Module 5: Traditional Japanese Theatre Flashcards

1
Q

What are Noh plays?

A

Japanese plays that reflected Shintoism and Buddhism; language was a mix of verse and pose, most of it sung or chanted

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2
Q

How did Noh plays reflect Shinto and Buddhist beliefs?

A

They had heavy influence from Shinto ideas about nature and Buddhist ideas concerning the transitory nature of life and the destructiveness of desire.

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3
Q

What is the kyogen?

A

The funny/comedy scenes in Noh; parodies of Noh (like Satyr plays), OR scenes of everyday life based around stock characters (like Roman comedies)

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4
Q

Hashigakari

A

Bridge stage-right dotted with three pines representing heaven, earth, and man

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5
Q

Hayashi

A

Three to four person orchestra at the back of the stage dressed as samurai (a flute and two or three drums).

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6
Q

Hana/Flower

A

Endowing the performance with spontaneity

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7
Q

Noh actors

A

Trained from the age of seven; rigorous training (actor’s performance must be perfect every time). No directors/rehearsals.

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8
Q

Who was Zeami?

A

Japanese playwright and theorist who wrote “On the Art of Noh Drama” (a treatise on Japanese performance practice) (like Aristotle of Bharata)

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9
Q

Who developed the hana/flower idea to convey good acting technique?

A

Zeami

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10
Q

What type of play is “Mushrooms?”

A

A kyogen play

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11
Q

What type of play is “The Diver?”

A

Noh

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12
Q

How did Noh plays and Kyogen plays differ?

A

Noh plays were serious; Kyogen plays were more playful or satirical.

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