Media representations Flashcards

1
Q

Vir, Hall and Foye (nationality)

A

English - BBC said to have more of a Southern English bias and London focus - BBC was perceived as representing the interests of its English viewers more than other nations’ viewers
Media example: BBC

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Mulhern (nationality)

A

Irish - media portrayal of the irish stereotyped: homesick and drinking bad Guinness while listening to bad ballads in north London, too successful to be homesick while making megabucks in the City, and reporting the good wealth home via Skype
Media example: Mrs Brown’s Boys

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Vir, Hall and Foye (nationality)

A

Scottish - those living in the Highlands feel under-represented in media portrayals and coverage (outside nature and wildlife programming) - one participant stated “I think it (sport) is very much English broadcast and Scotland is quietly left behind” and another claimed that “The Scottish person is always drunk and an abusive drunk at that”
Media example: Groundskeeper Willie from the Simpsons

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Graham (nationality)

A

Welsh - media can sometimes force other nationals into TV programmes leading to tokenism. One participant discussed “Gavin and Stacey - it’s all about portraying Wales as thick”
Media example: Gavin and Stacey

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Vir, Hall and Foye (nationality)

A

Welsh - In Wales, there was a perception that reality TV can be exploitative in their portrayal of the Welsh. Some were more positive and stated that personalities such as Alex Jones and Huw Edwards were seen as further demonstration of the BBC potentially doing more than other broadcasters of their nation
Media example: Dirty Sanchez and The Valleys

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Van Dijk (ethnicity) (traditional/negative)

A

Content analysis into media representations of ethnic groups in the UK over a 10 year period. Black people are stereotyped in the media in 5 ways - criminal, abnormal, a threat, dependent, unimportant
Media example: Stacey Dooley

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Malik (ethnicity) (traditional/negative)

A

She examined Channel 4’s research that found that the majority of white British people found that broadcasters were reflecting multicultural Britain to a satisfactory level, other ethnic groups felt that contrasting this was done very poorly. Broadcasters are guilty of tokenism and stereotyping
Media example: Channel 4

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Barker (ethnicity) (traditional/negative)

A

Studied ethnic minority groups in the soap opera Eastenders, and noted that it had been heavily criticised for stereotyping of ethnic minority groups - for example Asian and black characters being given the roles of doctors and shopkeepers. Characters were portrayed as having limited, stereotypical character traits as opposed to being multifaceted, complex people. Eastenders’ producers still have a long way to go to overcome the latent racism of the programme as key characters are still often White British
Media example: Eastenders

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Hall (ethnicity) (traditional/negative)

A

Overt racism and ethnic minority folk devils - Black people are seen through the White Eye
Media example: Good Luck Charlie

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Husband and Hartman (ethnicity) (traditional/negative)

A

Media operates within a culture that sees Black Afro-Caribbean people as foreigners and as inferior. The media emphasises racial conflict and problems and presents negative images and stereotypes of ethnic minorities
Media example: News channels

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Children Now - Fair Play Survey (ethnicity) (traditional/negative)

A

There is a continuation of stereotyping of ethnic minorities within new media such as video games - 86% of heroes were White, 8/10 black characters wer eportrayed as competitors in sports games and 86% of black female characters were portrayed as victims of violence. It seems from this evidence that the new media aimed at the younger generations is more stereotypical than traditional media
Media example: Marvel video games

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Moghissi (ethnicity) (traditional/negative)

A

Muslims are huddled together by the media, which ignores the huge range of differences between Muslims in class, beliefs and culture. Since 9/11 and 7/7 there has been moral panic about Islam and coverage is negative, stereotyped and Islamaphobic
Media example: BBC

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Malik (ethnicity) (changing/positive)

A

Reality TV such as Gogglebox was increasingly more inclusive compared to other genres of TV and there has been a shift in how ethnic minority groups are depicted in new forms of media
Media example: Love Island

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Barker (ethnicity) (changing/positive)

