midterm 1 part 2 Flashcards

1
Q

a) art concerned with either formalism OR expressionism b) belief in progressive innovations in art
• 2 directions of Post-Impressionism:
-dir 1: structure & order while using Impressionist’s light & colour
artists: Seurat & Cézanne
-dir 2: an emotional, spiritual response (van Gogh; Gauguin) a) colour, line, patterns used in an expressive way
b) symbolism—actual symbols or symbolic associations
they broke away from art styles, goals, and approaches that had
been dominant since the Renaissance

A

Modernism,

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2
Q
  • formal (compositional) aspects of art
  • it includes colour, line, shape, texture (vs. Renaissance’s emphasis on realism, context, and content)
  • the importance of Formalism: everything a viewer needs to know about the art is already present in the art
A

Formalism

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3
Q
  • rejects realism and naturalism; objective reality is not represented
  • instead, it’s the artist’s subjective emotions, feelings– the artist’s personal response to the subject matter
  • to represent these intense, personal responses, the distortion and exaggeration of the formal elements are used
A

expressionism

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4
Q

(“stitch”) carefully placing small dots of pure colour next to each other,

A

Pointillism

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5
Q

two slightly different visual perspectives used at the same time
binocular vision provides the viewer with a) depth perception
b) better understanding of spatial relationships

A

binocular vision,

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6
Q

is a style of painting where bold & flat areas of colour are separated (outlined) by dark contours

A

Cloisonnism

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7
Q

park full of people very pixelated with chill dude laying on the grass very informally

A

post-impressionism. Seurat, A Sunday on La Grande Jatte, 1884-1886

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8
Q

mountain and landscape all very smudged and unclear

A

post impressionism• Cézanne, Mont Sainte-Victoire Seen from Les Lauves, 1904-06

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9
Q

moon thick paint over a town

A

post- impressionism • van Gogh, The Starry Night, 1889

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10
Q

1guy in bar behind a pool table with a weird viewpoint

A

post-impressionism • van Gogh, The Night Café, 1888

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11
Q

bunch of nun looking ladies looking at a angel wrestle a sader

A

post impressionism• Gauguin, Vision after the Sermon; Jacob Wrestling with the Angel, 1888

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12
Q

characteristic of Modern art
a) art concerned with either formalism OR expressionism b) belief in progressive innovations in art
• 2 directions of Post-Impressionism:
-dir 1: structure & order while using Impressionist’s light & colour
artists: Seurat & Cézanne
-dir 2: an emotional, spiritual response (van Gogh; Gauguin) a) colour, line, patterns used in an expressive way
b) symbolism—actual symbols or symbolic associations

A

post impressionism

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13
Q

artists sought to express meaning[3] or emotional experience rather than physical reality.[3][4]

A

Expressionism

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14
Q

capital for the movement
was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas

A

Expressionism,

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15
Q

medium consisting of egg yolk and water

A

tempera,

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16
Q

characterized by the use of bright colours and simplified formsAn early-20th-century movement in painting begun by a group of French artists and marked by the use of bold, often distorted forms and vivid colors.

A

Fauves,

17
Q

was a group of artists from the Neue Künstlervereinigung München in Munich, Germany. The group was founded by a number of Russian emigrants, including Wassily Kandinsky, Alexej von Jawlensky, Marianne von Werefkin, and native German artists, such as Franz Marc, August Macke and Gabriele Münter. was a movement lasting from 1911 to 1914, fundamental to Expressionism, along with

A

Der Blaue Reiter (The Blue Rider)

18
Q

is a Western art movement that borrows visual forms from non-Western or prehistoric peoples, such as Paul Gauguin’s inclusion of Tahitian motifs in paintings and ceramics. Borrowings from primitive art has been important to the development of modern art.

A

Primitivism

19
Q

was a group of German expressionist artists formed in Dresden in 1905,
is sometimes compared to the Fauves. Both movements shared interests in primitivist art. Both shared an interest in the expressing of extreme emotion through high-keyed color that was very often non-naturalistic.

A

Die Brücke (The Bridge)

20
Q

uses a visual language of form, color and line to create a composition which may exist with a degree of independence from visual references in the world.

A

Abstract art

21
Q

guy screaming on a boardwalk

A

expressionism.. Edvard Munch, The Scream, 1893

22
Q

portrait of a lady with a green line down her face

A

expressionism,Portrait of Mdme Matisse/The Green Line, 1905

23
Q

weird lady with a bowl of fruit on her head hahaha

A

expressionism/ fauvism, Matisse, The Woman with the Hat, 1905

24
Q

street with rich assholes on it getting into a limo

A

Der brucke/expressionism, Ernst Ludwig Kirchner, Street, Berlin, 1913

25
Q

really colourful some musical notes in it they thought he saw sounds and tasted touch

A

abstract art/expressionism, vasily Kandinsky, Composition VII, 1913

26
Q

colourful with a couple cannons shooting but hard to tell whats going on

A

expressionism Kandinsky, Improvisation No. 30 (War-like Theme), 1913


27
Q

big horses and they are blue

A

expressionism, Franz Marc, The Large Blue Horses, 1911

28
Q

It stood for traditional craftsmanship using simple forms and often applied medieval, romantic or folk styles of decoration. It advocated economic and social reform and has been said to be essentially anti-industrial.[4][5]

A

Arts & Crafts movement;

29
Q

line that looks like a whip

A

whiplash lines

30
Q

black and white drawing similar to comic book and a lady holding a severed head

A

art nouveau. Aubrey Beardsley, Salome with the Head of John the Baptist

31
Q

house with nice stairway and drawing of vines on the wall

A

• Victor Horta, Tassel House (stairwell)

32
Q

eiffel tower picture

A

• Gustave Eiffel, Eiffel Tower, 1889

33
Q

s an international philosophy[1] and style of art, architecture and applied art—especially the decorative arts—that was most popular during 1890–1910

A

Art Nouveau (French pronunciation: ​[aʁ nuvo], Anglicised to /ˈɑːrt nuːˈvoʊ/) i