MODULE 1 Flashcards

1
Q

Building blocks of communication; are sets of symbols and meanings produced
and transmitted in the communication process; can be verbal or nonverbal.

A

Messages

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2
Q

Most of the messages we send and receive are ___________.

A

Symbolic

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3
Q

taking ideas and converting them into messages

A

Encoding

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4
Q

taking ideas and converting them into messages

A

Encoding

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5
Q

receiving a message and interpreting its meaning based on previously agreed-on definitions.

A

Decoding

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6
Q

setting, scene, and expectations of the individuals involved.

A

Context

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7
Q

4 dimensions of context

A
  1. Physical
  2. Socio-psychological
  3. Temporal
  4. Cultural
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8
Q

refers to all the people in the interaction or speech setting; emphasizes that each person involved in communication is both a source (or speaker) and a receiver (or listener).

A

Source-receiver

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9
Q

What is the information we acquire when we speak and observe others’ nonverbal behavior to see if they understand us and we
gauge their emotional state?

A

Feedback

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10
Q

medium through which the message passes; we may use two, three, or four different _____________ simultaneously.

A

Channel

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11
Q

anything that interferes with message transmission or reception. These include poor audio quality or too much sound, poor image quality, closedmindedness, technical jargons, etc.

A

Noise

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12
Q

4 types of noise

A
  1. physical noise
  2. physiological noise
  3. psychological noise
  4. semantic noise
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13
Q

perceptible interference that is external to both speaker and listener (like screeching of passing cars, illegible handwriting)

A

Physical noise

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14
Q

perceptible interference that is external to both speaker and listener (like screeching of passing cars, illegible handwriting)

A

Physical noise

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15
Q

created by barriers within the sender or receiver such as visual impairments, hearing loss, articulation problems, and memory loss.

A

Physiological noise

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16
Q

mental interference in the speaker or listener and includes preconceived ideas, wandering thoughts, biases and prejudices, closed-mindedness, and extreme emotionalism.

A

Psychological noise

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17
Q

created when the speaker and listener have different meaning system; includes language or dialectical differences, the use of jargon or overly complex terms, and ambiguous or overly abstract terms whose meanings can be easily misinterpreted.

A

Semantic noise

18
Q

For every communication, there is always some consequence or ____________.

19
Q

3 types of effects

A
  1. Cognitive
  2. Affective
  3. Behavioral
20
Q

changes in your thinking, like when you acquire knowledge or a skill from a class or an interaction.

A

Cognitive effects

21
Q

changes in your attitudes, values, beliefs, and emotions

A

Affective effects

22
Q

changes in behaviors such as learning new dance movements, throwing a curveball, or using different verbal and nonverbal behaviors.

A

Behavioral effects

23
Q

communication with oneself, usually through reflective thinking.

A

Intrapersonal communication

24
Q

Communication between two persons or a small group of people whose lives mutually influence one another; form of communication that builds, maintains, and ends our relationships and is usually of a continuing personal (rather than temporary and impersonal) nature.

