Mise-en-scene and Framing- Light and shadow Flashcards

1
Q

Mise-en-scene

A

what is in the shot/ what is on the screen

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2
Q

cinematographic composition

A

how it is shot

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3
Q

elements of mise-en-scene

A

setting, actors, lighting, movement

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4
Q

movement (staging) and performance

A

how actors are positioned in a frame can tell u alot about their relationships, acting style and typecasting

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5
Q

costumes (wardrobe) and makeup

A

can convey a characters personality or status, can signify an era

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6
Q

hard lighting

A

creates a strong contrast with harsh shadows emphasizing the difference very bright and very dark areas.

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7
Q

low key lighting

A

uses minimal fill light resulting in strong contrasts between the brightest and darkest parts of the image. creates deep shadows which can obscure parts of the principal subjects

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8
Q

Soft lighting

A

produces softer edges with less contrast and fewer harsh shadows creating a more even gentle illumination

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9
Q

high key lighting

A

very bright lighting with minimal shadows. used for a lighter tone to create an upbeat and cheerful atmosphere.

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10
Q

frontal lighting

A

eliminates shadows

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11
Q

side lighting

A

emphasizes a characters facial features

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12
Q

backlighting

A

can creates silhouettes and separation from the foreground.

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13
Q

under lighting

A

can create the effect of a menacing or threating figure

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14
Q

top lighting

A

can create the effect of a glamorous or angelic figure

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15
Q

source- lighting

A

artificial and natural

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16
Q

colour- lighting

A

palettes, contrast, saturation

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17
Q

framing

A

camera distance, balance, level, height, angle, aspect ratio

18
Q

closeups- camera distance

A

focus on a single subject

19
Q

extreme closeups- camera distance

A

zoom in a specific part of the subject to emphasize particular details

20
Q

medium shots- camera distance

A

capture the subject from the waist up, balancing detail and context

21
Q

long shots- camera distance

A

show the subject with a broader environment, providing context and setting.

22
Q

screen distribution/ arrangement- balance

A

how elements like actors and props are positioned in the frame

23
Q

symmetry and asymmetry- balance

A

using balanced or unbalanced compositions to create visual interest or convey meaning.

24
Q

parallel level- framing

A

the camera is level with the subject providing a stable and balanced view.

25
Q

tilted/ dutch angle- framing

A

the camera is tilted creating a sense of unease or disorientation.

26
Q

eye- level- framing

A

the camera is at the subjects eye level creating a sense of equality and connection.

27
Q

high or low height- framing

A

adjusting the camera height can after the viewers perception of the subjects importance or emotional state.

28
Q

high angle- framing

A

looks down on the subject making them look smaller or vulnerable

29
Q

low angle- framing

A

looks up at the subject giving them a sense of power or dominance.

30
Q

straight angle- framing

A

a neutral perspective often used for straightforward storytelling

31
Q

widescreen- aspect ratio

A

often used for epic and expansive shots, providing a cinematic fee.

32
Q

academy ratio- aspect ratio

A

a more square format traditionally used in older films which can create a sense of nostalgia or an intimate atmosphere.

33
Q

camera movement

A

a way of directing the audience attention to a scene, it tells us who to follow, what is important and can even misdirect us.

34
Q

pan- camera movement

A

camera scans space horizontally left to right

35
Q

tilt- camera movement

A

camera swivels up or down like nodding your head

36
Q

tracking/ dolly shots- camera movement

A

changes the camera’s position, can be used to follow characters.

37
Q

crane/ drone/ helicopter shots- camera movement

A

allows the camera to rise above ground level.

38
Q

focus

A

how sharp or blurry an object, person, or setting appears in a scene. directs the viewer’s attention to a specific part of the frame.

39
Q

depth of field

A

the extent of the scene that appears acceptably sharp and is influenced by the focal length of the camera.

40
Q

shallow depth of field

A

only a small area of the scene in focus, while the background and foreground are blurred. often used to isolate the subject from its background, drawing the viewer’s attention to a specific element.

41
Q

deep focus

A

a larger portion of the scene in focus, from the foreground to the background. useful for scenes where you want to keep multiple elements in sharp focus, providing a more detailed and immersive view of the environment.