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Women in the Visual Arts > Final Module > Flashcards

Final Module Flashcards

1
Q

Tradition, 1916

A

Kenyon Cox

Represents traditional ideas of the Italian renaissance. Conservative, academic style of the New York academy.

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2
Q

The Ragpicker, 1911

Sculpture

A

Abastenia St. Leger Eberle,
Similar in themes to Ashcan
woman searching through the garbage. Art as a social function. She produced work for women’s suffrage in 1915 McBeth galleries, NYC. Her subjects: Working-class immigrants in NY.

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3
Q

In the Elevated, 1916

A

Theresa Bernstein,
This received the National Arts Club prize winner. She is similar in themes to AshcanModern subject matter, expressive, urbanism, realist and expressionist styles, social issues. Mural painter for US gov. during the depression. Also contributed to the sufferance show with Ragpicker.

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4
Q

Alfred Stieglitz, 1902

A

Gertrude Käsebier

Gum bichromate method, allowing manipulation resulting in a painterly style.

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5
Q

Started the Romantic Urban Realism movement. They rebelled against the traditional and conservative style and subject matter of the academy. Painting the life you knew.

A

The Eight
Members were Robert Henri, Everett Shinn, John Sloan, Arthur B. Davies, Ernest Lawson, Maurice Prendergast, George Luks, and William J. Glackens. Landmark Exhibition in 1908 at McBeth galleries in NY.

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6
Q

An artistic movement in the United States during the late 19th-early 20th century that is best known for works portraying scenes of daily life in New York, often in the city’s poorer neighborhoods.

A

Ashcan School

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7
Q

He founded Photo-Secession and was married to Georgia O’Keeffe.

A

Alfred Stieglitz

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8
Q

This was a group of photographers

A

Photo-Secession

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9
Q

This is a photography style

A

Pictorialism

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10
Q

Stieglitz’s gallery, showing photography, american and european modernist artwork.

A

291

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11
Q

Blue Lines, 1916

A

Georgia O’Keeffe

Asian art influenes, modernist style, New York.

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12
Q

Cow’s Skull Red, White and Blue, 1931

A

Georgia O’Keeffe
New Mexico, example of this new style of her work. Taos. Growing trend in art for regional scenes, going out beyond the urban centers. Cultural nationalism - the cow skull representing enduring nature of American.

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13
Q

*A trend in looking to idetifying what is unique about America, authoring the “great American play, book, etc.” O’Keeffe wondered what a great American painting would look like.

A

Cultural Nationalism

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14
Q

*Approach to art that is interested in uncovering social problems.

A

Urban scene painters

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15
Q

*Approach to art that is interested in lush landscapes

A

Regionalist painters

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16
Q

Luxembourg Gardens, 1908

A

Marguerite Zorach

Influenced by Matisse and fauvism styles.

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17
Q

A Village in India, 1911

A

Marguerite Zorach

An example of her paintings during a trip abroad.

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18
Q

Man Among Redwoods, 1912

A

Marguerite Zorach

An example from a trip to Sierra Nevada.

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19
Q

(who is ) in her 55th Street Apartment, 1913, with painted wall hanging in the background

A

Marguerite Zorach

New York City

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20
Q

Maine Islands, 1919

A

Marguerite Zorach
Tapestry painting, decorative embroidery. Summers would travel to Maine. Regional themes from those trips. Joy of Life from Mattise reference.

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21
Q

She wrote the Avant-guard opera Four Saints In Three Acts to which Stettheimer designed costumes.

A

Gertrude Stein

She also knew Zorach in Paris.

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22
Q

Nude Self-Portrait, c. 1915

A 
Florine Stettheimer
Between the wars, her work looked at upper-class life and a diary of her life. Decorative, Figurative, Stylized, richly colored, a nod to popular illustrations. Nude self-portraits by women are not typical.
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23
Q

Picnic at Bedford Hills, 1918

A

Florine Stettheimer
Pictorial, history painting genre painting, etc. Biographical. Theatrical. Marcel Duchamp is featured twice here (he’s the only male).
She is a detached observer. Also friends with Steiglitz.

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24
Q

Spring Sale at Bendel’s, 1921

A

Florine Stettheimer
Shopping, the frenzy of the dressing room, snagging bargains, human look at high fashion - jewel-like colors, privileged and luxury.

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25
Q

set for Four Saints In Three Acts, 1934

A

Florine Stettheimer
Opened in Connecticut.
Harlem renaissance going in parallel. All-black cast. Choral director: Eva Jessie. Sounds of works over the story. Virgil Thompson score.

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26
Q

Stettheimer Doll House, 1916-1935, Museum of the City of New York

A

Worked on with her sister
Classical facade
Lux, fashion, and style of NY high society, the finest dollhouse in the world. John Noble Toy Collector is shown here working on the installation. Museum of the City of New York.