A

Eastenders can be seen to be chaning the way in which ethnic minorities are presented through its storylines. There are now a range of Asian and black characters that reflect the demographic of London more fairly than it used to. Ethnic minority characters also hold some significant roles and explains that they are given meaningful attention and stories
Medi example: Eastenders

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Hall (ethnicity) (changing/positive)

A

The media has shifted from displaying overt racism to inferential racism meaning it is an unconscious act and refers to the idea that presumptions are made about a race which does hold racist, unquestioned assumptions. Therefore this is a subtle positive change as overt racism would no longer be acceptable in the media
Media example: Eastenders

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Nayak (ethnicity) (hybridity)

A

Refers to young, working class, White males who adopt the language and style of black culture. In this hybrid ethnic identity, White youths listen to hip hop, gangsta-rap, wear of bling and dress in a style associated with black males.
Media example: Professor Green

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

Gill (ethnicity) (hybridity)

A

Studied the emergence of new ethnic identities. Blasians refers to Asian youths who adopt black culture of rap, etc and Brasians refers to Asian youths who adopt a White British culture when with peers e.g. Laddish culture
Media example: Zayn Malik

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

Tunstall (gender) (traditional/negative)

A

Media representations emphasise women’s domestic, sexual, consumer and marital activities to the exclusion of all else. The media generally ignore the fact that a majority of British women go out to work
Media example: Baywatch

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

Tuchman (gender) (traditional/negative)

A

Narrow range of roles for women lead to their symbolic annihilation
Media example: Wolf of Wall Street

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

Glascock (gender) (traditional/negative)

A

When portrayed as aggressive in the media, males were more physically aggressive, whereas females were more verbally aggressive
Media example: Mean Girls

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

Katz (gender) (traditional/negative)

A

Epidemic of male violence due to medias inability to move away from stereotypical versions of masculinity. Media portrays masculinity as violence, sexism and homophobic
Media example: Call of Duty

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

Gauntlett (gender) (traditional/negative)

A

Despite a changing media landscape there are many magazines aimed at male audiences that continue to sexually objectify women and present images of traditionally masculine men. These magazines represent retributive masculinity - a way to reaffirm masculine authority by glorifying what is conventionally male
Media example: Andrew Tate

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

Easthorpe (gender) (traditional/negative)

A

A variety of media, transmits the view that masculinity is based on strength, aggression, competition and violent is biologicall determined and therefore, it is a natural goal for boys to achieve
Media example: Marvel

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

Westwood (gender) (changing/positive)

A

Gender representations have changed - transgressive female roles in British television
Media example: Doctor Who

