Module 2: Greek Theatre Flashcards

1
Q

Catharsis

A

The process of releasing, and therefore providing relief from, strong or repressed emotions.

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2
Q

Who argued tragic plays were valuable because watching them provided catharsis?

A

Aristotle

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3
Q

Aristotle’s Tragedy Hierarchy

A

Plot
Character
Diction
Thought
Spectacle
Song

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4
Q

Aristotle: A tragic plot needs what three elements?

A

1) Reversal (perpetia): just when things are getting OK, it gets terrible again; 2) Recognition (anagnorisis): character finally realizes something (“that was my mother!); 3) Scene of suffering (exile, suicide, etc.)

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5
Q

What did Aristotle say tragedies should follow in order to avoid confusing audiences?

A

The three unities

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6
Q

Unity of Action

A

A tragedy should have one principal action

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7
Q

Unity of Time

A

The action in a tragedy should occur of a period of no more than 24 hours

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8
Q

Unity of Place

A

A tragedy should exist in a single physical location

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9
Q

Which of Aristotle’s three unities did theorists later tack on?

A

Unity of Place

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10
Q

Who Wrote “The Poetics?”

A

Aristotle

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11
Q

What did worshippers loft during the Dionysus rituals?

A

A giant phallus

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12
Q

What were the songs of the Dionysus festival called?

A

Dithyrambs (acting out the song instead of just singing it)

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13
Q

What was the Greek “birth of the actor?”

A

A single actor named Thespis stepped out from a chorus. He switched between characters using masks.

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14
Q

What was City Dionysia?

A

A festival with a theatre competition at its center.

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15
Q

Theatron

A

Seated section (“seeing place”) in Greek theatre

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16
Q

Orchestra

A

Flat part where the chorus performed in Greek theatre

17
Q

Skene

A

Dressing hut where actors could change masks in Greek theatre

18
Q

Paradoi

A

Side entrances (Greek theatre)

19
Q

Deus Ex Machina

A

“God in the Machine”: Actor playing God could descend in a cart (Greek theatre)

20
Q

Cothurni

A

Platform shoes (Greek theatre)

21
Q

How did Plato feel about theatre?

A

Theatre is pointless, frivolous & “fun,” not helpful.

22
Q

Who were the choregos?

A

In City Dionysia’s theatre competitions, chosen playwrights were matched with a prominent Athenian citizen, the choregos, who bankrolled the play.

23
Q

Who was the “bad boy” of Greek drama?

A

Euripides, Wthe youngest and ballsiest of the three extant tragedians

24
Q

Who were the three extant Greek tragedians?

A

Aeschylus, Sophocles, and Euripides.

25
Q

What was the “Happy Idea” in Greek theatre?

A

Comedy

26
Q

What was Agave’s anagnorisis in Euripides’ “The Bacchae?”

A

She had beheaded her own son

27
Q

Who wrote “Lysistrata?”

A

Aristophanes

28
Q

How do most Greek comedies begin and end?

A

It kicks off with a “happy idea” and ends by restoring peace and order.

29
Q

What is Lysistrata’s “happy idea?”

A

The wives of soldiers involved in the Peloponnesian War withhold sex from their husbands, thus ending the war.

30
Q

What is the claimed “anti-war, feminist play?”

A

Lysistrata