Media Theorists Flashcards

1
Q

What is Barthes theory of semiotics?

A
  • Texts communicate their meanings through a processor signification (symbols)
  • 2 levels of meaning: denotation, connotation
  • All elements of a media texts are codes that need to be read
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2
Q

What is Todorov’s theory of narrative?

A
  • All narratives share a basic structure that involves movement from one state of equilibrium to another
  • These 2 states of equilibrium are separated by disruption
  • Eq, Disruption, Solution, New Eq
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3
Q

What is Neale’s theory?

A
  • Genre is recognisable, but does change over time and share characteristics from other genres
  • Genre is important to institutions because it helps with marketing in industries
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4
Q

What is Levi Strauss theory of binary opposition?

A
  • The meaning of texts is dependent upon and produced by pairs of oppositions
  • The conflict between binary opposites create meaning and drives forward the narrative
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5
Q

What is Curran and Seatons theory of power in the media industry?

A
  • The idea that the media is controlled by a small number of companies primarily driven by the logic of profit and power
  • Media concentration generally limits variety and creativity
  • More socially diverse patterns of ownership help to create the conditions fore adventurous production
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6
Q

What is Livingstone and Lunt’s theory of regulation?

A
  • The idea that regulation may not be able to keep up with new media technologies
  • Who is regulation for?
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7
Q

What is Baudrillard’s theory in media language?

A
  • In postmodern culture the boundaries between the real world and the world of media have collapsed
  • We are immersed in a world of images which no longer refer to anything real
  • Media images have come to seem more real than the reality they supposedly represent
  • eg) instagram models seem ‘real’
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8
Q

What is Hesmondhalgh’s theory of cultural institutions?

A
  • Companies maximise audiences through vertical and horizontal integration
  • The largest companies operate across a number of different cultural industries
  • Industries use tried and tested strategies to appeal to us - we should be concerned that only a few companies hold a lot of power
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9
Q

What is Hall’s theory of representation?

A
  • The representation is the production of meaning through language and signs
  • Relationship between concepts and signs in governed by codes
  • Stereotyping reduces people to a few simple characteristics or traits
  • Stereotyping tends to occur where there are inequalities of power
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10
Q

What is Gauntlett’s theory of identity?

A
  • The idea that the media provides us with ‘tools’ or resources that we use to construct our identity
  • The modern media offer a more diverse range of stars from whom we may pick and mix ideas
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11
Q

What is a short summary of Liesbet Van Zoonen’s feminist theory?

A

Men and women are represented differently in the media, and women are objectified as a result of Western Culture

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12
Q

What is Liesbet Van Zoonen’s feminist representation theory?

A
  • Gender is constructed through discourse, and its meaning varies according to cultural and historical contexts
  • The display of women’s bodies as objects is a core element of a western patriarchal culture
  • In mainstream culture, the visual and narrative codes that are used to construct the male body differ from those used to objectify the female
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13
Q

What is a short summary of bell hooks’ feminist theory?

A

Feminism is a political struggle to end patriarchal domination, other factors also affect this including race and class

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14
Q

What is bell hooks feminist representation theory?

A
  • The idea that feminism is a struggle to end sexist/patriarchal oppression and the ideology of domination
  • Feminism is a political commitment rather than a lifestyle choice
  • Race and class as well as sex determine the extent to which individuals are exploited, discriminated against, or oppressed
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15
Q

What is a short summary of Judith Butler’s gender performativity theory?

A

Gender is a social construct - masculine and feminine are created through repetition

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16
Q

What is Judith Butler’s gender perfomativity representation theory?

A
  • the idea that there is no gender identity behind the expressions of gender
  • the idea that performativity is not a singular act, but a repetition and a ritual
17
Q

What is a short summary of Paul Gilroy’s ethnicity and post colonialism theory?

A

Even though we no longer have colonies, the representation of these groups is still affected by this time

18
Q

What is Paul Gilroy’s ethnicity and post colonialism theory?

A
  • The idea that colonial discourses continue to inform contemporary attitudes to race and ethnicity in the post colonial era
  • Civilisation constructs racial hiérarchies and sets up binary oppositions
19
Q

What is a short summary of Albert Bandura’s audience effects theory?

A

If the audience sees a certain type of behaviour, specifically violence and aggression, they are likely to mimic it

20
Q

What is Albert Bandura’s audience affects theory?

A
  • The idea that the media can impact ideas in the mind of the audience directly
  • The idea that audiences acquire attitudes and emotional responses through modelling
  • Media representations of violence and physical aggression can lead to audience members imitating those behaviours
21
Q

What is a short summary of Gerbner’s cultivation theory?

A

The more we see the same representations and messages, the more we believe they are true, cultivation reinforces mainstream values and dominant ideologies

22
Q

What is George Gerbner’s cultivation theory?

A
  • The idea that exposure to repeated patterns of representation over long periods of time can shape and influence the way in which people perceive the world around them (cultivating particular views and opinions)
  • Cultivation reinforces mainstream values and dominant ideologies
23
Q

What is a short summary of Stuart Hall’s reception theory?

A

Producers want audiences to respond in a particular way to a text. Some audiences do (preferred reading), some audiences don’t (oppositional reading), and some audiences are in the middle (negotiated reading)

24
Q

What is Stuart Hall’s reception theory?

A
  • The idea that communication is a process involving encoding by producers and decoding by audiences
  • There are 3 hypothetical positions from which messages and meanings may be decoded: the preferred reading, the negotiated reading or the oppositional reading
  • The preferred reading the is producers intended message, negotiated is when the audience understand the message but adapt it to suit their own values, and the oppositional is where the audience disagrees with the preferred meaning
25
Q

What is a short summary of Jenkins’ participatory culture theory?

A

The internet has allowed fans to gather and create their own texts and easily share their work. Instead of just consuming the texts, audiences are creating them