French Rococo Flashcards

1
Q

a French painter whose brief career
spurred the revival of interest in
colour and movement (in the
tradition of Correggio and Rubens).

A

Jean Antoine Watteau

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2
Q

PILGRIMAGE ON THE ISLE OF CYTHERA
La Surprise

A

Jean Watteau

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3
Q

considered a master of still life, and is also noted for his genre paintings
which depict kitchen maids, children,
and domestic activities.

A

Jean Baptiste Simeon Chardin

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4
Q

He designed interiors, costumes,
sceneries, book illustrations,
tapestries, gilt-bronze mounts for
furniture and picture frames.

A

Francois Boucher

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5
Q

(mistress of King Louis XV), whose name
became synonymous with Rococo art, was a great fan of Boucher’s, and had the painter under her protection: it is particularly in his portraits of her that this style is clearly exemplified.

A

Marquise de Pompadour

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6
Q

Diana leaving the bath
Madame de Pompadour

A

Francois Boucher

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7
Q

dominated Late Rococo painting. He was a pupil of Bouchér; He painted pastoral landscapes,
allegorical and mythological scenes,
produced some of the most daring
sexual fantasies of the century.

A

Jean Fragonard

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8
Q

It is considered as one
of the masterpieces of the rococo era, and is Fragonard’s

best known work.

A

The Swing

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9
Q

colors, emphasis on blue,
silvery-gray, white, orange and red.

A
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10
Q

solid wood furniture maker

A

Menuisier

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11
Q

furniture veneer maker/cabinet

A

ebeniste

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12
Q

metal mounts maker

A

fondeur

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13
Q

bronze chasing maker

A

ciseleur

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14
Q

lacquerer

A

vernisseur

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15
Q

marquetry panel maker

A

marqueteur

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16
Q

gilder

A

doreur

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17
Q

terminated with whorl shell or leaf scroll feet

A

cabriole legs

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18
Q

female bust, used a cresting ornament

A

espagnolette

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19
Q

introduced as a furniture finish

A

chinese lacquer

20
Q

Completely upholstered small sofa similar to wide seat or a

wide bergere; seat for 2 people

A

marquise

21
Q

somewhat larger armchair that had enclosed
and upholstered arms and usually, a loose seat cushion.

A

Louis XV Bergere

22
Q

Small 2 seater sofa with an exposed frame

(elongated Fauteuil)

A

Canape

23
Q

Straddle Chair, in which the sitter faced the chair back and

rested his arms on the upholstered top rail

A

Voyeuse

24
Q

upholstered chair with an extended seat for lounging: both furniture types developed in response to a new

concern for informality and comfort

A

Louis XV Chaise Lounge

25
Q

A small chair with concave back and cabriole legs

A

Cabriolet

26
Q

A daybed; as was the chaise lounge, an upholstered chair with a

long seat for reclining

A

Lit de Repos

27
Q

2 upholstered chairs put together and connected in the middle

with an ottoman between them

A

Duchesse - Brisee

28
Q

Three seats to a single unit with the two end seats smaller and

separated by arms from the center section

A

Confidante

29
Q

art influences

A

Greek and Rome

30
Q

a reaction to the Baroque (massiveness and opulence) and Rococo (lighthearted
and gay) styles, soon after the mid-18th century, there was a desire for a quiet
informal dignity in the arts;

A

Neoclassical Art

31
Q

Filing cabinet

A

Cartonnier

32
Q

Tall French writing desk, the top part of which resembles an armoire, having a door
at its base. The top is often flap-fronted to provide a larger writing surface when open.

A

Secretaire a abattant

33
Q

Provided with a mechanical device to raise the raising table.

A

Secretaire a la tronchin

34
Q

A five to six drawer commode had a brass gallery. The cabinet which was intended
to house collections of precious objects was an item of furniture used only by the very wealthy.

A

Chiffonier

35
Q

A technique involving painting on reverse side of glass then applying gold and silver as backing

A

Verre Eglomise

36
Q

Interior
architecture and
furnishings are the
most important
aspects of the
neoclassical style

A
37
Q

Ovals, ellipses
and circles,
which were the
only curves used

A
38
Q

Proportions were
light and refined,
retaining intimacy
and charm, but
with emphasis on
straight lines

A
39
Q

Wide and narrow panels of
painted wood or plaster
covered with rich fabrics
or wallpaper or filled with
mirror or paintings, were
symmetrically arranged

A
40
Q

Slim panels on the
walls called
boiseries (carved
woodwork with
picked out in gilt
were popular)

A
41
Q

The trumeau
( overdoor or
overpaneling filled
with paintings and
mirror) were
frequently seen

A
42
Q

Doors and windows had
rectangular or elliptical
panels over them and
were symmetrically
arranged, with flatter
more austere moldings,
such as egg and dart

A
43
Q

Color Prints and
paintings were popular

A
44
Q

Ceilings were
usually flat and
decorated with
simple classical
motifs with large
glass chandelier in
the center

A
45
Q

Rooms with high
ceilings had an
entablature crowning
the paneling; rooms
with low ceilings had
a simple cornice or cove

A
46
Q

Division of walls

A