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Women in the Visual Arts > Module 6 > Flashcards

Module 6 Flashcards

1
Q

Self-Portrait, 1917

Modernist

A

Alice Bailly (1872-1938)
Swiss
Representative of: Fauvism (color), Futurism (hand shape)
Cubism,

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2
Q

This aesthetic movement was a style of abstract art that developed in Russia by Russian Cubo-Futurists Mikhail Larionov & Natalia Goncharova, it was one of Russia’s first abstract art movements

A

Rayonnism - Russian

Aspects: spikes

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3
Q

This aesthetic movement is characterized by fragmented subject matter deconstructed in such a way that it can be viewed from multiple angles simultaneously. Pioneered by Pablo Picasso, etc.

A

Cubism

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4
Q

This aesthetic movement is characterized by strong colors and fierce brushwork.

A

Fauvism

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5
Q

This aesthetic movement is characterized by a focus on the technical progress of the modern machine age, dynamism, speed, energy, vitality, and change.

A

Futurism

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6
Q

Portrait of Natalia Goncharova and Mikhail Larionov, 1913

A

Alexsei Alekseevich Morgunov

References A Bar at the Folies-Bergère by Manet.
Portrays Russian avant-guard artist and writer of the Rayonism manifesto.

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7
Q

Portrait of Mikhail Larionov, 1913

A

Natalia Goncharova - Russian

Reconstructed face element of cubism, spikes element of rayonism.

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8
Q

Grimaces in Art: Natalia Goncharova and Larionov in makeup for Futurist theatre, 1913

A

They are both interested in futuristic theatre which is an important outlet during the Russian modernist movement.

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9
Q

Peasants, 1911

A

Natalia Goncharova - Russian

Example of her primitivism and love mixing modern art with peasant culture, Russian icons with folk art.

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10
Q

Laundry, 1912

A

Natalia Goncharova - Russian

Domestic subject, cubism.

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11
Q

Sets for Le Coq d’Or, 1914

Scene 1

A

Natalia Goncharova - Russian

Colors of fauvism with the spikes of Rayonism.

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12
Q

Sets for Le Coq d’Or, 1914

Scene 2

A

Natalia Goncharova - Russian

Mixes the color of fauvism with folk art.

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13
Q

This was a ballet company based in Paris that performed between 1909 and 1929 throughout Europe directed by Sergei Diaghilev

A

Ballets Russes

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14
Q

He was the director of the Ballet Russes in Paris.

A

Sergei Diaghilev - Russian

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15
Q

Romeo and Juliet, Chamber Theatre, Moscow, 1921

A

Alexandra Exter - Russian

She produced set and costume design for this play. seen here.

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16
Q

Portrait of a Philosopher, 1915

A

Liubov Popova - Russian

Russian avant guard leadership fell to Popova when Goncharova and Larinov moved to Paris.
Cubism. Revue philos, ties to Paris.

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17
Q

sets for Vsevolod Meierhold’s production of The Magnanimous Cuckold, Moscow, 1922

A

Liubov Popova - Russian.

Tale of love and jealousy. Popova also - modern graphic design, material, and fabric design.

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18
Q

Design for Sports Clothing, 1923

A

Varvara Stepanova - Russian.

With Rodchenko wrote the productivist manifesto. Tech meets art, functional to society. Here we see her sport design in bold red and bold stripe patterns.

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19
Q

Worpswede, Germany

A

The Worpswede artist’s colony
in Germnay: From farming village to a source of inspiration. They wanted to escape the industrial city and find solace in the country.

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20
Q

Murnau, Germany

A

Where Gabriele Münter, and Wassily Kandinsky resided together.

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21
Q

Wassily Kandinsky

Russian in Germany

A

He was the teacher and long-time companion of Paula Modersohn-Becker. Wrote the Blue Rider Almanac. Lived together in Murnau.

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22
Q

The Blue Rider Almanac

German

A

The Blue Rider was an association of artists located in and around Munich. Spiritual. The art group was founded by Wassily Kandinsky among others. This Almanac produced by Kdninsky included folk art.

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23
Q

Self-Portrait with Amber Necklace, 1906

German

A

Paula Modersohn-Becker - German

Themes of nudity, primitive religions/earth mother.

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24
Q

Self-Portrait on her Sixth Wedding Day, 1906

German

A

Paula Modersohn-Becker - German

this is actually 5 years into her marriage, she portrays herself as pregnant, she is not.

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25
Q

Reclining Mother and Child, 1906

German

A

Paula Modersohn-Becker -
German
Monther and newborn.
Linda Knoklin describes this as transcendental, animal-like.

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26
Q

Boating, 1910

German

A

Gabriele Münter - German

Depicts Münter is subordinate but essential, rounded shapes and primary colors, a triangle with Kandinsky in the middle.

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27
Q

Snow and Sun, 1911

German

A

Gabriele Münter - German
A view around Murnau
Beautiful color, thick strong line

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28
Q

Portrait of Marianne von Werefkin, 1909

German

A

Gabriele Münter - German

Strong colors, much like the subject. She was a fellow and famous painter who lived in Murnau.

