methods of presenting art Flashcards

1
Q

characteristic ways in which artists express themselves.

A

style

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2
Q

METHODS OF ART PRODUCTION AND PRESENTATION

A
RASSFFD
REALISM
ABSTRACTION
SYMBOLISM
SURREALISM
FAUVISM
FUTURISM
DADAISM
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3
Q

The attempt to portray the subject as it is.

A

REALISM

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4
Q

describes as accurately and honestly as possible what is observed through the senses

A

REALISM

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5
Q

intended to stress the daily life of the common man

A

REALISM

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6
Q

“to move away or separate”

A

ABSTRACTIONISM

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7
Q

does not show the subject at all as an objective reality, but only his idea or his feeling

A

ABSTRACTIONISM

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8
Q

You cannot figure out the subject/object.

A

AbstractionIsm

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9
Q

Abstract subjects can also be presented in many ways:

A

a. DISTORTION
b. ELONGATION
c. MANGLING
d. CUBISM
e. ABSTRACT EXPRESSIONISM

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10
Q

misshapen condition

A

distortion

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11
Q

done to dramatize the shape of a figure or to create an emotional effect.

A

distortion

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12
Q

caricature and egyptian paintings are examples of

A

distortion

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13
Q

Lengthened

A

elongation

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14
Q

objects which are cut, lacerated, mutilated or hacked with repeated blows

A

mangling

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15
Q

use of a cone, cylinder, or sphere at the expense of other pictorial elements

A

cubism

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16
Q

he invented cubism

A

Pablo Picasso

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17
Q

Characterized by great verve, the use of large canvasses and a deliberate lack of refinement in the application of the paint

A

abstract expressionism

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18
Q

Strong color, heavy impasto, uneven brush strokes, and rough textures

A

abstract expressionism

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19
Q

visible sign of something invisible

A

symbolism

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20
Q

Tried to paint pictures of comfort, joy and pleasure

A

fauvism

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21
Q

Used extremely bright colors

A

fauvism

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22
Q

dadaism comes from the word

A

“dada” – French word meaning “hobby horse”

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23
Q

shows a movement that shock and provokes the viewers.

A

dadaism

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24
Q

playful & highly experimental

A

dadaism

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25
Q

capture the speed and force of modern industrial society

A

futurism

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26
Q

Their paintings glorified the mechanical energy of modern life

A

futurism

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27
Q

when and where (futurism) originated

A

Italy in the early 20th century.

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28
Q

main subject of futurism

A

Machine and motions

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29
Q

Uses art as a weapon against the evils and restrictions in society

A

surrealism

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30
Q

Surealism is invented from the word

A

super naturalism

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31
Q

Elements of Art

A
PLMFSC
perspective
proportion
lights
lines
motion
forms
symbols
color
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32
Q

way in which artists create an illusion of depth on a flat surface.

A

PERSPECTIVE

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33
Q

USED TO highlight important elements in paintings

A

LIGHT

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34
Q

provide emphasis, emotion, etc.

A

COLOR

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35
Q

gives meaning, value, intensity and saturation to an object.

A

COLOR

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36
Q

Properties of colors

A

Value

Saturation

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37
Q

lightness, brightness, darkness of color

A

Value

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38
Q

degree of quality, purity, and strength

A

Saturation

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39
Q

Classification of colors

A

Primary colors
Secondary colors
INTERMEDIATE COLORS
Tertiary colors

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40
Q

colors that cannot be formed from mixtures

A

Primary colors

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41
Q

combination of two primary colors.

A

Secondary colors

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42
Q

mixing one primary and one secondary.

A

INTERMEDIATE COLORS

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43
Q

combination of two secondary colors.

A

Tertiary colors

44
Q

These allows us to see FORM

A

light and shadow

45
Q

directional and it moves in a straight pathemanating away from a point of origin.

A

Light

46
Q

brightest part of the surface

A

highlight

47
Q

darkest part of the surface

A

middle tone area

48
Q

a technique painters use to keep our attention focused on the picture.

A

MOTION

49
Q

the way different elements in a painting relate to each other in terms of size.

A

PROPORTION

50
Q

identifiable path of a point moving in space.