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27
Q

Stettheimer Doll House, Lower terrace

A

Steittheimar discussues art with Henry McBride
William Zorach’s bronze mother and child on left
Gaston Lachaise’s alabaster female nude

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28
Q

Stettheimer Doll House, Ballroom

A

Gaston Lachaise chats with Marcel Duchamp. Virgil Thompson plays piano for Fania Marinoff. -Known for its reproduction in miniatures of famous paintings, shown in this room.

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29
Q

Abstract Portrait of Marcel Duchamp, 1918

A

Katherine Dreier

With Duchamp and Man Ray, Society of Independent artists and Société Anonyme, a collection donated to Yale University.

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30
Q

This art movement rejected reason and logic, prizing nonsense, irrationality, and intuition. It shows up differently in the US than it does in Europe - humor, and quirkiness but without the gravity or bitterness of those in EU affected by WWI.

A

Dada

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31
Q

Mina Loy, 1920

A

Man Ray

Mina is a Dada poet. She wears a thermometer as an earring.

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32
Q

Baroness Elsa Von Freytag-Loringhoven, Photograph

A

Unknown photographer
Provocative
America’s first performance artist & poet.
Dressed or undressed, tragic and ridiculous, the little review says she loves and lives Dada. Body as a living work of art.

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33
Q

Who formed the Ashcan School? And who were the artists associated with it?

A

The eight

Theresa Bernstein

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34
Q

Detail from a letter to Tristan Tzara, postmarked June 8, 1920, showing the Baroness Elsa Von Freytag-Loringhoven performing nude.

A

Man Ray
photo of a nude video he shot her her
“The baroness shaves her pubic hair” - Duchamp

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35
Q

Portrait of Marcel Duchamp, c. 1920

A

Baroness Elsa Von Freytag-Loringhoven

Found objects in a wine glass, ready-made, retexturized.

36
Q

Marcel Duchamp’s Bed, 1917

A

Beatrice Wood
NY dada movement
this, after 17’ Blind Man’s Ball. Shows Mina Loy, Charles Demuth, Eileen D, Marcel and Beatrice

37
Q

Pittsburgh, 1927

Precisionism

A

Elsie Driggs
Industrial forms, in smoke and haze, steel mill where her father worked. Jones & Laughlin. Modernist technique to urban technology.

38
Q

Queensborough Bridge, 1927

Precisionism

A

Elsie Driggs,

Modern building. Future style lines. East River Bridge. NYC

39
Q

This movement depicts subjects being machinery, industrial artefacts, architecture, manufacturing and manufactured objects and the act of building and built structures.

A

Precisionism
smooth, sharply defined painting
American artists in representational
primarily during the 1920s

40
Q

This movement spanned the 1920’s, is named after a text by Alan Lock ‘the new negro’, centered in Harlem.

A

Harlem Renaissance
Visual arts
Theatre
Music

41
Q

This …

A

Collectors

42
Q

She was a Precisionist artist.

A

Elsie Driggs

43
Q

Radiator Building at Night, 1927

Precisionism

A

Georgia O’Keeffe,
Midtown, Manhattan.
Symbol of modern american - skyscraper. this is her new york series. from the shelton hotel. Steiglitz name is in neon.

44
Q

Les Fétiches, 1938

Harlem Renaissance

A

Lois Mailou Jones,
Howard Uni professor, support from Harmon foundation. Overlapping tribes mask. Strength and protection from her cultural heritage from racism. Emphasises rhythmic.

45
Q

Stein’s life partner.

In 1933 she became famous after they co-authored an autobiography featuring her.

A

Alice B. Toklas

Paris

46
Q

Famous Expat Author, Salon attracted international artists. Helped to define modernism in writing and art. Art collection included Cezanne, Picasso.

A

Gertrude Stein

Paris

47
Q

Gertrude Stein and Alice B. Toklas, 1922

A

Man Ray

48
Q

Gertrude Stein, and Etta Cone at a table in Fiesole, Italy, June 1903

A

Claribel Cone

49
Q

Art collectors included works: Matisse Blue & Long Reclining Nude, Cezzane’s Bathers, Picasso. Left their collection to the Baltimore Museum of art.

A

Cone Sisters

Formed collections of european artworks with Stein.

50
Q

Portrait of Gertrude Vanderbilt Whitney, 1916

A

Robert Henri (of the eight/ashcan fame)

Whitney formed collections of American artists.

51
Q

Titanic Memorial, 1931, Washington DC

A

Gertrude Vanderbilt Whitney
Granit
Honors men who gave their lives for the children and women who were saved. Commissioned Women’s Titanic Association.

52
Q

Artists on WPA, 1935

A

Moses Soyer

53
Q

She led two lives, of an aristocrat and as a bohemian sculptor. Her studio became the first home of the Whitney Museum which she founded. Leading patron of American Art.

A

Gertrude Vanderbilt Whitney

54
Q

This museum was founded and directed by a woman. Focused on exhibiting living american artists.

A

Whitney Museum of American Art (1931)

55
Q

She was the first director of the Whitney Museum of American Art.

A

Juliana Force

56
Q

This museum, founded in 1929 by the efforts of Lilly Bliss, Abby Aldrich Rockefeller and Mary Quinn Sullivan. Directed by men.

