Media - Topic 4 Flashcards

1
Q

The under-representation of women in the media industry

A

IWMF - in UK companies women were marginalized in news-rooms and decision-making hierarchies and that women faced a glass ceiling (an invisible barrier to progress in their careers)

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2
Q

The male gaze

A

Mulvey - men look at women as sexual objects with images of women focusing on their physical appearance and sexuality, using camera angles that focus on women’s sexual appeal

Wolf - builds on this, women are expected to meet male conceptions of female beauty

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3
Q

Patriarchal ideology and the symbolic annihilation of women

A

Features like those identified above mean that the media tend to be patriarchal and spread patriarchal ideology
Tuchman et al - under-representation and stereotypes can be described as symbolic annihilation of women (involves: trivialization,omission and condemnation of women)

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4
Q

The under-representation and stereotyping of women in media content

A

Global media monitoring project - 76% of the people heard or read about in print were male - compared to 24% of women

Women were interviewed and seen as ‘ordinary’ people whereas men were seen as ‘experts’

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5
Q

Cumberbatch and under-representation and stereotyping of women

A

Women (older) are under-represented

Martinson - 82% of over-50s on BBC are male with women over 50 making only 5% of presenters

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6
Q

Wolf identified the following stereotypes:

A

The WAG - wives and girlfriends of men
The sex object - sexually seductive
The supermum - happy, home-maker and manage family emotion
The angel - who is ‘good’ and support men
The ball breaker - sexually active, strong
The victim - in horror films, crime tv

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7
Q

The cult of femininity

A

Ferguson - teenage girls magazines traditionally prepared girls for feminized adult roles and produced a cult of femininity, including themes on being a good wife, which socialize girls into these gender normative

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8
Q

Transgressive roles

A

Media representations reflect the way that society has changed for women
McRobbie - shows this in her study of magazines

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9
Q

Sexually powerful

A

Idea of women as ‘sex objects’
Gill - women are much more likely to be shown as powerful,using their sexuality to get what they want

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10
Q

Independent

A

Pop music - singers like Beyoncé etc sing about women’s independence and control

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11
Q

AO3 evaluation for representations of women

A

Knight - although portrayals show women who can take care of themselves ways that have historically been seen as typically male
The media still show women conforming to the male gaze with conventional attractiveness

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12
Q

Representations of men

A

Men appear in wider representations
Male voices are more likely to be used in ‘voice-overs’ in TV and radio programmes

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13
Q

Hegemonic masculinity - Connell

A

Idea of being a ‘real man’ that is dominant in western culture
Boys should aspire to become ‘alpha male’

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14
Q

Gilmore and hegemonic masculinity

A

Described the male as ‘the provider, the protector’
Interests that are seen as a part of hegemonic masculinity are sport, computers etc

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15
Q

Crisis of masculinity

A

Where men try too hard to achieve hegemonic masculinity

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16
Q

Toxic masculinity

A

All that is left are the negative aspects of hegemonic masculinity
E.g aggression, violence

17
Q

Children now ; 6 media stereotypes of male characters which reinforce ‘masks of masculinity’

A
  1. The joker - uses aughts to avoid displaying seriousness or emotion
  2. The jock - avoids being soft and who shows aggression
  3. The strong silent type - in control, avoids talking about his feelings
  4. The big shot - economically and socially successful
  5. The action hero - strong but not necessarily silent, shows extreme aggression
  6. The buffoon - light-hearted, bungling figure in TV ads
18
Q

AO3 evaluation for representations of men

A

Gauntlett - postmodern societies there are social expectations that women and men should be treated equally. He says the media are starting to present a wider range of gender identities beyond traditional stereotypes

19
Q

Representations of sexuality

A

Tuchman - symbolic annihilation of women
Homosexuality traditionally has been either stereotyped of absent from mainstream media

20
Q

McRobbie and representations of sexuality

A

Men are starting to face the same sort of physical scrutiny by both men and women
‘The beauty stakes have gone up for men and women have taken up the position of active viewers’

21
Q

Representations of homosexuality

A

When Anna Friel kissed a girl in Brookside in 1994 it was considered a ground breaking moment - the first lesbian kiss on UK TV
Since then most TV soaps have had gay characters
Media gaze - seen through a heterosexual white middle class gaze

22
Q

Gross and representations of homosexuality

A

Media have often symbolically annihilated gay men and lesbians by excluding them

23
Q

Stonewall 2010 study

A

LGBTQ+ people appeared in less than 5% of TV shows popular with young people

24
Q

Cohen and valentine 2005 study

A

On the BBC gay people were 5x more likely to be shown negatively than positively

25
Key stereotypes noted by sociologists in the 1980s and 1990s still remain;
Campiness - make gay characters in TV are known for a particular type of camp humour Association with HIV/AIDS - focused strongly on the gay community Temporary - media stereotype it to be temporary
26
Sanitisation of gay sexuality - gills
Mainstream media rarely represent homosexuality in a sexualised way which is done in a way that is not to challenge the heterosexual ideology
27
AO3 evaluation of representations of homosexuality
Media companies have found the “pink pound” (gay and lesbian consumer market) is large and affluent Pluralists - they are slowly starting to respond to what the gay and lesbian audience want
28
Representations of disability - Shakespeare
Shakespeare - disability should be seen as a social construction - a problem created by the attitudes of society and bit by the state of our bodies
29
Representations of disability
Disability isn’t caused by an impairment, but it’s created by the interaction between people with impairments and their social environment
30
What does Shakespeare continue with
Stereotypes given to those with disabilities can create a disabled identity for individuals with non-conforming bodies, especially those with physical impairments
31
Symbolic annihilation of disability in the media
1/4 of adults in the UK were covered by the disability discrimination act These disabled people are seriously under-represented among those who work in the media industry
32
Cumberbatch et al and the symbolic annihilation of disability in the media
TV programmes 2013-2014, found that people portrayed as disabled represented just 2.5% Ofcom found more than 4 in 10 appearances of disabled people were in the context of programmes highlighting issues of prejudice, stereotyping and discrimination
33
Sancho and the symbolic annihilation of disability in the media
wheelchair is often used as an ‘icon’ or index of disability by those wishing to represent disability in the media
34
Cumberbatch and Negrine (1992) found the following stereotypes being prominent
Objects of pity - encourage charity Sinister or Evil - persistent stereotype, e.g frankenstein Supper-cripples - depicted as brave, overcoming disability Figures of ridicule - mocked as fools Their own worst enemy - shown as self-pitying, needing a “positive attitude” Burdens - dependent on others Non-sexual - seen as sexually inactive, except when depicted as dangerous sex predators in tabloids Excluded from daily life - rarely shown as workers, parents or everyday people beyond their disability
35
Phill et al of the GMG found such negative stereotypes were also applied to people with disabling mental health conditions:
TV drama and entertainment they found nearly half of peak-time programmes with mental illness storylines portrayed people with mental health problems as posing a threat to others 63% of references to mental health were negative
36
AO3 evaluation of representations of disability
GMG and time to change (2014) found a content analysis carried out and found that there were more positive authentic and sympathetic portrayals and fewer overly simplistic stereotypes which stigmatised mental illness