later representation of A Flashcards

1
Q

how was A represented after his death

A

-continued to inspire literacy and works of art
-politicians looked to him as a model leader
-behaviour of sucessors relfected on A as he was credited with having established the principate

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2
Q

who was emperor from 14-37 AD

A

-regin characterised by relative sability throughout the empire
-he left the state in a strong position but did comission new buildings to be constructed or continue with the building programme
-showed herediatry rule could be both powerful and succesful

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3
Q

who was emperor from 37 - 41 AD

A

-caligula
-assainated by own bodyguard and had a rep for cruelty and madness
-rome experinced the crushing downside of hereditary rule throughout his reign
-bankrupted the state thorugh lavish games and took over temples so that his palace could be expanded

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4
Q

who was emperor from 41-54 AD

A

-Claudius
-nephew of tiberus who had been a sick child
-disabilites meant no one in his family wanted to know him
-highly intelligent
-never assigned important positions in the senate because fo his disability but it was under his regin that the roman emprei expanded and took over britain

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5
Q

who was emepror from 54-68 AD

A

-Nero
-abolished captial punishement, lowered taxes and allowed slaves to file complaints against their master
-after his mothers death he began to selfindulge and move towards tyranny
-namy roman belive it was he who started the great because he wanted to make room for his planned villa - he balmed christains and tortured them

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6
Q

what was the sebasteion at Aphrodisias

A

-example of how A image changed after his death
-construction began in 20 AD but was not completed until 60 AD
-made from stone, earth and marble sculpture
-complex was paid for by local nobility and intended to be a declaration of their loyalty to rome
-images of gods, mytholoical heroes and Julio-Claudian emperors - majority of panels celebrated victory over foreign people

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7
Q

what does the panel of Venus on the sebasteion show

A

-alongisde anchises - her son and ascanius
- in his hand aeneas holds the hand of his son and carries his father on his back
-physical embodiement of romans value pietas
-stresses the role of venus as progenitor of ormes emperors
-priase A ancestors as they are linked to the trojan war and the age of heroes

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8
Q

panel of Nike and A at the sebasteion

A

-A is naked so that his divinty is stressed - reinforces idea as he is barefoot - only reserbed for gods and heroes
-he and Nike hold armour - in greek and roman culutre it was comman to take the eniemies armour as representatives of spoils of war
-symbolism is similar to what A had in his reign - goddess highlights A military might
-at the bottem their is a prisoner/captive in chains
-botton left is an eagle - symbol of romes power

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9
Q

how does the sebasteion/other imagery show A as a god

A

-held staus of a god and in the manner of his depiction on the panels
-cameos show him wearing Jupiters aegis - symbolic of the fact that he wished to be viewed as Augustus the god not the man

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10
Q

what is the significance of suetonius ‘ life of augustus

A

-written in 121 AD
-provides an understanding as to how A public image changed in the century after his dearh and bwt the publication of the biography

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11
Q

what was Suetonius’ life of Augustus

A

-part of a biographical series of the 12 Caesars which concerns A and his succesors and predecessors
-people believe his was writing honeslty about his reign as he was writing under Hadrian and did not need to fear reprisal for writing critically - hadrian himself attempted to compete with A

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12
Q

who was Suetonius

A

-biographer basing his works on a range of public documents,letters and biographers as well as hear say
-loved scandalous anecdote
-not fist biographer of A
-merely present his version of A although some present A in a -ve manner he is broadly favourable to A

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13
Q

what does Suetonius say about A as princeps

A

-‘ruled the sate’ - the verb ‘ruled’ signalled that he believed A played the role of a king or an emperor not a champion of the republic
-states that the security of the state woul dhave been jeopardised if authority were divided so he ‘decided to retain power in his own hands’
-does not believe A resotred the republic in 27 BC
-conclusion - A was the ruler of rome, not the princeps

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14
Q

A as imperator according to suetonius

A

-some times A condems A behaviour especially refering to the battle of Mutina
-the battle of actium is aid to be a ‘great naval victory’ - alligns with propaganda which described it as being oene of the greatest, most significant and most glorius moment in romes history
-no mention of Agrippas role but he does make clear that most foreign campaigns were led by his generals not A
-he ‘commanded in person only two foregin campaigns’
-involved in fighting at times, and visited the frontlines
-wars against romans are called ‘civil conflicts’ - he makes amends for thus by stating that ‘the motivation for all this warfare was that A considered it his duty to avenge Caesars death’

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15
Q

A as a moral and religous leader according to suetonius

A

-Leges iuliae was unpopular and difficult to enforce - there were open rebellions and attempts to circumvent the laws, which makes him seem like an ineffective leader
-his daughter and granddaughter were both exiled in accordance with the Leges iuliae beacsue of adultery
-A had respect for religous customs - when lepidus was exiled in 36 BC he was allowed to retain the position of ponitfex maximus until his death
-revived several ancient rites, prevented the corruption of the Vestal Virgins and ‘resorted temples that had fallen into disrepair’

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16
Q

Scandels of A according to suetonius

A

-some anecdotes are said to be rumours whihc brings reliability into question
-it was said that O had arranged for Hirtius and Panasa to be killed
-Antony said that he had an ‘unnatural’ relationship with Caesar for the price of his adoption
-his own adulteries so well-known that not even his friends denied that he gave into adulterous behaviour

17
Q

modern interpretations of A - Shakespeare Antony and Cleo

A

-1607
-dominat support character
-play centres around Antony and Cleo bigamous reltionship
-Antony is shown to despire Octavius; Antonys portryal matches the propagnag that was creadted against him, with him shown to be living a luxurious life
-octavius claims that no lovers shall ever be as famous as they and he is victorious despite Cleo defying his wishes and killing herself

18
Q

modern interpretations of A - I,Claudius

A

-1934
-Graves novel whihc takes the form of an autobiography and is loosely based on life of A
-Claudius the former emperor narrates the story and looks back on his life before becoming emperor and covers the reigns of men who preceded him including A
-A is shown to be a well-meaning ruler who desires to resotre the republic but is driven by Livia into not doing so
-towards the end of his life he becomes aware of her sins and attempts to decalre Agrippa Postumus as his heir and leading to her succesful attmepts to posin A
-in televeison series Livia schemes to have her son Tiberius adopted as heir so that he can succed him
- presented as a strong leader but is unable to control his fam

19
Q

Alan Massie, Augustus - 1986

A

-claimed to be an autobiography of A
-first section has A as narrator where he talks in a triumphant tone but in the second half tone tone is more subdued showing how badly affected he was by the deaths of his hrandchildren
-reflects on his achievments and his hopes and dreams for Rome

20
Q

Neil Gaiman, Sandman -August - 1991

A

-A disguises himself so that he can go about the streets of rome unrecognised - simlar to Life of A where he left towns at night to avoid having trouble with anyone with a formal cermony
-walks with Lycius and talks of his life and achivement
-understands and recoginises that he is responsible for the deaths of countless romans who died in war
-shown to be afraid of Caesar the god showing his vunerability