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MAKEUP TEST Flashcards

1
Q

FUNDAMENTAL COLORS THAT CAN NOT BE OBTAINED FROM A MIXTURE

RED, YELLOW, BLUE

A

PRIMARY COLORS

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2
Q

OBTAINED BY MIXING EQUAL PARTS OF TWO

A

SECONDARY COLOR

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3
Q

FORMED BY MIXING EQUAL AMOUNTS OF PRIMARY COLORS AND ITS NEIGHBORING SECONDARY COLOR WHEEL

A

TERTIARY COLOR

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4
Q

COLORS THAT FALL DIRECTLY ACROSS FROM EACH OTHE ON THE COLOR WHEEL

A

COMPLEMENTARY COLORS

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5
Q

OCCURS WHEN WHITE IS ADDED TO A PALE HUE

A

TINT

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6
Q

OCCURS WHEN BLACK IS ADDED TO A PURE HURE

A

SHADE

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7
Q

OCCURS WHEN GRAY IS ADDED TO A PURE HUE

A

TONE

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8
Q

REFERS TO THE PURENESS OF A COLOR OR THE DOMINANCE OF HUE IN COLOR

A

SATURATION

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9
Q

OR BRIGHTNESS OF A COLOR IS HOW LIGT IT IS

A

VALUE

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10
Q

RFERS TO ANY COLOR IN ITS PUREST FORM ,LACKING AN BLACK OR WHITE TINT

A

HUE

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11
Q

RED + BLUE

A

VIOLENT

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12
Q

YELLOW + RED =

A

ORANGE

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13
Q

YELLOW + BLUE =

A

GREEN

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14
Q

WHEN COMPLEMENTARY COLORS ARE PLACED NEXT TO EACH OTHER, EACH COLOR MAKE THE OTHER LOOK

A

MORE INTENSIFYING

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15
Q

YELLOW UNDERTONE AND RANGE FROM YELLOW AND GOLD THROUGH THR ORANGES, REDS, AND SOME YELLOW

A

WARM COLORS

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16
Q

BLUE UNDERTONE, DOMINATED BY BLUES, GREENS, VIOLENT AND BLUE REDS

A

COOL COLORS

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17
Q

BASE MAKEUP TINTED COSMETIC USED TO EVEN OUT SKIN TONE AND COLOR, CONCEAL IMPERFECTIONS AND PROTECT FROM OUTSIDE

A

FOUNDATION

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18
Q

LIQUID OR SILICONE BASED FORMULAS DESIGNED TO GO UNDERNEATH FOUNDATIONS AND OTHER PRODUCTS TO PREP SKIN FOR MAKEUP

A

PRIMER

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19
Q

HEAVY CREAM MAKEUP USED FOR THEATRICAL PURPOSED

A

GREASE PAINT

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20
Q

ARE USED TO COVER BLEMISHED AND DISCOLORATIONS AND MAY BE APPLIED BEFORE OR AFTER FOUNDATION

A

CONCEALOR

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21
Q

ARE GOOD FOR BLENDING FOUNDATION, CONCEALER, AND POWDER

A

SPONGE

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22
Q

USE A NEW, SINGLE USE WAND TO DIP INTO THE MASCARA

A

WAND

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23
Q

USE TISSUE FOR BLOTTING LIPSTICK OR POWDER

A

TISSUE

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24
Q

SKIN THAT IS UNNATURALY RED WIND BURNED OR AFFECTED BY ROSACEA

A

RUDDY

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25
Q

SKIN THAT HAS A YELLOWISH TINT

A

SALLOW

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26
Q

FOUNDATION APPLICATION METHOD THAT INCLUDES PATTING SKIN WITH A SPONGE

A

STIPPLING

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27
Q

EYELASHES HAIRS ON A STRIO THAT ARE APPLIED WITH ADHESIVE O NATURAL LASH LINE

A

BAND LASHES

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28
Q

SEPARATE ARTIFICIAL EYELASHES THAT ARE APPLIED ON TOP OF UPPER LASHES ONE AT A TIME

A

INDIVIDUAL LASHES

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29
Q

OIL BASED PRODUCTS ARE RECOMMENDED FOR WHAT SKIN TYPE

A

NORMAL TO DRY

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30
Q

WHAT IS AN EXAMPLE OF A BARRIER AGENT FOUND IN MANY FOUNDATIONS TODAY?

A

SILICONE , SUNSCREEN

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31
Q

POWDER FOUNDATION IS GOOD FOR WHAT TYPE OF SKIN

A

OIL

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32
Q

WHAT INGREDENTS ARE NOT RECOMMENDED FOR MINERAL MAKEUP

A

SYNTHETIC PRESERVATIVES, FRAGRANCES, TALC, DYES

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33
Q

WHAT IS THE MOST COMMON FOR OF CHEEK COLOR

A

POWDER

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34
Q

WHAT FORMS ARE COMMON IN EYE SHADOW

A

CREAM, PRESSED, DRY POWDER

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35
Q

WHAT IS EYEBROW COLOR COMMONLY USED FOR?