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
25
Glascock (gender) (changing/positive)
Now a range of femininity portrayed in the media such as independent women Media example: Rapunzel
26
Gill (gender) (changing/positive)
Within advertising, the depiction of women has changed from women as passive objects of the male gaze, to women being more active, independent and sexually powerful Media example: This Girl Can
27
Gauntlett (gender) (changing/positive)
Media provides alternative gendered images and ideas, which are producing a greater diversity of choice for people when constructing their gender identities - Women are now depicted in a ‘tougher’ way. Younger audiences are now more open to having female as well as male lead characters in films. Discusses positive effect of female pop stars, such as Lady gaga also promoted financial and emotional independence through their lyrics. This set of media messages from a range of sources suggest that women can be tough and independent whilst being ‘sexy’ Media example: Friends
28
Easthorpe (gender) (changing/positive)
Men’s traditional roles within the media have changed - 1980’s saw the emergence of a new breed of glossy magazines aimed at middle class young men, such as GQ, Maxim and FHM that presented men can be emotionally vulnerable and in touch with their ‘feminine side (father role and appearance) Media example: GQ Magazine
29
Nixon (gender) (changing/positive)
Importance of the Levi’s ‘Laundrette’ advert - this saw the emergence of ‘the New Man Media example: Levi's Launderette advert
30
Mort (gender) (changing/positive)
Laundrette advert marked an increase and change in male consumption patterns - for the first time men were spending more time, money and effort on their appearance so there was a consumption increase in items such as toiletries and male beauty products Media example: Levi's Launderette advert
31
Whannel (gender) (changing/positive)
Presentation of David Beckham is contradictory - media representations of Beckham are fluid meaning that his good looks, his football skills, competitive spirit and his commitment mark him out as a traditional ‘real man' Media example: David Beckham
32
Nairn (upper class) (traditional/positive)
Media representation of the monarchy - after WW11 the monarchy developed close ties with the media industry, since then they have been represented in the media as a family that are ‘like us but not like us’ - lives are presented as a soap opera. Media representations of royalty also reinforce a sense of national identity
33
Scott (upper class) (traditional)
The upper class exercise social closure. Therefore when applying this to the media it means that upper class identities will not often be shown in the media to maintain their boundary between them and other classes Media example: Instagram
34
Newman (upper class) (traditional)
Media representations tend to focus on the concerns of those who are wealthy and privileged. He further argues that the media over-focuses on extravagant consumer goods e.g. luxury cars, costly holiday destinations, trendy clothes, fashion accessories, etc. that are usually only accessible to the rich. Newman argues that wealth is represented as deserved rather than as part of a “chaos of rewards”. Therefore this justifies the position of the ruling class in society and uses luxury goods as a distraction for working class individuals to fantasize about and work towards - but due to the exploitation in society they will never be able to reach this Media example: Kardashians
34
Leech (middle class) (traditional/positive)
Middle class lifestyles are present as the 'ideal' lifestyle in media advertising and developed the concept of the ideal 'cereal packet family' to describe the image that is sold to us as desirable. Marxists would argue that the media are owned and controlled by the upper class and therefore they control how they are represented Media example: Friday Night Dinner
35
Owen Jones (middle class) (traditional)
Described the media as a “closed shop” for the upper/middle class. This means media representations of the middle class will be positive as they are created by middle class journalists. It can also be argued that a range of newspapers and magazines are targeted towards middle class tastes and lifestyles Media example: Cosmopolitan
35
Ehnreich (middle class) (traditional)
Working class individuals are often cast as beneficiaries of middle class help and advice, or as subjects for discussion by middle class “experts”. Middle class people are represented as resourceful, productive, cultured and helpful – particularly in relation to the less fortunate working class individuals receiving their help Media example: Stacey Dooley
36
Nairn (upper class) (changing/negative)
Media representations of the upper class have been traditionally positive, this has changed over recent years Media example: Prince Charles was caught advising government policy
37
Reiner (upper class) (changing/positive)
Recent media representations of wealthy people are being used to show examples of hard work, success and meritocracy - When people are portrayed as having huge amounts of wealth their success is celebrated by the media – Audiences are encouraged to identify with the culture of consumption and materialism that is portrayed in the lifestyle of the wealthy Media example: Molly Mae
38
