Magazines: The Big Issue + set texts Flashcards

1
Q

outline the Big Issue

A
  • Launched in 1991
  • Aims to transform the lives of London’s homeless
  • TBI is niche (outside mainstream)
  • Exists as a social business to use profits to help people affected by poverty
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2
Q

outline the social purpose behind tbi

A
  • the philosophy of self-help is encapsulated in the strapline found in every edition’s front cover (‘a hand up, not a handout’)
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2
Q

outline the political purpose behind tbi

A
  • it strongly advocates for social change – primarily around homelessness
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3
Q

outline the cultural purpose behind tbi

A
  • TBI covers include cultural references whilst covering the important issue of the housing crisis
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4
Q

outline the typical BI reader

A
  • university educated
  • middle class
  • interested in politics, art, culture
  • limited disposable income
  • wants to make a difference in society
  • TBI must tailor their front cover + content to attract this reader
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5
Q

how does TBI help the poor

A
  • supports vendors to achieve social, health, housing, education, financial inclusion
  • provides employment for the homeless (as vendors)
  • offers direct support to help escape poverty – though campaigns
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6
Q

outline TBIs manifesto

A
  • aims to prevent poverty before it starts
  • ‘prevention over cure’
  • provides routes out of poverty by investing in people’s lives early on
  • social justice for all
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7
Q

last year TBI provided ___ vendors with access to health + wellbeing support

A
  • last year TBI provided 36,000 (almost 40K) vendors with access to health + wellbeing support
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8
Q

how does TBI differ to mainstream magazines

A
  • representation: in mainstream, reps tend to support the dominant social group (media owners (MC)) to reinforce the status quo
  • TBI aims to represent the underrepresented/ marginalised and provide a platform for social issues
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9
Q

define realism

A
  • the set of conventions by which audiences accept a representation as ‘realistic to real life
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9
Q

what are 3 types of realism

A
  • factual realism = whether what is portrayed is factually accurate/ real
  • social realism = whether what is portrayed is what the audience expects based on their social norms
  • narrative realism = whether the events within a story are well explained + consistent
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9
Q

outline the early days of print publications + celeb culture

A
  • from 1900, publications like The Tatler covered highs society events – providing readers with a glance into the lives of the elite
  • they showcased the lavish lives of the British aristocracy
  • with time, the publications progressed and began to print personal profiles, interviews, candid shots of famous people day to day
  • this created a sense of voyeurism for readers
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10
Q

outline the celebrity culture in the digital age

A
  • the key values that define celeb culture today originated from print publications + have become embedded in our collective consciousness, shaping the way we consume and interpret celeb culture
  • readership is fueled by parasocial relationships w/ celebrities + audiences idolisation of them
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11
Q

name media language conventions of magazine

A
  • composition/ layout - how elements are organised
  • typography - style/ size of font
  • modes of address/language - high/low-level lexis
  • shot types + angles
  • strapline - phrases at top/ bottom of page
  • puff
  • logo
  • masthead
  • tagline/ slogan - catchy phrase that represents brand
  • feature article
  • central image
  • colour palette
  • rule of thirds - a page is divided into 3 sections
  • intertextuality
  • props
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12
Q

outline 2 statistics about The Big Issue

A
  • Is published in 25 languages with a readership of 4.6 million per year
  • Each year, vendors sell 4 million magazines
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13
Q

(Native American) outline the intertextuality in relation to Martin Scorsese

A
  • an iconic Hollywood director
  • recognisable to fans of cinema (cine-literate)
  • multi award winner
  • also made: wolf of wall street, shutter island, Goodfellas
14
Q

(Native American) outline the visual of this cover

A
  • grey composited images of Geoffrey + Scorsese
  • Geoffrey: fist in the air, positioned in front of the colours of the Osage nation
  • ‘Scorsese’ + ‘Standing Bear’ in all capitalised, red, bold font
  • ‘and an injustice that lives on’; bold, white, capitalised, sans serif
  • ‘inside big screen epic killers of the flower moon’; all caps, sans serifed, KOTFM in bold, towards bottom of cover
15
Q

(Native American) outline the Killers of the Flower Moon

A
  • an American epic western crime drama film
  • book to film adaptation - book was a bestseller - pre existing audience
  • story follows a series of murders of Osage members after oil was discovered on their land
  • TBI is promoting a story representing the underrepresented - meeting their remit
  • ‘an overlooked piece of history is finally being acknowledged’
16
Q

(Native American) outline the intertextuality in relation to Standing Bear

A
  • Geoffrey Standing Bear is the Chief of the Osage Nation
  • TBI is representing NAs + their marginalisation
  • hes wearing the traditional wear of his tribe
  • he works to protect + enhance Osage culture/ language/ land
  • was Oklahoman of the Year in 2017
17
Q

(Native American) outline the audience reaction to this TBI cover

A
  • the culturally literate readers of TBI may have read KOTFM book
  • Native Americans may remind readers of the link to the homeless as they too are marginalised + misrepresented in western society
  • cine-literate fans of TBI would recognise Scorsese
  • cover relies on TBI’s intertextual knowledge of NAs + Scorsese
  • cover reflects TBI’s ideology to represent their audience’s high cultural capital
18
Q

(Carry On) outline the visual of this cover

A
  • page split between red and blue - colours of Labour + Cons
  • ‘A cross between a Carry On film and being on the titanic’ - in center, bold, sans serif, white letter
  • Rishi Sunak (right) and Keir Starmer (Left) as bobble heads - expressions are caught off guard - reflect political leaning
  • between the politicians is a TBI homeless vendor - brings the focus back to homelessness; holding voting card?, hes looking scornally at Sunak
  • ‘Our man Will Payne inside Tory and Labour conferences as parties ready for election’
19
Q

(Carry On) outline the intertextual context of Carry On films

A
  • a popular film franchise from 1950s-90s
  • British comedy traditional of ‘music hall’ and ‘bawdy seaside postcards’
  • compromised 31 films - well received by Britain
  • had a repeated cast
  • the films tackled areas such as gender, sexuality, home life
20
Q

Killers of the Flower Moon grossed _ globally + received critical acclaim + nominated for _ academy awards

A
  • Killers of the Flower Moon grossed $157M globally + received critical acclaim + nominated for 10 academy awards