A

ADD COLOR, SHAPE, FILL IN SPARSE AREAS

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36
Q

WHAT 2 FORMS DO MAKEUP REMOVERS COME IN?

A

OIL AND WATER BASED

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37
Q

WHAT IS THE MOST DURABLE TYPE OF BRUSH HANDLE THAT IS COMMONLY AVAILABLE

A

WOOD

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38
Q

WHAT BRUSH IS SHORT WITH A DENSE BRISTLES THAT IS USED FOR POWDER OR BLUSH AND IS MAINLY USED IN A CIRCULAR MOTION TO BLEND AND APPLY POWDERS

A

KABUKI BRUSH

39
Q

WHAT BRUSH IS SIMILAR TO THE CONCEALER BRUSH BUT IS SMALL WITH A MORE TAPERED, ROUND EGDE?

40
Q

WHAT LASH COMB WORKS BEST?

41
Q

WHAT MAKEUP COLOR INTENSIFIES RED IN SKIN?

A

BRIGHT GREEN

42
Q

FREEKLES LOOK DARKER WHEN ___ IS REFLECTED ON THE FACE

43
Q

WHAT TONES ARE MOST SUBLE ON DARK SKIN?

44
Q

WHAT EYE CLOR IS NEUTRAL AND CAN WEAR ANY COLOR?

45
Q

WHEN SHOULD YOU APPLY FACE POWDER?

A

AFTER FOUNDATION

46
Q

CONTOUR EYE SHADOW IS ___ AND __ THAN THE SKIN TONE. IT IS APPLIED TO __ A SPECIFIC AREA AND TO CREAT __ IN THE CREASE AND __ THE EYELASH LINE

A

DEEPER AND DARKER

MINIMIZE, CONTOUR & DEFINE

47
Q

LIGHT COLORS MAKE THE LIPS APPEAR __

48
Q

WHAT FACE SHAPE IS LONG AND NARROW WITH CHEEKS THAT ARE OFTEN HOLLOWED UNDER PROMINENT CHEEK BONES?

49
Q

THE IDEAL OVAL FACE IS APPROXIMATELY __ AS WIDE AS IT IS LONG.

50
Q

WHAT 2 COLORS CAN BE BOTH WARM AND COOL?

A

RED AND GREEN

51
Q

IS THERE A SIGNIFICANT DIFFERENCE BETWEEN HIGH QUALITY MAKEUO AND LESS EXPENSIVE BRANDS?

52
Q

MOST PEOPLE NEED DIFFERENT COLORS IN THE __ AND __

A

SUMMER AND WINTER

53
Q

CONCEALER MAY BE APPLIES __ AND __ FOUNDATION

A

BEFORE AND AFTER

54
Q

CLIENTS SHOULD BE REMINDED TO REMOVE THEIR MAKEUO EACH NIGHT SO THAT IT DOES NOT

A

CLOG THE FOLLICLES

55
Q

WHAT IS USED TO DRAW ATTENTION AND ACCENTUATE THE EYES?

56
Q

THE PIGMENTS IN __ MUST BE INERT.

57
Q

YOU SHOULD NOT REMOVE EYE MAKEUP WHILE WEARING

58
Q

__ BRUSH HAIRS ARE SOFTER AND GENTLER THAN __ BRUSH HAIRS

59
Q

WHAT CAN SPRAY -ON SANITIZER THAT CONTAIN ALCOHOL DO TO BRUSHES?

A

DRY THEM OUT OVER TIME

60
Q

BRUSHES ALLOW FOR BETTER __ AND BETTER __.

A

CONTROL AND BLENDING

61
Q

THE AREA YOU USE FOR SERVICES AND CONSULTATIONS MUST BE _ AND _

A

CLEAN AND ORGANIZED

62
Q

WHE SHOULD YOU CURL LASHES?

A

BEFORE MASCARA

63
Q

WHEN SHOULD YOU APPLY EYELINER?

A

BEFORE OR AFTER EYESHADOW

64
Q

WHEN YOU APPLY SHADOW TO THE EYES, IT MAKES EYES APPEAR _ AND _.

A

LIGHTER AND MORE EXPRESIVE

65
Q

_ ARE USED MORE EXTENSIVELY IN PHOTOGRAPHY THEN EVERYDAY USE.

A

HIGHLIGHTERS

66
Q

CONCEALORS ARE USUALLY 1 TO 2 SHADES _ THAN THE FOUNDATIONS.