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29
Q

Kandinsky and Erma Bossi after Dinner, 1912

German

A

Gabriele Münter,
(German)
She is listening intently to what he is saying. You can see the bavarian folk art decor.

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30
Q

The Country Road, 1909

German

A

Marianne von Werefkin
(German)
painted in Murnau
colorful, peasant scene

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31
Q

Self-Portrait, 1924

German

A

Käthe Kollwitz
(German)
She works heavily in graphic media B&W focuses on the proletariate subject, revolution, and then passive states after the death of her son in WW1

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32
Q

Death Clutches a Woman, 1934

German

A

Käthe Kollwitz
(German)
based in part of the dance of death theme of German lore.

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33
Q

Homeworker, Asleep at the Table, 1909

German

A

Käthe Kollwitz
(German)
The beauty of common man.

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34
Q

Weavers Cycle, 1893-1897: March of the Weavers

German

A

Käthe Kollwitz
(German)

Her cycle of the failed revolution of the Weavers is done in a cycle of 6 prints. This one is of their march.

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35
Q

Never Again War, 1924

German

A

Käthe Kollwitz
(German)

A famous poster of hers. She took a passivist stance and used her art and voice.

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36
Q

Mourning Parents, 1924-1932, Military cemetery at Essen, Belgium
(German)

A

Käthe Kollwitz
(German)

Took 18 years to complete, men and women in isolation with their feelings after the loss of her son in WW1.

37
Q

Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch of Germany, 1919-20

A

Hannah Höch
German

She was the leading female member of the Dada movement in Germany. aligns herself with women’s political empowerment, piecing together after war, hypocrisy within the doctrines.

38
Q

The movement formed in Germany, centered in Berlin, after WWI often satirical, human, social commentary.

A

Dada

German

39
Q

Group of Artists, 1908

French

A

Marie Laurencin
French
Influenced by the art movements of the time
portraits include picasso, dog frikka, Fernande Olivie, poet Guillaume Apollinaire, and the painter, Marie Laurencin.

40
Q

A visual trend in abstract art spearheaded by Sonia & Robert Delaunay that derived from Cubism and gave priority to light and color.

A

Orphism - French

41
Q

La Prose du Transsibérien

French

A

Book - French

milestone of the artist’s books, poetry and abstract art. collab by Blaise Cendrars (poem) and Sonia Delaunay (art)

42
Q

Electric Prisms, 1914

French

A

Sonia Delaunay
French - Orphism
Representation of electric street lights

43
Q

La Prose du Transsibérien et de la petite Jehanne de France, 1913

A

Sonia Delaunay
French
Book Cover

44
Q

Designs for Clothes and Citroen B12, 1925

French

A

Sonia Delaunay
French
She goes from painting to being a badass textile and clothing designer. synonymous with luxury and independent women.

45
Q

costume design: Costume for Cleopatra, 1918

French

A

Sonia Delaunay

French

46
Q

Chernichova in the title role of Cleopatra, 1918

French

A

Sonia Delaunay
French
Image of the actress wearing the custume.

47
Q

Adam and Eve, 1909

French

A

Suzanne Valadon
French
Assertive sexulity

48
Q

The Blue Room, 1923

French

A

Suzanne Valadon

Large woman, domestic setting, Matisse like.

49
Q

Romaine Brooks Self-Portrait, 1923

French

A

Romaine Brooks
Expatriate in Paris
Lifelong companion of Natalie Barney.
Lesbian Art, ribbon of legion,. She hosts a writer salon.

50
Q

Nathalie Clifford Barney, L’Amazone, 1920

French

A

Romaine Brooks
Expatriate in Paris
Famous for the “amazon” paintings, this is her lover, but she often paints famous lesbian artists of her time.

51
Q

Una, Lady Troubridge, 1924

French

A

Romaine Brooks
Expatriate in Paris
This is one of the rich lesbians she painted.

52
Q

Elizabeth de Gramont, Duchesse de Clermont-Tonnerre, c. 1924

A

Romaine Brooks,
Expatriate in Paris
Elizabeth is a French writer and lover of Barney.

53
Q

Self-Portrait in Automobile, 1917

A

Tamara de Lempicka
French
Art Deco Style
She has a Paris studio

54
Q

Duchesse de La Salle, 1925

A

Tamara de Lempicka
French
Tuxedo

55
Q

Janet Flanner, c. 1925

photo) (French

A

Berenice Abbott,
Expat. paris.
Photographer.
Flanner was an american journalist and correspondant of the New Yorker

56
Q

Jane Heap, Paris, 1927

photo) (French

A 
Berenice Abbott,
Expat. paris. 
Photographer.
Heap is the publisher of 
The Little Review
57
Q

The Little Review

was what and published by whom?

A

Published by Jane Heap

English journal in Paris with MANY famous contributors.

58
Q

She was an English, Avant-guard. First woman elected to the Royal Academy.

A

Laura Night

59
Q

Self Portrait With Nude, 1913

English

A

Laura Knight

A challenge to the life study rules for women. Challenged by critics. Key work in female self-portraiture.

