Italian Baroque Flashcards

1
Q

Caravaggio treated both themes with extreme austerity and simplicity. He placed Paul on his
back in a pool of light, just after having been struck from his horse by a divine thunderbolt.

A

THE CONVERSION OF ST. PAUL – Michelangelo Merisi
da Caravaggio

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Compositionally, the painting is organized around a strong
diagonal that begins at the point of the Virgin Mary’s sister
Mary Cleophas’s raised left hand, continues down through Mary
Magdalene’s slumped shoulder and the elbow of Nicodemus, to
finally rest upon the corner of the shroud within which Christ’s

dead body is about to be wrapped.

A

THE ENTOMBMENT OF CHRIST –Michelangelo Merisi
da Caravaggio

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

He set the subject of Christ
calling Matthew, the tax gatherer, in a dingy modern tax
collector’s office somewhere in a basement of Rome.

A

CALLING OF MATTHEW - Michelangelo Merisi
da Caravaggio

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Militia Company of District II Under the Command of Captain Frans Banninck Cocq, better

known as the

A

NIGHT WATCH – Rembrandt

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

His Major contributions was the
development of an artificial and unique
technique of handling light and shadow
called the Rembrandt lighting

. Graded
transition from light to dark with
shadows of warm color
.

A

Rembrandt Van Rijn

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

The school greatest who painted
genius portraits
of the dutch and scenes of genre and religious
subjects
.

A

Rembrandt

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

is based on an Old Testament tale. In the Book of Daniel, Regent

Belshazzar of Babylon served one thousand nobles at a great feast.

A

BELSHAZZAR’S FEAST - Rembrandt

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Militia Company of District II Under the Command of Captain Frans Banninck Cocq, better

known as the

A

NIGHT WATCH

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

The “little Dutch master” next
to Rembrandt

A

Jan
Vermeer

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

His usual subjects focuses on
women at some household
chores

A

Jan
Vermeer

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

represents a young woman in a dark shallow space,
an intimate setting that draws the viewer’s
attention exclusively on her. She wears a blue and
gold turban, the titular pearl earring, and a gold
jacket with a visible white collar beneath.

A

GIRL WITH A PEARL EARRING - Vermeer - italian baroque

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q
  • which is considered a glorification of the great pontificate of Pope Urban VIII, a member of the Barberini family.
  • work ranks as one of the masterpieces of baroque painting.
  • The ceiling is an illusionistic continuation of the space of the room.
A

FRESCO IN THE CEILING OF GRAN SALONE OF THE PALAZZO BARBERINI

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Barley Sugar columns/ columns with twisted shafts

A

SOLOMONIC COLUMNS

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

The most celebrated
Italian piazza is that
designed by _____ in
front of St. Peter’s
Basilica, Rome. It is 650
feet (198 m) wide, being
bounded on the sides
by fourfold Tuscan
colonnades.

A

Gian Lorenzo Bernini

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

most important figure in early baroque architecture.

A

CARLO MADERNO

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Italian architect, whose work prefigured the baroque style of
the 17th century.

A

CARLO MADERNO

17
Q

His style influenced the baroque
architects Francesco Borromini and
Gianlorenzo Bernini.

A

CARLO MADERNO

18
Q

He completed the unfinished facade
(1614) of Saint Peter’s Basilica in Rome.

A

CARLO MADERNO

19
Q

one of the most original and important
architects in 17th-century Italy.

A

FRANCESCO
BORROMINI

20
Q

devoted himself exclusively to architecture,
becoming virtually obsessed with finding new
and unorthodox uses of space.

A

FRANCESCO
BORROMINI

21
Q

FAÇADE OF SAN CARLO ALLE QUATTRO FONTANE

ORATORY OF SAINT PHILLIP NERI

SANT’IVO ALLA SAPIENZA COURTYARD AND FAÇADE.

A

BORROMINI

22
Q

a vast octagonal
building with two
domes and a pair
of picturesque bell shaped towers at the back. Dedicated to mary mother of jesus, dome- crown of mary

A

S. MARIA DELLA SALUTE –BALDASSARE LONGHENA

23
Q

The mother
church of the
Society of jesus, a
roman catholic
religious order
known as the
Jesuits ; its façade
is the “first truly
baroque façade”
introducing the
baroque style of
architecture

A

CHURCH OF IL GESU – GIACOMO VIGNOLA

24
Q

architectural space painted in illusionistic perspective

A

Quadratura

25
Q

painting showing an illusionistic view upward into a seeming dome, sky or heaven

A

Di sotto in su

26
Q

New emphasis on sculptural and painted forms;
shapes of nature, leaves, shells and scrolls enrich
classical forms of earlier Renaissance design

A

Elements of Baroque Style

27
Q

Modification of basic shapes of walls and
ceilings, with three-dimensional sculptural
decoration, figures, and floral elements

A

Elements of Baroque Style

28
Q

Painted settings that offered illusionistic
views of space peopled by figures full of
movement and activity

A

Elements of Baroque Style

29
Q
A