67
Q

AVOID CREATING A CONTRAST BETWEEN THE COLOR OF THE _ AND THE COLOR OF THE NECK

A

FACE AND NECK

68
Q

_ SHOULD ALWAYS BE MATCHED AS CLOSELY AS POSSIBLE TO ACTUAL SKIN TONE.

A

FOUNDATIONS

69
Q

_ SHOULD ALWAYS BE TAKEN INTO ACCOUNT WHEN DETERMINING MAKEUO COLORS

A

HAIR COLOR

70
Q

COORDINATE THE CHEEK AND LIP MAKEUP IN THE SAME COLOR FAMILY AND _.

A

EYE MAKEUP

71
Q

WHAT SKIN TONE EQUAL ELEMENTS OF WARM AND COOL, NO MATTER HOW LIGJ OR DARK THE SKIN IS?

72
Q

_ ARE A STEP BEYONF MAKEOVERS

73
Q

CLIENTS WHO CAN SEE THE FINISHED LOOK OF THEIR MAKEUP IN NATUAL LIGHT ARE MORE COMFORTABLE WHEN __.

A

PURCHASING PRODUCTS YOU RECOMMEND

74
Q

CORRECTIVE MAKEUP MAINLY INVOLVES USING __ AND _ COLORS TO HIGHLIGHT AND CONTOUR FEATURES

A

LIGHT AND DARK

75
Q

WHAT SHOULD YOU DO WITH EYE SHADOW IF THE EYES ARE TO CLOSE TOGETHER?

A

LIGHTLY APPLY DARKER EYESHADOW ON OUTRT EDGE OF EYES ON INSIDE , NEAR NOSE

76
Q

A __,__ LOOK IS BEST FOR WEDDINGS

A

CLASSIC AND TIMELESS

77
Q

__ __ MAKEUO IS DESIGNATED TO BE INVISIBLE TO HIGH DEFINITION CAMERAS

A

HIGH DEFINITION

78
Q

WHAT SHOULD YOU DO WHEN YOU ARE TINTING BROWS ANDD EXCESS COLOR GETS INTO THE SKIN?

A

MUST BE REMOVED WITHIN SECONDS OR IT COULD BE THERE FOR WEEKS

79
Q

PERMANENT MAKEUO CAN __ OVER A TIME PERIOD

80
Q

THE SATISFYING PART OF WORKING AS AN ARTIST IS CLIENT __

A

SATISFACTION

81
Q

WHAT IS THE BEST MARKETING

A

WORD OF MOUTH

82
Q

SHOULD YOU DICUSS SKIN CARE AND WAXING WITH A MAKEUP CLIENT?

83
Q

SKIN NEEDS TO BE __ AND __ FOR MAKEUP TO BE APPLIED SUCCESSFULLY

A

EXFOLIATED AND HYDRATED

84
Q

FOR EYEBROWS, SELECT A SHADE __ TO THE HAIR COLOR

85
Q

WHAT SHOULD CLIENTS TAKE OUT BEFORE APPLYING ARTIFICAL EYELASHES

86
Q

WHEN APPLYING ARTIFICAL EYELASHES, YOU SHPLD __ STRAIGHT BAND LASHES TO MAKE UNEVEN LENGTHS ON THE ENDS BY

A

NIPPING INTO IT WITH THE POINT OF YOUR SCISSORS

87
Q

WHERE SHOULD YOU NOT APPLY PROTECTIVE CREAM FOR BROW TINTING

A

NOT ON YOUR HAIR

88
Q

IF A CLIENT HAS A NARROW FOREHEAD, WHAT SHOULD YOU DO TO MAKE IT APPEAR BIGGER

A

APPLY A LIGHTER FOUNDATION ALONG HAIRLINE AND BLEND INTO FOREHEAD

89
Q

FOR A SHORT NOSE HOE DO YOU CORRECT IT?

A

BLENDER LIGHTS FOUNDATION ON TOP AND BETWEEN EYES

90
Q

WHAT SHOULD YOU DO TO EYEBROWS TO CREATE THE ILLUSION OF A SHORTER FACE FOR A CLIENT WITH A LING FACE?

A

MAKE THEM ALMOST STRAIGHT

91
Q

FOR _ _ YOU SHOULD LINE BOTH UPPER AND LOWER LIPS

A

SMALLER LIPS

92
Q

AIR BRUSH MAKEUO IS USED FOR WHAT PURPOSES?

A

FACE AND BODY ART, TATTOOS , TROPICAL TANS, MAKEUP APPLICATION, HAIT AND NAIL ART, THEATRICAL MAKEUP

93
Q

WHERE ON THE EYE SHOULD YOU START TO REMOVE ARTIFICIAL EYELASHES

A

OUTER CORNER

94
Q

WHAT IS LASH PERMING

A

CURLING LASHES

Esthetics (11 decks)

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