this film is considered racist
• encapsulation of what happens when we go into that realistic mode
Remediation
is the perfection or erasure of the gap bt signifier and signified, such that a representation ois perceived to be the thing itself; consequence f naïve verbal realism
• The symbol is perceived to be a window to the real
• To make the viewer forget that the medium is even there
Immediacy
predominant style of editing in narrative cinema
• Shots are edited together to complement each other
• To smooth over the inherent discontinuity of the editing process and to establish a logical coherence between shots
Continuity Editing
French for “build/assemble”
Montage
i.e. where immediacy gives vigor picture of something that is real even though it is highly manufactured (paradox of film)
Odessa Steps
Remediation of Odessa Steps where the baby lives instead of dying
is a style of visual representation whose goal is to make the audience aware of the medium
Hypermediacy
examples of ______
Man with the Movie Camera directed by Vertov
• Trying to break out of narrative entirely
• Where the audience is aware of the camera
Hypermediacy
• Form becomes content in new media • “Citizen Kane” o visual nature of photo coming to life o move from reality to photograph to front page of newspaper • Low angle shots
Orson Welles
• Cinema is essentially emotion, it is pieces of film journal
Hitchcock
- How editing works
* Expression does not matter; it is the context
Hitchcock Loves Bikins