Lecture 11: The 1980s Flashcards
1
Q
James Horner - Early Life
A
- 1953 - 2015
- American born
- grew up in England where he attended the Royal College of Music
- his father worked in the movie business as production
- felt that film composing was not a serious artistic outlet
- began composing for film while at UCLA in 1978 for the American Film Institute (AFI)
- within a year, he got his first major feature film
2
Q
James Horner - Works
A
- first major feature film = The Lady in Red (1979)
- breakthrough score = Star Trek II: The Wrath of Khan (1982)
- among his best-known work = Aliens (1986), Field of Dreams (1989), Braveheart (1995), Apollo 13 (1996)
- greatest success came in 1997 = Titanic
- he won two Academy Awards = Best Original Score, Best Original Song
3
Q
James Horner - Characteristics
A
- strong melodic composer, often works with the conventional orchestra
- had exactly the number of notes that it needed, and no more
- also capable of incorporating electronic and avant-garde sounds - very strong at synchronizing music to visual elements
- adept at writing in popular styles
4
Q
Glory - Movie Summary
A
- 1989
- composer = James Horner
- based on a true story
- when Shaw was young, he was given a commision during the American Civil War
- Shaw was put in charge of a division of African American soldiers
- he discovered that it was basically a PR campaign
- he fought to uphold the dignity of his division
5
Q
Glory - Scene Analysis
A
- simple, quiet melody played in the trumpet
- then, title card comes on with a snare drum
- the music reinforces the visual structure
- instrument used to carry the main idea = children’s choir
- then, the melody moves to the strings
- when the battle starts, the music disappears
6
Q
Star Trek II: The Wrath of Khan
A
- 1982
- second movie was a callback to the television series
- film is set 15 years later from the original television episode
- Kirk is getting older, and is now Admiral Kirk
- Khan represents Kirk’s one big mistake
- film is about making up for past mistakes, and about getting older
7
Q
Star Trek - Television Series
A
- starts in the 1960s
- played for 3 seasons
- ideas that were being dealt with were much bigger than the sets
- developed a huge cult following
- Star Trek: The Motion Picture = tried to play big ideas, but none of the adventure
8
Q
Star Trek II - Scene 1 (Kirk and the Enterprise)
A
- theme is not an action hero theme
- Kirk is no longer a man of action
- it is grand and sweeping, but calm and slow, very tonal
- melody reaches up and falls back
- the full statement of the theme occurs for the first time when we see the entirety of the Enterprise
9
Q
Star Trek II - Scene 2 (Khan Introduction)
A
- world of the dissonant
- music is like a soundcloud, until we see Khan
- then, the notes hit extremes, and a slow pulse (using synthesizers)
- slow pulse is the beginning of Khan’s rage
- then, we hear the beginning of Khan’s theme = semitones, and then a lashed out note
- all tension, no sense of relief
10
Q
Star Trek II - Scene 3 (Khan Attacks)
A
- interplay between Kirk’s theme and Khan’s theme
- Horner’s style = based on scene changes
- Khan’s theme gets stronger, while Kirk’s theme starts to get more and more uncertain
- music mirrors confidence of Khan and Kirk
- transformed to minor = sensitive, exposed, fragile