Jeff Buckley- 'Grace' Flashcards
Genre
Rock ballad
Love themed
Date of composition
1994
Tempo
64 bpm
Metre
12/8 time
Melody
Melodic line falls with glissando’s
Verse (melody)
Low in Buckley’s voice range
Moves by step
Buckley slides from high to low notes (sense of gloom)
Pre-chorus (melody)
Higher in pitch
Ironic “my fading voice”
Verse 1- (word painting-melody)
“Not afraid to die” falls down to low E
“Love” falling melisma (lots of notes to one syllable)
Verse 2- (word painting-melody)
“Oh my love” on high E, full of emotion, sounds desperate
“Believe my time has come” higher A and falls off- desperation, emotion, passion
Middle 8- (word painting-melody)
“Pain” and “leave” are high notes, anxious to leave the pain behind
“Goes so slow” very long notes
Intro (Harmony/Tonality)
E minor
Full of tonal ambiguity
Starts on F minor chord, only lands on E minor in bar 3
Then we hear D major and A major
Verse (Harmony/Tonality)
Combination of power chords with an E minor drone
Minor key
Link A (Harmony/Tonality)
Minor
Link B (Harmony/Tonality)
Major key
Chorus (Harmony/Tonality)
Combinations of power chords with an E minor drone
Pre-chorus (Harmony/Tonality)
Modal key
Instrumentation
Voice- male, huge range, sings falsetto in middle 8
Electric guitars x2 lowest string tuned to D
Acoustic guitar
Bass guitar
Full drum kit- focus on toms in verse
Strings
Synthesisers
Link A (instrumentation)
Clean electric guitar sound
‘Pull offs’ used
‘Guitar whispers’ turning the volume up after the note is played with reverbe and delay on the sound
Middle 8 (instrumentation)
Telephone EQ used on the voice ‘reminds me of’
Final link (instrumentation)
Col Legno, strings struck with the back of the bow- time ticking away
Verse 3 (instrumentation)
Very high singing but not falsetto, strains his voice emphasising the emotion
Technology
Delay and reverbe- on electric guitar (guitar whispers)
Flanger effect-gives the guitar a thick metallic sound
Synthesiser- eery effect on the word “sorrow”
Telephone EQ- harsh and clashing effect
Structure
Link- A and B Verse 1 Pre-Chorus Link Verse 2 Pre-Chorus- pizzicato strings Chorus Middle 8- vocalisation (no words, emotional) layers on voice Link Verse 3 Coda
Texture
Homophonic throughout (melody+accompaniment)
Layers added and taken away throughout, maintaining interest in a repetitive piece
Use of toms and cymbals effects texture
Chorus (melody)
Minimal and repetitive
‘Wait in the fire” x4
Texture (verse 2)
More complex texture, thicker than in verse 1 due to additional sound effects on guitar
Texture (Link)
Link takes texture back down
A- no kit, bass or acoustic guitar- builds anticipation, guitar plucked
B- much thicker whole band playing, guitar strummed (brighter)