A

LINES

51
Q

Characterized with efficiency, simplicity & strength; ; moves in 1 direction

A

STRAIGHT LINES

52
Q

kinds of STRAIGHT LINES

A

HORIZONTAL LINES
VERTICAL LINES
DIAGONAL LINES

53
Q

lines of repose and serenity

A

HORIZONTAL LINES

54
Q

lines which express ideas of calmness and order

A

HORIZONTAL LINES

55
Q

lines poised for action

A

VERTICAL LINES

56
Q

Lines that tend to express as well as arouse emotions of exaltation

A

VERTICAL LINES

57
Q

suggest action, life and movement

A

DIAGONAL LINES

58
Q

lines which give animation to any composition in which they appear

A

DIAGONAL LINES

59
Q

suggest grace, subtleness, direction, instability, movement, flexibility, joyousness and grace

A

curved lines

60
Q

Express energy, violence, conflict and struggle

A

CROOKED OR JAGGED LINES

61
Q

any image that consists of distinct straight and curved lines placed against a (usually plain) background, without gradations in shade (darkness) or hue (color) to represent two-dimensional or three-dimensional objects

A

line art

62
Q

the path made by a moving point

A

line

63
Q

quality by which we distinguish one color from another

A

hue

64
Q

The quality by which we distinguish a light color from

a dark one

A

value

65
Q

measurement of how pure a Hue is

A

chroma

66
Q

most common color schemes are:

A

Monochromatic
Complementary
Analogous

67
Q

use one dominant color

A

Monochromatic

68
Q

use colors opposite each other on the color Wheel

A

Complementary

69
Q

colors next to each other on the color Wheel

A

Analogous

70
Q

arrangement of elements within the frame

A

Composition

71
Q

color element that deals more directly with the sense of touch

A

texture

72
Q

Characteristic of surfaces

A

texture

73
Q

Refers to solidity or thickness

A

volume

74
Q

Different Types of photography

A
ADVERTISING PHOTOGRAPHY
EDITORIAL PHOTOGRAPHY 
PHOTOJOURNALISM 
PORTRAIT AND WEDDING PHOTOGRAPHY
FINE ART PHOTOGRAPHY
75
Q

illustrates a service or product

A

ADVERTISING PHOTOGRAPHY

76
Q

illustrates a story or idea within the context of a magazine

A

EDITORIAL PHOTOGRAPHY

77
Q

photographs accepted as a documentation of a news story

A

PHOTOJOURNALISM

78
Q

made and sold directly to the end user of the images

A

PORTRAIT AND WEDDING PHOTOGRAPHY

79
Q

creative production of images using the camera, special lighting and other effects used for artistic expression

A

FINE ART PHOTOGRAPHY

80
Q

PHOTOGRAPHY REQUIRES:

A
THE SUBJECT 
BACKGROUND & FOREGROUND 
RULE OF THIRDS 
LIGHTING
MOTION
81
Q

– main focus of your photograph

A

THE SUBJECT

82
Q

what is behind & in front of the subject

A

BACKGROUND & FOREGROUND

83
Q

arrangement of elements within the frame

A

RULE OF THIRDS

84
Q

elements of music

A
HRM PDT
Harmony
Rhythm
Melody
Pitch
Dynamics
Tempo
Timbre
85
Q

elements of DANCE

A
CCS DMMT
Costume
Choreography
Scenery
Design
Movement
Music
Technique
Theme
86
Q

elements of LITERATURE

A

Emotional Appeal
Intellectual Appeal
Humanistic Appeal

87
Q

elements of DRAMA

A
PLOT
CHARACTER/ DRAMATICS PERSONAE
CONFLICT
IRONY
THEME OR IDEA
CLIMAX
MUSIC AND SPECTACLE
COSTUMES AND MAKE-UP
DIALOGUE
SETTING, SCENERY AND LIGHTING
88
Q

elements of CINEMA

A
CAPESSS
Cinematography
Acting
Production design
Editing
Staging or directing
Script or narrative
Sound design
89
Q

basic element of music

A

RHYTHM

90
Q

Most fundamental component of MUSIC

A

BEAT

91
Q

pitches or tones sounded one after another in a logical meaningful series

A

melody

92
Q

Succession of tones arranged in such a way as to give a musical sense

A

melody

93
Q

Highness or lowness of sound

A

PITCH

94
Q

Manner of sound combination wherein we add subordinate sounds to enhance the quality of the main sounds

A

HARMONY

95
Q

speed of a certain musical piece

A

TEMPO

96
Q

Measured by a device by the musical notes given half or full values

A

May be slow, quick or moderate

97
Q

amount, strength, or volume of the sound

A

DYNAMIC

98
Q

tone quality

A

TIMBRE

99
Q

VOCAL MUSIC

A
Correct posture
Correct breathing
Correct placement of the voice
Correct diction
Correct interpretation
100
Q

Conveys the message of a dance

A

THEME

101
Q

pattern of movement in time and space

A

DESIGN

102
Q

bodily actions of the dancer

A

MOVEMENT

103
Q

skill of movement executed by the dancer

A

TECHNIQUE

104
Q

auditory background

A

MUSIC

105
Q

figures & steps in dancing that enable the dancers to perform in an organized manner

A

CHOREOGRAPHY

106
Q

setting where the dance is performed

A

SCENERY