Job Descriptions for film Flashcards
Executive Producer
Contributes or raises the majority of the finances or is responsible for creative
input such as writing the screen play or creating a series idea. Oversees and manages legal and financial
elements.
Producer
– Oversees and manages creative, legal and financial elements. The keeper of the “vision” of
the production.
Line Producer
– Manages the budget and provides day-to-day shoot supervision, reporting directly to the producer(s).
Co-Producer
Shares the producer credit and duties.
Associate Producer
Typically has been involved in one or more aspects of producing but is not given a
full producer credit.
Screenwriter
Writes the script.
Director
The person ultimately responsible for the look, sound and emotional impact of a film or TV
production (i.e. works with producers, directs actors, and works with all keys).
Production Manager (PM)
– Ensures the production runs smoothly and as planned, tracking the budget
and any unforeseen expenses, such as time delays.
Production Coordinator (PC)
Runs the production office under the guidelines of the Production
Manager. Among other duties, the PC organizes equipment rentals, travel and accommodation for crew
and cast.
Assistant Production Coordinator (APC)
Supervises or performs duties of answering phones, typing
and filing, to maintain an organized and efficient office.
Office Production Assistant
Carries out the office duties assigned by the PM and the PC, which may
include photocopying, answering phones, distribution of office paperwork and filing.
Production Accountant
– Coordinates the operation of the Accounting Department. Duties include
accounts payable/receivable, petty cash, journals, cost reports, cash flows and tax considerations.
1
st Assistant Production Accountant
Assists the Production Accountant.
1
st Assistant Director (1st AD)
– 1
st Assistant to the Director. Breaks down the script, develops overall
production schedule and supervises the set.
2
nd Assistant Director (2nd AD)
Develops the daily schedule, prepares and distributes the call sheets,
prepares Production Reports, supervises the wrap of production at the end of the day.
3
rd Assistant Director (3rd AD)
– Assists the 1st and 2nd AD’s as need either on set or in the trailer.
Completes the daily production report.
Set Production Assistant
Assists the 1st and 2nd AD’s as needed on either set or in the trailer.
Location Manager (LM)
Searches out and secures locations in consultation with Producer(s) and
Director. Obtains permits and/or contracts for all locations.
Assistant Locations Manager (ALM)
Assists the LM during prep and production. Manages the set and
supervises the Locations Crew in the LM’s absence. Often there is an on-set and off-set ALM.
Location Production Assistant
– Carries out the duties on set that are assigned by the LM and ALM,
which may include papering, crowd and traffic control and site cleanup.
Security Coordinator
– Coordinates the operation of the Security Department ensuring that all required
entrances/exits are locked, and conducting hourly checks of the site and access points. Also responsible
for ensuring that only authorized persons are on set.
Security Crew/Watchperson
– Assists the Security Coordinator.
Script Supervisor/Continuity
responsible for tracking script and technical elements on set. Acts as the
liaison between the set and Picture Editor.
Director of Photography (DOP)
– Translates the Directors vision through photography. Responsible for
photography and lighting elements.
Camera Operator
Operates the camera as directed by the DOP and/or Director.
Focus Puller/1st Assistant Camera
Maintains and cleans the camera and sets up for each shot with
appropriate lenses and filters, sets the stop and focus for each shot or set-up.
Clapper Loader/2nd Assistant Camera
Loads and unloads film, does the slating, and prepares the
camera reports/paperwork for the processing lab.
Gaffer
– Manages the Lighting Department. Responsible for ensuring the lights are set up and providing
the DOP with the necessary foot-candles, lighting intensities and lighting rations.
Best Boy
Supervises the operation and maintenance of the lighting equipment and ensures all
equipment and personnel are on set.
Generator Operator (Genny Op)
– Runs and maintains the generator that provides power to the set
while on location.