A

Museum of Modern Art (1929)

57
Q

Artists on WPA, 1935

A

Moses Soyer
Shared studio
3 women shown, extensive opportunities

58
Q

White Angel Breadline, San Francisco, 1933

A

Dorothea Lange

First attempts at street photography. Soup kitchen The Angel is Lois Jordan who opened the kitchen. hopelessness.

59
Q

Drought refugees from Abilene, TX, following crops, CA, August, 1936

A

Dorothea Lange
She was originally a portraitist of the wealthy first. An American Exodus. Documenting new migration. Drought refugees. Migratory labor.

60
Q

Tractored Out, Childress County, TX, June 1938

A

Dorothea Lange

Documented growth of big agribusiness replacing tenant farming. Farm mechanization.

61
Q

Migrant Mother, Nipomo, CA, 1936

A

Dorothea Lange

Iconic. Series of Florence Owen Thompson. 5 exposures. Despair, need.

62
Q

This is a series of programs, public work projects, financial reforms, and regulations enacted by President Franklin D. Roosevelt in the United States between 1933 and 1939.

A

New Deal

63
Q

To support the infrastructure and work programs that were enacted for the American people during the depression, Roosevelt established collective agencies, including arts programs, that were named this.

A

WPA
Works Progress Administration 35’-43’

Including post office mural. Gender bling competition process.

64
Q

Hired Dorothea Lange & Marion Post Wolcott

Was prior the resettlement administration.

A

Farm Security Administration (FSA)

65
Q

He wrote, Grapes of Wrath

A

Steinbeck

Dust bowl migration

66
Q

The successor of the Farm Security Administration in between 42’-45’.

A

Office of War Information (OWI)

67
Q

Coal Miner’s daughter carrying home can of kerosene to be used in oil lamps, Scott’s Run, West Virginia, 1938

A

Marion Post Wolcott

68
Q

Freight train, grain elevators, wheat, great plains, Carter, Montana, 1941

A

Marion Post Wolcott

69
Q

Man using outside stairway for “colored” to enter movie theatre, Belzoni, Mississippi, 1939

A

Marion Post Wolcott

70
Q

Subway, 1934

painting

A

Lily Furedi

PWAP - funded this painting. Friendly interest, she looks at the riders.

71
Q

Country Dance, Anson, TX, Post Office, 1941

A

Jeanne Magafan
Funded by the treasury dept. of painting and sculpture / section of fine arts 34’- 43’ - every state of the nation had a mural.

72
Q

Artichoke Pickers, Santa Cruz, CA, Post Office, 1936

A

Henrietta Shore

Series of 4, others featuring limestone quarries, cabbage, fishing.

73
Q

Flood Victims, Louisville, Kentucky, 1937

A

Margaret Bourke-White
No government support
Similar to lange and wolcott. published You have Seen their Faces .

74
Q

first cover of Life magazine, November 23, 1936

A

Margaret Bourke-White

Notable photojournalist. This of Fort Pec Dam, MT.

75
Q

This magazine published many of Margaret Bourke-White’s photo-essays.

A

Life magazine

76
Q

Issued by Roosevelt after the bombing of Pearl Harbor ordering removal of all Japanese citizens to internment camps.

A

Executive Order No. 1066

77
Q

Mochida Family Awaiting Evacuation Bus, 1942

A

Dorothea Lange

family going into internment. War Relocation Agency.

78
Q

Citizen 13660 (1946)

A

Miné Okubo
One sketch in her book published by Columbia University Press. Interned at Topaz in Utah. Recorded in sketches. Portrays prejudice, domestic concentration camp. This is the # assigned to her family.

79
Q

Japanese Americans here, many children.

A

Internment camps

80
Q

We Can Do It! 1943

A

J. Howard Miller
for Westing House War Production Coordinating Community in Pennsylvania. This would have only been seen by the factory workers.

81
Q

Women Worker, Kaiser Shipyard, Richmond, CA, c. 1943-44

A

Dorothea Lange

Hired by Office of War Information (OWI)

82
Q

Heroine of government issued, morale building posters. Also a song.

A

Rosie the Riveter

83
Q

Tool Production, Republic Drill and Tool Company, Chicago, Illinois, August 1942

A

Ann Rosener
hired by FSA and then OWI
Women’s changing roles.
Midwestern states and Cali. hidden, until online access. Filling essential jobs.

84
Q

Lockheed Worker Working on the Fuselage of a P-38, 1944

A

Edna Reindel

Commissioned by Life Magazine, a series. 9 reproduced in color.

85
Q

B-29 Bomber Leaving the Factory, 1942-1944

A

Laura Gilpin

Known for western landscapes, here, Kansas, worked for Boeing company. Air capital of the world.

86
Q

The Bombing of St. Malo, August 1944, Vogue

A

Lee Miller

War correspondent, official war photographer for London Vogue. The first bombing to use napalm.

Women in the Visual Arts (5 decks)

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