60
Q

Self-Portrait in Red Blouse, c. 1900

English

A

Gwen John
English
Slade art school in London. John Quinn was a collector, her only one.

61
Q

A Corner of the Artist’s Room in Paris, 1907-9

English

A

Gwen John
English
She modeled for Auguste Rodin’s The Whistler Muse and was his mistress.

62
Q

Vanessa Bell, Self-Portrait, 1912

English

A

A radical and leading member of the Bloomsbury group. Married to Clive Bell. Affairs with Roger Frye and Duncan Grant. Virginia Wolf’s sister. Related to Julie Margaret Cameron.

63
Q

Bloomsbury

A

Group of english writers, artists, and intellectuals in England c. 1904. Defined by a sexual atmosphere. Urban family. Woolfs and Bells.

64
Q

Virginia Woolf

English

A

Leading member of the Bloomsbury group. Artists need 500 bp a year and a room of their own. Hogarth Press. TS Elliot. Human relations shift.

65
Q

Roger Fry

English

A

A catalyst to bringing modern art to England. Affair with and collaborated with Vanessa Bell. Organized the Second (and first) Post-Impressionist Exhibition, London, 1912. He founded the Omega Workshops.

66
Q

Who wrote Room of One’s Own, in 1929?

A

Virginia Woolf.
English
Bloomsbury Group.

67
Q

Virginia Woolf Knitting, c. 1911-12

A

Vanessa Bell
English
Domestic environment
Considerable agitation.

68
Q

Second Post-Impressionist Exhibition, London, 1912

A

Vanessa Bell
English
Depicts the Matisse room at the Exhibition organized by Roger Fry.

69
Q

Duncan Grant Painting, c. 1920

A

Vanessa Bell
English
Companion for 50 years, although she never divorced Clive Bell.

70
Q

He was an English writer and historian. Member of Bloomsbury Group. Subject to many Vanessa Bell portraits. Economist.

A

Lytton Strachey

English

71
Q

Lytton Strachey, 1913

English

A

Vanessa Bell

English

72
Q

Lytton Strachey, 1916-17

English

A

Dora Carrington
Lived together with Partridge, her husband, and Strachey who was also in love with Patridge. Carrington took her life after Strachey’s death.

73
Q

Bathers in Landscape, 1913

English

A

Vanessa Bell

74
Q

Dust jacket for Virginia Woolf’s A Room of One’s Own, 1929

English

A

Vanessa Bell

She designed several jackets for her sister Virginia Woolf.

75
Q

Omega Workshops, 1913-1919

English

A

Founded by Roger Fry.
Bell and Grant were other directors.
Modernist arts and crafts movement. Produced furnishings, items of clothing and textiles, etc.

76
Q

She was a decorative artist and associated with the Bloomsbury Group, especially the writer Lytton Strachey.

A

Dora Carrington

English

77
Q

Charleston: Exterior, Plan. Garden, Sitting Room

English

A

Home in Sussex of Vanessa Bell, her children, and Grant (sometimes Clive Bell), Grant’s lover David Bunny Garnet. Everything was decorated by the artists there. Many visitors from those mentioned in the lectures.

78
Q

Charleston, Exterior

English

A

Simple, pond in front with flat windows and tiled rooftop. Empty farmhouse.

79
Q

Charleston: Plan

English

A

Reflection of the odd relationships. People with rooms: Bell (Vanessa and Clive), Grant, Keynes,

80
Q

Charleston: Gardens

English

A

Inspired by southern Europe. Exterior wall was built by Grant and Bell and designed by Fry. Sculptures, mosaics, Mediterranean plants, for painting.

81
Q

Charleston: Sitting Room

English

A

Represents the decorative arts of the Bloomsbury group, as created in the Omega Workshops.

82
Q

This was who commissioned

Laura Knight to help promote female recruitment in the ordinance factory during WWII. She did 17 commissions.

A

War Artists Advisory Committee (WAAC)

83
Q

Women of Britain: Come Into the Factories, 1941

A

Philip Zec
Recruited women, labor shortage due to WWII
Female empowerment for the benefit of the war effort.

84
Q

Ruby Loftus Screwing a Breech Ring, 1943

A

Laura Knight

Largest oil painting in the entire WAAC collection. The largest single-figure portrait acquired during the war.

85
Q

Corporal J.D.M Pearson, GC, WAAF, 1940

A

Laura Knight

Strong portraits of women in the war movement. She is the first woman to receive the George Cross.

86
Q

The Nuremberg Trial, 1946

A

Laura Knight
In Germany, Knight requested that this piece be commissioned by WAAC. departure from realism. The rear and side walls are showing a ruined city. Ever present. Nuremberg as it is now.

87
Q

Who was Blaise Cendrars?

A

He was the writer of the poem for La Prose du Transsibérien and collaborator with Sonia Delaunay.

88
Q

Who was Maurice Utrillo?

A

Son of Suzanne Valadon

He was an artist at the time more well known than his mother.

Women in the Visual Arts (5 decks)

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