McLuhan (upper class) (changing)
Postmodernism, global village, globailsation, progression Media example: Instagram
38
Draper (middle class) (changing)
The new middle class is so diverse in lifestyle, occupation and attitudes that they have very little cohesion, that they are like a dish of herrings and strawberries! At one extreme end there is a ‘super rich elite middle class’ whereas at the other there is a whole range of ‘low level routine’ occupations that although are defined as middle class are difficult to distinguish from their working class counterparts e.g. in terms of income, status and general life chances. - representations in the media are changing to reflect the changes in society Media example: Tik Tok
38
Whale (middle class) (changing)
Pluralism, determined by reader, condemn Media example: Hillsborough disaster
39
McLuhan (middle class) (changing)
Postmodernism, global village, globailsation, progression Media example: Instagram
39
Newman (working class) (traditional/negative)
Very few films, sitcoms or dramas which give a realistic image of the everyday life of the working class - Working class people are stereotyped and labelled in an unflattering and pitying light Media example: Vile product of welfare UK
39
Jones (working class) (traditional/negative)
Developed the concept of ‘chavtainment’ when discussing the development of TV broadcasts that portray a negative view of working class people as “bigoted, slothful and aggressive” - Working class gone from being portrayed, historically, as the “salt to the earth” to “scum of the earth” Media example: Little Britain
40
Dodd and Dodd (working class) (traditional/positive)
Eastenders - Presents the nostalgic view of the traditional notion of working class communities, but state that this does not accurately reflect a modern day working class culture Media example: Eastenders
41
Baumberg et al (underclass) (traditional/negative)
Researched ‘Benefits Stigma in Britain’ and analysed a database of 6,600 national press articles between 1995-2011 - Disproportionate amount focus on benefit fraud: 29% of news stories referenced fraud; in comparison the government’s own estimate is that a mere 0.7% of all benefits claims are fraudulent. Common language used to describe benefits as ‘undeserving’ included: Fraud and dishonesty (including those such as ‘faking illness’), Dependency (including ‘underclass’ and ‘unemployable’), Non-reciprocity/lack of effort (e.g. ‘handouts’, ‘something for nothing’, ‘lazy’, ‘scrounger’), Outsider status (e.g. ‘immigrant’, ‘obese’). This reflects the New Right views of an underclass lifestyle Media example: 'Get pregnant for benefits'
41
Golding and Middleton (underclass) (traditional/negative)
Moral panics surrounding the underclass – “Welfare issues” were not discussed unless they were connected to other social issues such as crime, fraud or sex. Demonization of the underclass Media example: Vile product of welfare UK
41
Price (underclass) (traditional/negative)
‘Poverty porn’ - Describes programmes such as Channel 4s Benefit Street - This refers to the media exploiting the participants and their lifestyle in order to shock and entertain the audiences Media example: Jeremy Kyle
42
Dodd and Dodd (working class) (changing/negative)
Eastenders has introduced realism when bravely broaching issues such as drug and alcohol abuse, crime, attempted suicide, abortion, homosexuality and relationship issues – Whilst doing this portray the outdated view of a communal supportive network Media example: Eastenders
43
Devereux (working class) (changing/positive)
In recent times there are more positive and realistic portrayals of WC individuals - seen as happy and deserving poor. E.g. Royle Family- more realistic portrayal of WC that doesn’t negatively depict life on benefits Media example: Royle Family
43
McLuhan (working class) (changing)
Postmodernism, global village, globailsation, progression Media examle: Instagram
43
Price (underclass) (changing/positive)
Describes programmes such as Channel 4s Benefit Street - does have ‘narratives’ that present characters as decent and compassionate people captured by an unfair society Media example: Benefit Street
44
McLuhan (underclass) (changing)
Postmodernism, global village, globailsation, progression Media examle: Instagram
44
Whale (underclass) (changing)
Pluralism, determined by reader, condemn Media example: Hillsborough disaster
45
Heintz-Knowles (childhood) (traditional/negative)
Way children are portrayed in entertainment television: Children are motivated most by peers relationships and romance and least by school related and religious issues, Majority of the characters engage in anti-social behaviours which results in positive outcomes, Children from minority ethnic groups are under-represented, Boys and girls are almost equally represented but there are important differences in the way that girls and boys are portrayed. For example, girls are twice as likely as boys to show affection and boys are more likely to use physical aggression to achieve their goals Media example: Tracy Beaker
45
Griffin (youth) (traditional/negative)
Media portray youths as a social problem in 3 ways… Deviant, Dysfunctional, Suffering a deficit Media example: Sex education
46
Wayne (youth) (traditional/negative)
