Lesson 12 Flashcards

1
Q

Installation Art 1960’s
(Environments)

A

-occupy an entre room or gallery space (walk thought in order to engage fully)

differen form sculpture - it is a compete unified experience rather than a display of separate / individual artworks

-> focus on how the viewer experiences the work / desire to proceed an intense experiment form them

made in situ ( created / installed with the specific space where it is meant to be viewed
-> large-scale variety of different media / mediums

it can be temporary or permanent

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2
Q

Video Art

A

video is the medium of expression (Warhol / June Paik)

-advances in digital computer / vide technology enabling artist to edit and manipulate film sequences

Twen basic varieties

single channel / installation

->dingle-change: video is projected or shown as a single series of images
->Installation comprise with an environment made up of server distance pieces of videos screened simultaneously = combination of video with assemblage / performance art

part of the multi-media fashion - combining architected / design /sculpture / electronic / digital art

Video differs form film (avant garde cinema)
->film producers juggle with storylines / screenplay y/ actors / dialogue

video artist is concerned with exploring the medium itself space/ time / form

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3
Q

Bill Viola 1951-2024

A

contemporary video artist

expression depends upon electronic / sound/ image technology

video installations - total environs that envelop the viewer in image / sound

explore the phenomena of sense perception as an avenue to self-knowledge

universal human experiences (birth /death)

using inner language of subjective thoughts

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4
Q

Blue Nauman 1941

A

-most prominent living artist
-pioneer research across a variety of media
-> installations / Video / sculpture / performance / photography

distinguished by an interest in understanding the human experiment / its conventions / inner workings of the psyche

frequent use of workplay

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5
Q

History of photography

A

1839

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6
Q

Discovery

A

technological improvements: speed / resolution / permanence

first attempt Nicéphore Niépce => camera obscure
= unsuccessful

Louis Daguerre -> daguerreotype => first to public announce success of photographic process

1839 photographic process in commercially intruded

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7
Q

Nadar 1820-1910

A

-photographer for the portraits

woodburytype = print in which the image is forme by ink that has been transferred from a lead intaglio plate
(did not use halftone screen -> grey values)

1855 patented the idea of use aerial photographs
1858 began photographs by electric light
1868 first photo interview (series of 21 photographs

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8
Q

Photo Secession 1902
founded by Alfred Stieglitz

A

-affiliating the photographers with the modernist secession movement in Europe

broke ways form the Camera Club -> Pictorialism
-> technique / manipulation negatives / prints so as to approximate the effects fo drawing / etching / oil paintings

1910 member divided
some still manipulated their negatives to achieve a non photographic effects
others came to feel that it destroyed tone / texture = inappropriate

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9
Q

Alfred Stieglitz 1864-1946

A

photography was a medium as capable of artistic expression as painting / sculpture

photography is based on several modernist ideas: fragmented sense of self / personality

expression of the photographers feelings

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10
Q

Eugène Atget 1857-1927

A

-photographs made in the north of France - rural scenes / plants / farming

working in Paris

changed focus to concentrate on the city of Paris

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11
Q

August Sander 1876-1964

A

-portraits - people of the 20th century

Show the cross section of society during the Weimar Republic

photographed straight on in natural light

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12
Q

Brassaï 1899-1984

A

photographing the night of Paris

Paris de Nuit - dark bistro’s /darker streets -> difficult technical problem

people of the night

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13
Q

André Kerstész 1894-1985

A

most influential photographers of the 20th century

-change the way photographers looked at the world

->befind the use of the hand-held camera - opens museum doors for the collection photography as fine art

American magazines : Vogues / Harpers Bazaar

unexpected detail - sweetness of life / free and childlike pleasure in the beauty of the world

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14
Q

American Social Realist Photography

A

1930’s Gerat depression + rats of Fascism in Europe promote many American artists to turn away form abstract art

idealised vision of America’s agrarian past

document rural paver / exploitation of sharecropper / migrant labourer in attempt to garner supra for President

distributed free of charge across the county

Dorothea Lange / Walker Evans
->black and white stills of starving fruit-pickers in California become icons symbols of the Great Depression

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15
Q

Dorothea Lange 1895-1965

A

unemployed men who wander streets

migrant worker

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16
Q

Walker Evans 1903-1975

A

forthright approach of portraiture and documentary redefined these genres for generations to come

17
Q

Henri Cartier-Bresson 1908-2004

A

-photography can capture the meaning beneath outward appearance

lent itself spontaneity / anonymity (hid the camera)

18
Q

Robert Capa 1913-1954

A

gretes phtojournalist

mature stay fully emerged in grim close-up view of death

fight in Africa / Sicily

19
Q

Joel Meyerowitz 1938

A

-most accomplished advocate of colour fine art photography

-most prominent respected documentarians

-saw himself as a street photographer -> transformed the mode with his pioneering us of colour

20
Q

Düsseldorfdorf School of Photography 1970’s

A

influential photographers Bernd / Hilla Becher

regorous devotion the 1929’s German tradition of Neue Sachlichkeit

clear black and white pictures of industrial archetypes

Candida Höfer / Thomas Ruff /Thomas Struth -> modified the approach

=> new technical possibilities / persona / contemporary vision

Cadnida Höfer: Empty Interior / Rooms -> representation spaces devoid of all human presence

Thomas Ruff: somber portrias

Thomas Struth: Museum Photogrpahs - people how are looking at art - makes them wear of their active participation in the completion of the works meaning

21
Q

Evolution of the Art World

A

until the 17th century:
Artist -> Commissioner

17th-19th century:
artist -> academy -> collector

19th century:
artist -> dealer -> collector

20th century:

middle: Critic curator
->Artist
->collector
->gallery dealer

gallery dealer -> collector

today:
Museums
Art faires
Action Houses
Galleries