A

Interpersonal communication

25
communication that proceeds by question and answer; form of communciation driven by a ourpose (usually to derive information or provide counseling) and is directed towards its object by the interviewer.
Interviewing
26
interactions among three or more people who are connected through a common purpose, mutual influence, and a shared identity; serves relationship needs as well as task needs
Small group communication
27
communication among interrelated individuals within a particular environment or setting to achieve individual and common goals; highly contextual and culturally dependent
Organizational communication
28
communication between a speaker and an audience; different from other forms of interaction in that it requires greater levels of planning and preparation on the part of the speaker and involves less direct interaction; Audience members still interact with the speaker via mostly nonverbal symbols, but there is a lesser degree of give and take than there is in one-on-one conversations. Audiences range in size from several people to hundreds, thousands, and even millions.
Public speaking/communication/presentational speaking
29
umbrella term that encompasses various forms of human communciation through networked computers and electronic devices; can be synchronous or asynchronous and involve one-to-one, one-to-many, or many-to-many exchanges of text, audio, and/or video messages.
Computer mediated communication
30
communication from one source to many receivers, who may be scattered throughout the world; a certain amount of intentionality goes into transmitting a mass communication message since it usually requires one or more extra steps to convey the message.
Mass communication
31
visual representations of processes that attempt to facilitate the understanding of communciation's complexities.
Communication models
32
1) He was the first to take an initiative and design this communication model; 2) simple and basic as it has 3 main features, namely: speaker, message, audience. It is a speaker centered model as the speaker has the most important role in it and is the only one active. It is the speaker’s role to deliver a speech to the audience. The role of the audience is passive, influenced by the speech.
Aristotle, Aristotelian Model
33
1) He developed one of the earlier models of communciation depicting it as a unidirectional process with 5 elements: sender, message, channel, receiver, and what effect the message has; 2) primarily designed to analyze mass communication. Back in 1948, it was meant to study media propaganda from countries and businesses. Newspapers were not read by everyone, simply because subscriptions were too expensive. It was from this perspective that Lasswell came up with the concept of effective mass communication; the relationship between the presentation of the message and how this generates different effects. The effect of a message can also be seen as feedback.
Harold Lasswell, Lasswell Communication Model
34
originally designed to improve telephone communication; identifies 5 basic components: an information source, a transmitter, a receiver, a destination, and noise. first communication model to recognize physical disturbances that interferes with successful message transmission. also depicts communication as a one-way or linear sequence of transmission and reception. It also depicts noise as an element found only within the message and not throughout the communication process. And since it originally applied to telephone communication, its concepts of transmitter, receiver and noise are mechanical.
Shannon-Weaver Model
35
He conceptualized a number of models to explain the communication process. In each of his models, he introduces and explains an essential component of the communication act. His second communication, for example, model highlights the importance of an overlap of communicators’ fields. His second model recognizes the dual role of each communicator in that he is both sender and receiver, and that both encoding and decoding entail personal interpretation. His fourth model emphasizes the dynamism of human communication as it attempts to explain that people interact in constant cyclical fashion whereas earlier models depict communication as a sequence.
Wilbur Schramm, Schramm's Model
36
represent the process of communication in its simplest form, only using the elements: Sender, Message, Channel, and Receiver. Acknowledged the complexity of the communication process as evidenced by the influence of several factors on communication, to include an allencompassing system – the communicator’s sociocultural framework. Under each element, he elaborated the influences that may affect the message transmission. The source and receiver are influenced by their: knowledge, attitudes and communication skills, and their sociocultural system. Where the communicator’s message is concerned, three areas matter: message content, communicator’s treatment, and coding of content. Channels of communication or the means by which communication is shared consist of five senses, seeing, hearing, touching, smelling, tasting
David Berlo, Berlo's SMCR Model
37
circular and continuous, illustrating the sequence of events that take place in communication. His 1960 model is that of a cyclical process composed of eight stages: thinking, symbolizing, expressing, transmitting, receiving, decoding, feedbacking, monitoring.
Eugene White, White's Model
38
represents the process of communication as one that progresses or moves forward in cyclical fashion; views communication as cyclical and dynamic, influenced by time and experience, continuous, non-repetitive, and accumulative; time-based third dimension; model now looks like a 3d spring.
Helical Model/Dance's Helix Model
39
defined communication as a dynamic (powerful), systemic (parts form a whole) process in which communicators discover personal meanings through their symbolic interactions. Her Symbolic Interaction theory explains how humans develop a complex set of symbols that gives meaning to the world in their perspective. The meanings are molded from the interactions with the society. And these interactions are subjectively interpreted by them to suit the meaning in accordance with the existing symbols.
Julia Wood (1998)
40
The Symbolic Interaction Model recognizes that interactions may be either sequential or simultaneous since there is no direction specified. In addition to the model’s dynamic feature, there is also the systemic quality of communication. Several levels of systems are represented within the model. Both communicators live within a vast social system or social world composed of all the social systems that make up a given society. Each communicator belongs to a few not all of such systems and is represented by dotted lines. This is to indicate the openness of these systems to forces outside of them. Furthermore, the model emphasizes the communicator’s personal construction of meanings through his individual phenomenal world. This world consists of everything that makes up an individual — self- concept, goals, emotions, thoughts, skills, attitudes, past experiences, beliefs, and values. This world is the basis for interpreting communication. In the model Communicator B interprets A’s messages through his phenomenal world, not through A’s. To the extent that these two worlds overlap, A and B will have a clear, shared understanding of symbols. Their personally constructed meanings when found to be common or similar will lead them to deeper communication. Finally, the model presents a feature not highlighted by the other models: constraints. The series of lines indicates the existence of constraints throughout the communication process. Constraints may come in the form of conditions beyond our control (i.e., unstable economy) and they may also be found in the communicators (i.e., biases, moods, dislikes).
Symbolic Interaction Model
41
Premised on speechmaking, this model is comprised of essentially the following components: a speaker, the primary communicator, gives a speech, a continuous, purposive oral message, to the listeners, who provide feedback to the speaker. The exchange occurs in various channels in a particular situation and cultural context.
Speech Communication Transaction Model
42
10 principles of communication
1. Communication is Purposeful 2. Communication is Transactional 3. Communication is a Package of Signals 4. Communication is a Process of Adjustment 5. Communication Involves Content and Relationship Dimensions 6. Communication is Ambiguous 7. Communication is Punctuated 8. Communication is Inevitable, Irreversible, and Unrepeatable