Found that of the 286 stories in which young people were the main subject, 28% focused on young celebrities such as footballers. However, 82% of the stories focused on young people as either perpetrators or victims of crime. Violent crime made up 90% of these crime related stories. Wayne argues that this pattern of representation of youth ignores stories about how young people are affected by problems in housing, education, health, unemployment, parental abuse and politics. In addition, news reporters did not ask young people for interviews even though the stories related to them Media example: UK Teens worst behaved in Europe
47
Women in Journalism (youth) (traditional/negative)
Carried out a study titled ‘Hoodies or Altar Boys’ (2009). This study examined how teenage boys were presented in national and local newspapers - They found the following: Negative language to describe them, There were more stories about teens and crime than any other topic, Few stories showed teen boys in a good light, 85% of teen boys said newspapers portray them in a bad light but reality TV was seen to portray them the most fairly, They also found that teenagers were weary of other teenagers mainly due to stories about yobs and hoodies in the media Media example: A 14-year-old boy who has 'fixation' with knives stabbed a man to death
47
Kelly (youth) (traditional/negative)
Language used by journalists to describe young people who come into contact with the law and found there are three major types of representation: Young people are dangerous, Young people are in need of protection, Young people are immature Media example: Children killing children: teen knife crime epidemic
48
Cohen (youth) (traditional/negative)
Mods and rockers moral panic - Influenced by Becker’s labelling theory and was particularly interested in the media response to the events rather than the events themselves. Cohen argued that when the media reports on deviant behaviour they create a ‘folk devil’ Media example: Mods and Rockers
48
Landis (elderly) (traditional/negative)
Supports findings of Age Concern and identified a number of stereotypes in representations of older people: Grumpy old man, Feisty old women, Depressed or lonely, Mentally deficient Media example: Dumbledor
49
Cuddy and Fiske (elderly) (traditional/negative)
Found that in the US, TV programmes portrayed just 1.5% of their characters as elderly. They usually played minor roles and were used as a form of comedy. The media often depicted their mental, physical and sexual capacities as ineffective Media example: Simpsons
49
Milner, Van Normal and Vilner (elderly) (traditional/negative)
Media do not portray a balanced view of ageing - To do this they would need to present the challenges of getting older alongside the more positive opportunities associated with ageing, such as active ageing Media example: Benecol advert
50
Carrigan and Szmigin (elderly) (traditional/negative)
State that older people are ignored in media advertising and when they are included they are stereotyped and presented as a caricature of an elderly person - Presented as ‘smelly and incontinent’ Media example: Age UK, Know what to do advert
50
Postman (childhood) (changing/negative)
The idea of childhood has begun to disappear as children interact more and more with the media. He argued that children are sexualised in the media and that the media creates a world in which adults and children share the same music, sports, language, literature and films. Postman later on discovered that the internet also contributes to this as it leads to children and youths being exposed to adult content E.g. Sex and violence Media example: Tik Tok and Grand Theft Auto
51
Osgerby (youth) (changing/positive/negative)
Studied changes in media representations of youth - 1970s-2000 recurring theme of ‘youth as trouble’. Osgerby argued that these changes in media representations of youth reflect wider cultural developments and ‘mirror the spirit of the times’ i.e. fighting for social change could be portrayed as deviant and norm breaking. This view was explained by referring to how the media represented youth positively in the 1950’s and 1960’s in a post war mood of hope and prosperity but how this was very different to how youth were presented in the 70’s and 80’s as they were now associated with violence and going against society’s norms and values Media example: Greta Thunberg
51
Lee et al (elderly) (changing/negative)
Studied adverts and found that old people were underrepresented, appearing in only 15% of advertisements, but of those 15%, more than 90% of representations were positive – portraying elderly people as ‘golden agers’ enjoying healthy, active lifestyles. However, there are also significant gender differences in the way old people are represented in the media: older men are much more visible in the media than older women Media example: Benecol advert
52
Biggs (elderly) (changing/positive)
Evidence of both change and continuity in the representation of old age in the media. He identified a number of contrasting trends which included: Larger number of elserly in soap operas, Negative depictions of the elderly in sitcoms, older people as more active Media example: Gangsta Granny
52
Carrigan and Szmigin (elderly) (changing/positive)
Found that advertisers were now targeting older people as consumers because of the ‘grey pound’. This led to an increase in positive images of ageing and positive roles for older people Media example: Virgin Media