MEDIA-THEORIST Flashcards

key terms

1
Q

Lisebet Van Zoonen (feminist theory)

A

men and women are represented differently in the media, women are objectified as a result of western culture.

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2
Q

bell hooks (feminist theory)

A

Feminism is a political struggle to end patriarchal domination and other factors affect this domination including race and class.

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3
Q

Roland Barthes (semiotics theory)

A

All elements of a media text are codes that need to be read. these can all be understood as the thing they (denotative level) and the responses they create( connotative level)

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4
Q

Tzvetan Todorov (narratology theory)

A

Narratives follow a pattern of Equilibrium>Disruption>New Equilibrium

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5
Q

Claude Levi-Strauss (binary opposition theory)

A

The conflict between binary opposites drives forward the narrative.

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6
Q

Steve Neale (genre theory)

A

Genre is recognisable but does change over time or borrow from other genres. Genre is important to an institution because it helps then market text.

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7
Q

Jean Baudrillard (semiotics theory)

A

The lines between a created text and reality become blurred, for example the perfect Instagram images seem “real”

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8
Q

Curran and Seaton (power and media industries theory)

A

If we had more of a variety of media companies, we’d have more of a variety of text.

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9
Q

Livingstone and Lunt (regulation theory)

A

Who is regulation FOR? can regulation keep up with new technologies?

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10
Q

David Hesmondhalgh (cultural industries theory)

A

Industry uses tried and tested strategies to appeal to us-but we should be concerned that only a dew companies hold a lot of power.

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11
Q

Clay Shirky (end of audience theory)

A

We are now more likely to use the internet and other technologies to respond to texts, including creating our own.

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12
Q

Henry Jenkins (participatory cultural theory)

A

The internet has allowed fans to gather and create their own media text and easily share their work, instead of just consuming the text audience are creating them.

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13
Q

Stuart Hall (reception theory)

A

producers want audience to respond in a particular way to a text, some audience do (preferred reading), some audiences dont (Oppositional reading) and some are in the middle (negotiated reading).

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14
Q

George Gerbner (cultivation theory)

A

The more we see the same representation and messages, the more we think they are real, the more we believe.

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15
Q

Albert Bandura (effect debate theory)

A

If a audience see aggressive behaviour they are likely ti mimic it, WARNING- a theory that is contested.

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16
Q

Paul Gilroy (ethnicity and postconlonialism theory)

A

Even though we are no longer have colonies, the representation of these groups is still affected by the time.

17
Q

Judith Butler (gender performtivity)

A

Gender is a social construct-“masculine” and “feminine” are create through repetition.

18
Q

David Gauntlett (theory of idenitity)

A

We use the internet and other media text to help us create our identity. We now have more of a variety of representation to identify with.

19
Q

Blumer and Kaz (uses and gratification theory)

A
  • Education and information
  • Escapism and entertainment
  • Identity
  • Social interaction
20
Q

Laura Mulvey’s (male gaze theory)

A

Mulvey’s argument was that the media largely controlled by men and women are frequently represented in the media in a way that objectifies them, for the pleasure of them