Module 4 Flashcards
Portrait of Rosa Bonheur, 1857
Edouard-Louis Dubufe
Rosa as an Animaleure.
Great highland Bull.
In the way of males, I like only the bulls I paint.
Issued to Rosa giving her permission to wear pants in public. For reasons of health. Offical permission about 1853. For the facilitation of her work. Needed to study anatomy at the slaughterhouse, and at faires.
Police certificate issued to Rosa Bonheur, 1857
In constant search for models, she brought animals into her space, half studio, and half barn. This is a black and white sketch of her studio.
Rosa Bonheur Studio, rue de l’Ouest, Paris, c. 1849
Ploughing in the Nivernais, 1849
Rosa Bonheur
Gold medal, purchased for the Louvre
Cattle and men in ordinary work.
George Sand’s The Devil’s Pool was of inspiration.
Noble subjects that of simple, nature, good, where you’ll find the truth in peasants. Art of tracing the burrows of those who feed humanity.
The Horse Fair, 1853
Rosa Bonheur Salon of 1853 18 months to paint 8' X 16' largest ever Lithographic prints made Awards won, giving her freedom to show what she wanted going forward Parthenon Freize, interpret. Bordeaux. Asked 12K francs. London Dealer, purchased for 40K francs. Alexander Stweart purchased for 286K. Vanderbilt for 53K Donated to the Met. Greatest animal picture. 1855 was her last salon.
Colonel William F. Cody, 1889
Rosa Bonheur
Buffalo Bill Historical Center in Cody WY.
An engraving showing Bonheurs studio depicting a special event in June 1865. “Genious has no sex”.
Engraving of the Empress Eugenie visiting Rosa Bonheur’s atelier, June 1865
In the Washhouse, 1888
Anna Klumpke
American painter
Peasant theme.
Bonheur’s companion in later years helped establish her memoirs.
Klemke stayed for 30 years at the Chateau.
Rosa Bonheur, 1898
Anna Klumpke
Presented both a person and her profession.
Portrait Daparait.
Rosa wears the Legion Medal of Honor.
Her Breton costume, with her painting, supplied and painting a bull.
Rosa Bonheur Monument, Fontainebleau, dedicated 1901
Designed by her brother, Isidore Bonheur
Reliefs showing her most famous paintings - the horse fair and Ploughing in the Nivernais. And a giant bull on top. It no longer exists since WW2.
He was an artist and art critic of the time, this is his self portrait.
John Ruskin, Self-Portrait, 1873
This portrait is of a woman, important PRB Circle who modeled, you can see her red hair everywhere.
She looks haggard and somber in this self-portrait. Ruskin advised her, gave her financial support and purchased her drawings. Died of an opium overdose.
Elizabeth Siddal, Self-Portrait, 1853-4
Lady Clare, 1858
Elizabeth Siddal
Medieval themes
Inspired by Alfred Lord Tennyson. Themes of Gender and Class. Alice is being shielded by Lady Clare for her humble origins.
Jane Morris Jewel Casket, 1860-61
Elizabeth Siddal
Her only 3D object. Arts and Crafts Movement. For Jane Morris. Married to Arts and Crafts leader, James Moris.
Poems, Christine de Pizzan.
Study of Rock, Moss & Ivy, 1885
Kate Greenaway
Greenway: Illustrator of children’s book, Under the Window 1878. agreeable view of child world. Influenced by Ruskin. Accurate and close observation.
Calendar, 1884
Kate Greenaway
English/Victorian
Charming melancholy, victorian attitudes, influenced children fashion.
Tale of Peter Rabbit, 1902
Beatrix Potter
Land conservation, sheep conservation, illustrator and author. ideal world, isolated from modern life. Anti-modern tendencies.
South Country Cottage
Helen Allingham
Anti-modern tendencies.
Country life, untouched by industrialization.
Comfortable, sentimental.
Like this one of a woman and her child outside a cottage. She’s friends with Greenway.
Designed by Charles Rennie Mackintosh. Light, airy, modern, old chinaware, lighter than victorian.
