medival theatre Flashcards

1
Q

WHY was there a re-emergence of theatre at this time?

A
  1. after fall of the Roman Empire, theatrical performances are now limited to TRAVELLING SHOWS of entertainers on wooden platforms.
  2. Church reinstates drama with priests enacting bible stories in church

3.litugy was in latin and majority of people were illiterate that were peasants and serfs = church dramatisizes bible stories to make sense to them

  1. stage= rows of platforms in church =close relationship between audience and performers.
  2. liturgical plays moved out of church, onto street. = rise of church influence on people and theatre
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2
Q

what are the TYPES OF STAGES in medival theatre?

A
  1. fixed stages (stayed in one place)
  2. movable stages (popular travelling theatres, platform on wheels called a PAGEANT WAGON, moved on streets, stoped in designated place for people to watch, with hut for chaging costumes)
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3
Q

why was there a re-emergence of theatre in the church?

A
  1. litugy was in latin
  2. majority of people were illiterate peasants and serfs = church dramatisizes bible stories to make sense to them
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4
Q

what were the TWO main performance areas in the church?

give descriptions of both

A

1.The playne (performance space)
2. Mansions/loci: small stage boxes along nave long part

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5
Q

why did drama move out of the church building?

A
  1. lack of space, freedom to experiment with staging, closer to god
  2. introduced to evil and comical characters = seen as innapropriate
  3. many diseases, = cleaner
  4. arguments in church council
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6
Q

what major things happened in the 1300s?

A
  1. control beyond church kinda, but approved scripts and plays
  2. mystery cycled= joint venture between church and trade guilds
  3. town council had big control, monitored and fined trade guilds if broke rules. guilds had control, associated with tradesmen, provided props, effects, appointed pagent master.
  4. day of corpus christie = cycle of plays presented
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7
Q

what were the THREE major stages?

give explanation of both

A

1.static booth stage: easily erected and dismantled.

  1. pagaent wagon: mobile, perambulatory
  2. hall plays: important, elite plays for special occasions, outside,
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8
Q

allegory

A

a spiritual journey that often takes place in a form of a physical one.

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9
Q

allegorical character

A

personification of abstract quality.

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10
Q

what did the pageant wagon look like?

A
  1. two stories high, secrets built under stage and on top level.
  2. machinery ontop, simbolise heavens
  3. when scene finished, moved to next destination where people watch
  4. hells mouth= special effects, popular, smoke, guns, drums, devils unmasked climbed out of mouth.
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11
Q

what did the pagaent master do?

A
  1. director/stage manager
  2. annual salary, observes cycles for years
  3. many responsibilities, cast actors, employ set builders, speak to audience before play, summarising.
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12
Q

what were the actors and actor style?

A
  1. plays = 5 characters
  2. working class men/boys
  3. sometimes nobility
  4. actors=same actor for years
  5. well known actors paid more
  6. mystery cycles=2-5 days
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13
Q

what were the costumes and special effects of the play?

A
  1. contemporary medival dress, devils wore headresses, claws, tails
  2. special effects recreated for enacting miracles in bible
  3. animal bones burned to recreate smell of hell
  4. squib= animal bladder under charcaters costume to show real life wounds.
  5. hired musicians, music NB
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14
Q

what entailed the morality plays?

A
  1. didactic, 7 deadly sins, 7 cardinal values
  2. battle between good vs evil in human soul
  3. charcaters simbolise every GOOD CHRISTIAN MAN.
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15
Q

7 deadly sins and 7 cardinal virtues:

A

7 deadly sins: sloth, greed, gluttony, lust, pride, envy, wrath.

7 cardinal virtues: charity, prudence, faith, hope. fortitude, justice, temperance.

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16
Q

feudal system

A

trading of land. sociopolitical heirachy that determines power. theatre emerged after the fall of the roman empire, thus heavily relying on the topics that came directly from the church and the bible.

17
Q

parable

A

simple story which makes a point around a central theme

18
Q

why is a parable effective?

A

its more effective then presenting a sermon (appeals to every christian man= emotions stimulated catharsis.)

19
Q

what type of genres come around in medival theatre?

give a brief description of each

A
  1. Mystery plays
    =dramatizations of both the Old and New Testament MIRACLES.
  2. Morality plays
    = everyman= allegorical, moral qualities or conditions like death to appeal to fate and every christian man.
  3. Farces
    =comedic, STOCK CHARACTERS, hightened.
  4. Masques
    = @royal court, poetry, England, for king and queen.
20
Q

what type of play is everyman and how?

A

morality play.

= appeals to every christian man, summoning of every-man, calling him for death. Good deeds remain. virtues leave him like goods, beauty. moral of play is to remind death is fate, you cannot escape it. goods and beauty are temporary, whilest good deeds will be with you forever.

21
Q

what are the themes setting, and symbols of everyman?

A

setting:
1. TIME= anytime, preparing soul for death
2. PLACE: heaven, earth, inside everymans soul.

themes:
sin, death, worldly goods, judgement.

symbols:
1. Cross - symbolises God and Salvation
2. Grace- simbolises Death

22
Q

what is the point of the prologue?

A