Ladies Luncheon Room, Miss Cranston’s Tea Rooms, 1903, Glasgow, Scotland
May Queen panels, Ladies’ Luncheon Room, Miss Cranston’s Tea Rooms, 1903, Glasgow, Scotland
Margaret MacDonald Mackintosh
Glasgow school of art. Scottish arts and crafts with an art nouveau look.
Lycopodium Flagellatum (algae), c. 1840-59
Anna Atkins
John F.W. Herschel, 1867
Julia Margaret Cameron
Portrait.
She had an 11-year career 1864-1875
Alfred, Lord Tennyson, “The Dirty Monk,” 1865
Julia Margaret Cameron
Looks like a biblical elder.
The Whisper of the Muse (George F. Watts & Children), 1865
Julia Margaret Cameron
Encourager of her and her art. (watts). This print is owned by V&A. His musical muse whispers to him. V&A shows her work during her lifetime. She takes advantage of the copywriter law.
Ophelia, 1867
Julia Margaret Cameron
Parallel the PRB - same literary subjects.
Contemporary of Cameron. This is a photo she took of her daughters on the terrace of her Kensington home. Known for her theatrical imagery.
Clementina, Lady Hawarden, Her Daughters on the Terrace, 5 Princes Gardens, 1863-4
Scottish woman settled in London. 800pics at the V&A. 1863-65. Kensington house studio. Silver medal. Lewis Caroll.
Feeding the Swans, 1889
Edith Hayllar
Victorian.
Middle class family.
Well run household.
Human pairings represent stages of life.
The Governess, 1854
Rebecca Solomon
Victorian.
50-74 exhibited work.
Portrays few respectable jobs for women. 25000 governesses, bronte, jane eyre. portrays listless child. She is silent.
Nameless and Friendless, 1857
Emily Mary Osborn
Victorian.
Emily shows at the academy in 1851 + the next 30 years. Best known work. Genre scene purchased by Queen Victoria Woman making their own living, poor, victim of the art market. Heroism, indignities.
The Seamstress, 1854
Anna Blunden
Victorian age. PR. British.
She reads John Ruskin and abandons her post as governess. In the seamstress, she is out working, a martyr of the tireless clothing trade.
Calling the Roll after an Engagement in Crimea (The Roll Call), 1874
Elizabeth Thompson Butler
British
Miltary subjects, feeling into faces of men, a sensation at the royal academy. hung in a place of honor. Had a huge reception. She retaining copyright. Paid for by Charles Gallaway. private viewing by Victoria.
Avid traveling, from Hastings England she circles the globe twice. Produces Britain’s finest Botanical artwork. This building in her name is constructed of 246 different types of wood, the only permanent solo exhibition by a woman artist in England.
Marianne North Gallery, Kew Gardens, 1882, Exterior
A botanical taxonomy of the British Empire. Hung above the gallery entrance of Victoria’s water lily.
Marianne North Gallery Kew Gardens, 1882, Interior
Nepenthes Northiana, c. 1876
Marianne North
Named after her
Records large pitcher plant
Borneo. Visited Cameron, who shot her portraits.
Munstead Wood, Surrey, 1896, watercolor plan of house and gardens
Gertrude Jekyll
Talented painter & Landscape design. Munstead is a preserved garden at her house.
Munstead Wood, Surrey, 1896, A June Border of Lupine and Iris
Gertrude Jekyll
Hordocultural impressionost. She wrote quite a lot about her gardens.
Art Students and Copyists in the Louvre, Harper’s Weekly, 11 January 1868
Winslow Homer
Shows a crowded gallery full of artist making copies of famous work.
Bouguereau’s Atelier at the Julian Academy, 1891
Jefferson David Chalfant
The Shepherd David Triumphant, 1895
Elizabeth Gardner Bouguereau
American
First American to exhibit at Salon, and won a medal. 1895 Salon, successful. A good representation of an Acedemic painting.
Fisher Girl of Picardy, 1889
Elizabeth Nourse American Peasant subject. Academy Julien. 1888 salon showing. Exhibited American Women's art association.
In the Church at Volendam, 1892
Elizabeth Nourse
visited Holland for this painting.
Strong competition.
Mother and Daughter: The Whole of Life, 1894
Marcia Oakes Woodbury
visited HOlland for this. Studied with Charles Woodbury.
Same individual but at various stages of life. Tradition.